ABOUT AYO
The 100 young men and women on stage at this concert represent the finest
young musicians in Asia. Chosen by rigorous auditions held throughout the
region, they are among the best of the best from Hong Kong, Japan, Korea,
Malaysia, the Philippines, Singapore, Taipei, Thailand and Vietnam.
They met as an orchestra for the first time on July 18 1992 (Third season since AYO Inauguration in 1990) in Singapore, where
they rehearsed for three weeks under the direction of AYO assistant
conductor Mark Churchill, principal guest conductor Lukas Foss and resident
conductor David Alan Miller.
It was an intense, exhilarating time. Rehearsals continued for seven hours
a day, in three sections, giving each student the opportunity to go over
every note in every score with an exceptional faculty of 16 distinguished
musicians from the Boston and San Francisco Symphony orchestras, the Symphony
Orchestra of the National Opera (La Monnaie) of Brussels, the Philharmonic
Orchestra of Radio France, the Israel Philharmonic, Yale University and the
New England Conservatory of Music, Indiana University and Chabot College,
the KBS Symphony Orchestra, and the New York Brass Quintet.
It was hectic, but there was fun as well. Away from rehearsal, the days were
filled with the joy of meeting new friends, eating strange, often spicy and
exotic foods, living together, relaxing with host families, and sharing the
thrill of making music at a level of excellence and professionalism that
many of these students now experience for the first time.
More than 600 students - the youngest 13, the oldest 25 - auditioned for the
orchestra. When the process was over, 17 were chosen from Hong Kong, 19 from
Taipei, 7 from Thailand, 11 from Singapore, 4 from Malaysia, 27 from Japan,
10 from Korea, 3 from the Philippines, and 2 from Vietnam, where auditions
were held at the remarkably resilient Hanoi Conservatory.
Conceived as a tuition-free summer program, the Asian Youth Orchestra is
designed to ignite a pride for what can be achieved by Asian musicians in
Asia while affecting a positive influence on the brain and talent drain that
continues to frustrate all Asian nations. It is the orchestra's intention
to annually expose Asia's brightest young musicians to rich and varied
artistic experiences that include rare opportunities for exchange, study and
touring with celebrated musicians of the 20th century.
A formation committee of select Hong Kong business men and women created the
organisational structure for the Asian Youth Orchestra and established it in
1987 as a non-profit charitable trust qualified under Section 88 of the Hong
Kong Inland Revenue Ordinance as a tax-exempt institution.
Hong Kong publisher Sally Aw Sian provided the initial funding and
continues
an extraordinary level of support. Scholarship, camp and tour
support for
1992 has come from individuals and corporations in Singapore,
Korea, San
Francisco, New York (headquarters of the American Express
Foundation), Taipei,
Hong Kong (where AYO enjoys privileged support from Mr James Kung, Chairman
and Chief Manager of Chekiang First Bank, Ltd), and Tokyo (where AYO is
especially grateful to Mr Yotaro Kobayashi, Chairman of Fuji Xerox, and Mr
Shoichi Asaji, Chairman of Nihon Building Services).
The above article is taken from the AYO 1992 souvenir programme book.
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