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My third genie wish
would be to have uninhibited
sex with Mike Brady
especially before he let his hair
go curly.
His tall, well-filled out form
makes me hot between the legs
I drip when
he comes into the living
family
bedroom.
In his solid suits
sans-a belt slacks
wide rep ties
and slip on loafers
I mess my shorts
when he lectures one
on how to be good
(in bed he is,
I hope, I...
know).
Teenage based images
define
what I want to built, construct
my internal existence on.
Copyright 2001, Nathaniel Eaves
Pliant
Above the line
where the neck meets
the trunk,
my sexual urge does not
wander
for its inspiration;
it never varies.
That Wednesday
at the coffeehouse
this old stipulation
mainfested itself in toto
when I observed
his manner of dress,
curves and bulges
enticing and snug
ready, I hope
to receive my willing soul.
The black dress shirt
satin pink tie
and grey slacks.
the shiny-expensive
black loafers
with golden buckles
reflecting light
aroused my lust
my penal formation
my need to love
and be loved.
His hair and beard
were whispy thin
disappearing
but the molding
of his buxom butt
makes me overlook this cranial, facial
flaws.
After a blow-job
on his part
in the bathroom,
we went home
become lovers
long-term---
only in the dark
where faces fade
into solid, massive
yet pliant forms.
Copyright 2001, Nathaniel Eaves
Just The Right Look
The neat moustache
short-cropped hair
argyle socks
tight firm ass
in bikini briefs
pinstriped three piece suit
blue chervon patterned tie
perfectly polished black wingtip shoes,
that curved white staff
For which I would die.
All this is my lover
at his very best
and at work
dressed like this
in his navy vest
we kiss and unite
on his desk.
Love is in the brain
as well as the eye
but Marv's touch
drives all my reserves
insane.
Clad for the office
we both play the corporate game
and after work
we explore each other
nonstop
just the same.
Copyright 2001, Nathaniel Eaves
New Haikus
Lust equals Lawrence
his olive-green shirt and tie
brown polished wingtips
Touching Ted's beige tie
engorges Peter's package
in thick wool black slacks
Dreams of Lloyd's lithe loins
stains Steven's charcoal-grey suit
thick white near the crotch
Tight red turtleneck
pleated cuffed tan dress trousers
makes Mel masturbate
Copyright 2001, Nathaniel Eaves
Haikus
bow ties create heat
in my ever-throbbing groin
wingtips worshipped too.
pleated, blue dress pants
pure white shirt, red paisley tie
heavy cream in shorts
love those black oxfords---
lusting for navy blazer,
my hand touches yours
grey-haired businessman
unknots thick silk maroon tie
pulls me into bed
Copyright 2001, Nathaniel Eaves
To Orrin
Finely-tailored Why Why do neckties tease Daydream The red-haired poet
tightly-fitting
three piece grey suits
tab-collar dress shirts
white, of course,
slightly
stylish ties
with perfect dimples
and to-swoon-for grey hair.
Why do I drip white without control
when I see Mr. Hatch
senator from Utah on CNN
or ABC?
Why do I dream about him:
I despise his politics
but still want him
oh so much
under me in bed
up deep
all the way inside him.
Nathaniel Eaves
Copyright, 2001
and titillate me,
their length more important at times
than the ....packed heavy package
I wish
to ponder and then
engulf
in any way I see
that fits.
Why do wingtip shoes sometimes
make me move in spasms
in regards to their grainy textures
rather than his nipples, pecs,
chest?
Why does pleated slacks
engorge my libido
every now and then
to starin against
the restarining of society
and my shorts,
it leaves stains on my starched
white dress shirt
and burgundy socks?
Why is a double-breasted suit more sexy
than Selleck with or
without a moustache sometimes
unless he is also
in it?
Why ask why
when
any businessmen's wardrobe
elongates my... imagination
so wide that
wonder releases
myself
in visible
climatic waves
long, high and deep?
Nathaniel Eaves
Copyright, 2001
in blue-purple striped tie
yellow long-sleeve dress shirt
grey glen plaid pleated dress slacks
and polished black tassel loafers
is on stage
performing
like I would like
to do
on stage
naked
with
in
out
ultimately
with
in him.
Nathaniel Eaves
Copyright 2001
