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Darpana & The Sarabhais
compiled by Sharada Eswar
The year was 1949. And a small seed was planted. A seed that was but
the birth of a dream. A few dancers and some performances. The dream
grew, took the shape of a school. The school grew. It took wing and
traversed the seven seas and the world. Mirroring the virtues, the facets
of Indian Classical dance. Struck by the profoundity, the discipline,
the beauty of the classical form, people reached out to the reflection.
Allowed it to touch their lives. And the dream? It continued to grow.
Adding several hues and dimensions to itself. It picked up new insights...
the nuances of a troubled society… new choreography evolved.
A drama group came into being, and classical and contemporary plays
were produced. And then came puppetry. The shadow puppets of Andhra
Pradesh were brought to life again by skilled practitioners. Ahmedabad’s
first Kathakali appreciation club, Kathakali Darshan was born. Darshita,
the first film society followed. Soon after a club to support and nurture
experimental theatre, Shatak, was established. Darpana grew. Dance,
drama, music, puppetry, classical, folk, contemporary, experimental,
research, publications, films, and later, videos. Intercultural, interdisciplinary,
international and inter-regional collaborations grew. The dream grew
and grew. And continues to grow.
Today Darpana is a centre of excellence, a workshop for the arts,
where art and life meet and the horizon of language is broadened. Committed
to the contemporary symbiosis of art and life, affirming the role of
creativity in culture, researching into origins, reaching out to the
unsaid or unthought with a language that is universal.
That’s Darpana. Where once a seed with love and care was planted in
the soil…a mighty forest of a thousand trees stands, stretched out wide
and tall.
Mrinalini Sarabhai
A Legend in Her Lifetime
All of us dream, but not all of us dare to follow our dreams. But Mrinalini
Sarabhai not only followed her dreams but also mastered her dreams.
Dancer, choreographer, writer, poet, environmentalist, humanist and
teacher, she has lived her life with tremendous fortitude and courage.
Her reputation the world over as India’s most celebrated Bharatanatyam
dancer is unquestioned. Her technical perfection and creative genius
has given birth to an original and versatile language of the body which
is simple, eloquent and visually inspiring.
Trained in the Pandanallur tradition by Sri Meenakshi Sundaram Pillai,
Mrinalini has today retained the purity of Bharatanatyam and yet invested
it with her creative and stylish fragrance. Her guru for Kathakali was
the great artisan Asan Kunja Kurup and for Mohiniattam, Kalyanikutty
Amma, the doyen of this ancient tradition. Using the alphabet of tradition
she is the first Indian dancer to have turned to choreography and to
give birth to what is now considered the contemporary Indian dance idiom.
Much of her world-view and philosophy has retained the essence of humanist
values, honed at Shantiniketan where she spent her youth under the inspiration
of Rabindranath Tagore. Today the only truth she knows and values is
that of freedom, held together by the invisible but strong bonds of
equality and peace.
Mallika Sarabhai
A Legend in The Making
If her mother dared to dream, Mallika is not far behind. She helped
her mother nurture this dream and added several hues to it. Mallika
is a performer and creator of many talents. Her career has developed
from being a young, internationally acclaimed, classical dancer and
film personality, to being an activist and commentator on social issues.
Now an established artist she celebrates positive reaffirmation of
images of womanhood through dance, theatre and writing. Following the
rich and inspiring model of her mother, Mrinalini, Mallika has placed
herself firmly at the cutting edge of Indian dance and dance theatre.
As dancer, actress, choreographer, writer and instigator of community
projects she challenges audiences to sit up and think, to realign themselves
to questions of ecology, the role of women, gender awareness, cultural
atrophy and the very place of the arts in society.
Deeply rooted in Indian culture but open to the influences of her collaborations
around the world she has synthesized her experiences to become one of
the most exciting creative influences in India today. Dynamic, charming
and dry witted; she is a rare creature in the arts.
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