Heaney's Genious


- A selection of poems by Seamus Heaney


    Follower                      The Toome Road                     The Given Note         
                     Bogland                          Casualty 
    Sloe Gin                      Wolfe Tone                         The Singer's House                
                     Broagh                           North
    Wedding Day                   Bog Queen                          The Disappearing Island


FOLLOWER

My father worked with a horse-plough,
His shoulders globed like a full sail strung
Between the shafts and the furrow.
The horse strained at his clicking tongue.

An expert. He would set the wing
And fit the bright steel-pointed sock.
The sod rolled over without breaking.
At the headrig, with a single pluck

Of reins, the sweating team turned round
And back into the land. His eye
Narrowed and angeled at the ground,
Mapping the furrow exactly.

I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod;
Sometimes he rode me on his back
Dipping and rising to his plod.

I wanted to grow up and plough,
To close one eye, stiffen my arm.
All I ever did was follow
In his broad shadow round the farm.

I was a niusance, tripping, falling,
Yapping always. But today
It is my father who keeps stumbling
Behind me, and will not go away.


THE GIVEN NOTE

On the most westerly Blasket
In a dry-stone hut
He got this air out of the night.

Strange noises were heard
By others who followed, bits of a tune
Coming in on loud weather

Though nothing like melody.
He blamed their fingers and ear
As unpractised, their fiddling easy

For he had gone alone into the island
And brought back the whole thing.
The house throbbed like his full violin.

So wether he calls it spirit music
Or not, I don't care. He took it
Out of wind off mid-Atlantic.

Still he maintains, from nowhere.
It comes off the bow gravely,
Rephrases itself into the air.


BOGLAND

for T.P.Flanagan

We have no prairies
To slice a big sun at evening -
Everywhere the eye concedes to
Encroaching horizon,

Is wooed into the cyclop's eye
Of a tarn. Our unfenced country
Is bog that keeps crusting
Between the sights of the sun.

They've taken the skelton
Of the Great Irish Elk
Out of the peat, set it up
An astounding crate full of air.

Butter sunk under
More than a hundred years
Was recovered salty and white.
The ground itself is kind, black butter

Melting and opening underfoot,
Missing its last definition
By millions of years.
They'll never dig coal here,

Only the waterlogged trunks
Of great firs, soft as pulp.
Our pioneers keep striking
Inwards and downwards,

Every layer they strip
Seems camped on before.
The bogholes might be Atlantic seepage.
The wet centre is bottomless.


SLOE GIN

The clear weather of juniper
darkened into winter.
She fed gin to sloes
and sealed the glass container.

When I unscrewed it
I smelled the disturbed
tart stillness of a bush
rising through the pantry.

When I poured it
it had a cutting edge
and flamed
like Betelgeuse.

I drink to you
in smoke-mirled, blue-black,
polished sloes, bitter
and dependable.


BROAGH

Riverbank, the long rigs
ending in broad docken
and a canopied pad
down to the ford

The garden mould
bruised easily, the shower
gathering in your heelmark
was the black O

in Broagh,
its low tattoo
among the windy boortrees
and rhubarb-blades

ended almost
suddenly, like the last
gh the strangers found
difficult to manage.


WEDDING DAY

I am afraid.
Sound has stopped in the day
And the images reel over
And over. Why all those tears,

The wild grief on his face
Outside the taxi? The sap
Of mourning rises
In our waving guests.

You sing behind the tall cake
Like a deserted bride
Who persists, demented,
And goes through the ritual.

When I went to the gents
There was a skewered heart
And a legend of love. Let me
Sleep on your breast to the airport.


NORTH

I returned to a long strand,
the hammered curve of a bay,
and found only the secular
powers of the Atlantic thundering.

I faced the unmagical
invitations of Iceland,
the pathetic colonies
of Greenland, and suddenly

those fabulous raiders,
those lying in Orkney and Dublin
measured against
their long swords rusting,

those in the solid
belly of stone ships,
those hacked and glinting
in the gravel of thawed streams

were ocean-defeated voices
warning me, lifted again
in violence and epiphany.
The longship's swimming tongu

was buoyant with hindsight -
it said Thor's jammer swung
to geography and trade,
thick-witted couplings and revenges,

the hatreds and behindbacks
of the althings, lies and women,
exhaustions nominated peace,
memory incubating the spilled blood.

It said, "Lie down
in the word-hoard, burrow
the coil and gleam
of your furrowed brain.

Compose in darkness.
Expect aurora borealis
in the long foray
but no cascade of light.

Keep you eye clear
as the bleb of the icicle,
trust the feel of what nubbed treasure
your hands have known."


THE DISAPPEARING ISLAND

Once we presumed to found ourselves for good
Between its blue hills and those sandless shores
Where we spent our desperate night in prayer and vigil,

Once we had gathered driftwood, made a hearth
And hung our cauldron like a firmament,
The island broke beneath us like a wave.

The land sustaining us seemed to hold firm
Only when we embraced it in extremis.
All I believe that happened there was vision.


THE TOOME ROAD

One morning early I met armoured cars
In convoy, warbling along on powerful tyres,
All camouflaged with broken alder branches,
And headphoned soldiers standing up in turrets.
How long were they approaching down my roads
As if they owned them? The whole country was sleeping.
I had rights-of-way, fields, cattle in my keeping,
Tractors hitched to buckrakes in open sheds,
Silos, chill gates, wet slates, the greens and reds
Of outhouse roofs. Whom should I run to tell
Among all of those with their back doors on the latch
For the bringer of bad news, that small-hours visitant
Who, by being expected, might be kept distant?
Sowers of seed, erectors of headstones...
O charioteers, above your dormant guns,
It stands here still, stands vibrant as you pass,
The visible, untoppled omphalos.


WOLFE TONE

Light as a skiff, manoeuvrable
yet outmanoeuvred,

I affected epaulettes and acockade,
wrote a style well-bred and impervious

to the solidarity I angled for,
and played the ancient Roman with a razor.

I was the shouldered oar that ended up
far from the brine and whiff of venture,

like a scratching-post or a crossroads flagpole,
out of my element among small farmers -

I who once wakened to the shouts of men
rising from the bottom of the sea,

men in their shirts mounting through deep water
when the Atlantic stove our cabin's dead lights in

and the big fleet split and Ireland dwindled
as we ran before the gale under bare poles


THE SINGER'S HOUSE

When they said Carrickfergus I could hear
the frosty echo of saltminers' picks.
I imagined it, chambered and glinting,
a township built of light

What do we say any more
to conjure the salt of our earth?
So much comes and is gone
that should be crystal and kept

and amicable weathers
that bring up the grain of things,
their tang of season and store,
are all the packing we'll get.

So I say to myself Gweebarra
and its music hits off the place
like water hitting off granite.
I see the glittering sound

framed in your window,
knives and forks set on oilcloth,
and the seals' heads, suddenly outlined,
scanning everything.

People here used to believe
that drowned souls lived in the seals.
At spring tides they might change shape.
They loved music and swam in for a singer

who might stand at the end of summer
in the mouth of a whitewashed turf-shed,
his shoulder to the jamb, his song
a rowboat far out in evening.

When I came here first you were always singing,
a hint of the clip of the pick
in your winnowing climb and attack.
Raise it again, man. We still believe what we hear.


BOG QUEEN

I lay waiting
between turf-face and demsne wall,
between heatherly levels
and glass-toothed stone.

My body was braille
for the creeping influences:
dawn suns groped over my head
and cooled at my feet,

through my fabrics and skins
the seeps of winter
digested me,
the illiterate roots

pondered and died
in the cavings
of stomach and socket.
I lay waiting

on the gravel bottom,
my brain darkening,
a jar of spawn
fermenting underground

dreams of Baltic amber.
Bruised berries under my nails,
the vital hoard reducing
in the crock of the pelvis.

My diadem grew carious,
gemstones dropped
in the peat floe
like the bearings of history.

My sash was a black glacier
wrinkling, dyed weaves
and phoenician stitchwork
retted on my breasts'

soft moraines.
I knew winter cold
like the nuzzle of fjords
at my thighs -

the soaked fledge, the heavy
swaddle of hides.
My skull hibernated
in the wet nest of my hair.

Which they robbed.
I was barbered
and stripped
by a turfcutter's spade

Who veiled me again
and packed coomd softly
between the stone jambs
at my head and my feet.

Till a peer's wife bribed him.
The plait of my hair,
a slimy birth-cord
of bog, had been cut

and I rose from the dark,
hacked bone, skull-ware,
frayed stitches, tufts,
small gleams on the bank.


CASUALTY

I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another rum
And Blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

In comrehensible
To him, my other life.
Sometimes, on his high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.

PARAS THIRTEEN
, the walls said,
BOGSIDE NIL.
That Wednesday
Everybody held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
"Now you're supposed to be
An educated man,"
I hear him say. "Puzzles me
The right answer to that one."

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
When he took me in his boat,
The screw purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.


Index

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