Japanese women and homosexuality - what is a lesbian?
Chapter 1
:
Introduction
Chapter 2:
Japanese
Women and Sexuality
2.1 Women and
Society
2.2 What is a
Lesbian anyway?
2.3 All that
glitters is not gold.
2.4 Language
2.5 Butch-Femme
2.6 Who needs a label?? Identity
Chapter 3:
Lesbians and Japanese Society
3.1 A same-sex orientated
society
3.2 Pseudo-homosexuality
3.3 Lesbian
= sex animal/male
impersonator
Chapter 4:
Conformity
4.1 Homosexual sex is ok
4.2 Coming Out
4.3 Tatemae and Honne
Chapter 5:
Problems faced by Japanese lesbians
5.1 Achieving
Independence
5.2 Legal recognition
5.3 Isolation
5.4 Inequality of women
5.5 Discrimination from
within
Chapter 6:
You’ve come a long way, baby
6.1 Social, but not
political, recognition
6.2 Herstory
Chapter 7:
Recommendations
Conclusion
Appendices
Appendix 1 Email ‘Interviews’
Appendix 2 Web resource guide
Chapter
1 : Introduction
In such a conformist
society as Japan, to have a lesbian identity is a radical thing.
Whilst Japanese society does not have any religious qualms about lesbian
sex itself, what it does have a problem with are women who will not conform to
societal norms. By declaring a
lesbian identity, Japanese women are rejecting heterosexual marriage and thus
having a ‘family’; and declaring themselves as sexual, something which
Japanese women are not meant to be. Thus,
it is acceptable in mainstream society to be married and be a lesbian – as
long as women fulfil their ‘duty’ to society, and are not overt.
This research aims to address the experiences of Japanese lesbians, from
a mainly feminist viewpoint.
Not much interest,
academic or otherwise, has been evidenced concerning lesbians in Japan, mainly
because they are largely invisible. Young homosexual males are idealised as the
‘perfect men’ in teenage girls’ comics, however homosexual women apparently only exist in
pornography. Sarah Ellis
writes that:
In
a land rife with pet theories created by a lying education ministry which
censors school texts and denies the existence of any
alternatives to the heterosexual nuclear family, it’s
never surprising to run into people who will happily tell you that “Japan
doesn’t have any [real] homosexuals.” Something in their eyes eerily tells
you they believe it.
Thus because ‘real
lesbians do not exist in Japan’, the only analysis or exposure done has been
self-induced, that is, lesbians writing about their lesbian lives.
Sharon Chalmers is the only gaijin (foreigner) that I have seen
that has fully researched lesbianism in Japan.
Summerhawk may have put together an anthology (Queer Japan) of
handpicked experiences of Japanese queer individuals, however with the overall
impression that Japanese society is incredibly oppressive.
Western societies can also be incredibly oppressive to the Lesbian, Gay,
Bisexual and Transgendered (LGBT) community, however there are also remarkable
amounts of freedom and an overwhelming sense of community spirit, which often
outweighs the homophobia and the violence.
Hence my decision to research what it means to have a lesbian identity in
Japan, focusing on the ‘here and now’ of the community, not the opinions of
women, brought up in a marriage-orientated society, written five years ago.
I wanted to ascertain as to whether Japan still is so
marriage-orientated, whether women have achieved equality and sexual freedom.
Whether Japanese lesbians live in fear of discovery, and what it means to be a rezubian
in Japan. However, I was
foiled by lack of up-to-date information, and an overwhelming majority of
pessimistic, feminist viewpoints. Not
that there is anything wrong with feminist viewpoints, however there appears to
be a tendency, amongst feminist women, to believe that if women aren’t
achieving 100 per cent equality, they are being oppressed.
This research was
originally a study about Japanese lesbians in general, however due to the
majority of literature available having a strong feminist viewpoint; it evolved
into ‘what Japanese lesbian-feminists think of being lesbians in Japan, with a
few token gaijin opinions’. I
began by analysing what non-fiction literature about homosexuality, and lesbians
in particular, was available in print – books, journal articles, and academic
papers. I also researched the
position of women in today’s Japanese society, and basic queer theory. I then
analysed what resources were available on the Internet, and what material was
published there, at the same time attempting to establish contact networks with
Japanese lesbians via email. Appendix
1 contains excerpts from correspondence with five young Japanese lesbians that I
gained contact with via message boards. Whilst
I have not included any of their comments in this essay, their responses
provided a background framework to my analyses of the published texts.
The resulting information was mostly from primary source materials, that
is, mainly autobiographical writings about lesbian experiences. Ideally, there would have been an equal balance between
optimistic and pessimistic writings. Unfortunately, the range of women whose
opinions have been included in this essay is not entirely representative of
Japanese lesbians. There is a fair
balance age-wise, however the majority of published women were political
lesbian-feminists with a rather pessimistic view of the position of lesbians in
Japanese society. The majority of
young Japanese women I spoke to were apolitical, non-scene and not from Tokyo,
with a slightly more optimistic view of things, although most worried that their
parents wanted them to marry. (see Appendix 1) However, because of such a
limited time-frame and sample, it would have been virtually impossible to gain a
representative sample of all Japanese lesbians, from both the city and the
country, young and old, lower, middle and upper class, activist and apolitical.
During the course of
this research, I have found it necessary to make the following assumptions; the
first being that there is a generic ‘feminist ideology’, supported by both
Japanese and Western feminists; centred around empowering and achieving equal
rights for women. Secondly, that you cannot judge Japanese society by Western
standards, and thus what is considered ‘oppression’ in America or Australia
may be not be in Japan. Thirdly,
that older generations of Japanese still retain their original values (such as
‘women should marry’), and despite the youth of today being more
open-minded, it is still the previous generation who run the companies that
employ office ladies to be cute, and perpetuate the ‘role of women’.
Additionally, rural Japan is not as progressive as larger cities such as
Tokyo or Osaka, so things acceptable in Shinjuku may still be taboo in Takayama
or Kobe. Finally, that Japanese people do not have a native sense of a
homosexual identity, that is, that Japanese women are not usually aware that
they can live as a woman-loving-woman unless they have been exposed to feminist
literature, because they are brought up believing marriage, and having a family,
is natural for women.
Obviously, this study
has been limited, in that being conducted in Brisbane, neither Japanese lesbians
nor material published by them, for example newsletters or books, were readily
available. Queer Japan did
include the results of a survey done in ‘Onna
o Aisuru Onnatachi no Monogatari’,
however there is no way of telling the respondents’ geographic or
socio-economic backgrounds. What
was originally a general study of all Japanese lesbians gradually became ‘what
Japanese feminist-lesbians think of their position in society’.
In a way, it is unfortunate that the opinions and experiences of
non-feminist lesbians – in particular, women who have never been exposed to
Western feminist ideologies – have not been available; because obviously,
their viewpoints on how living life as a lesbian is would differ greatly
from the authors consulted. However,
it is debatable as to whether these women would even recognise their
homosexuality, because of a lack of information and support groups, which most
often stem from feminist collectives.
Secondly, there would not be many opportunities for women outside the
lesbian community to voice their opinions, particularly if they do not even
subscribe to mail-outs.
Despite a recent flurry
of interest into nanshoku (male homosexuality), not much has been written
about female homosexuality. Perhaps
the first book to be published in English concerning lesbians in Japan was Queer
Japan, edited by Summerhawk, McMahill and McDonald.
Comprised of sixteen life stories of lesbians, bisexual women, gay men
and one transgendered lesbian, the book provides a very interesting insight into
Summerhawk et al’s perspective of what queer life in Japan is like. However
there was an implicit bias towards women, and the
majority of women included were
well over thirty, and from a very marriage-focused generation.
The stories included depict the heterosexist, marriage-orientated society
of Japan’s past, however I feel many things have changed, especially over the
past five years. While I do not discount the many hardships faced by
older Japanese lesbians and gay men, I was disappointed by the domination
of same-generation older lesbians, and lack of young women.
Clare Maree and Marou
Izumo published their autobiographical Love upon the Chopping board in
2000, but being an international couple, their lesbian experiences would have
been different to most other Japanese couples, because of the privileges awarded
to those with gaijin partners. Although they did give information about
famous lesbians in Japanese history, and the first pride parade in Tokyo,
amongst other things, the book was mostly focused on their relationship and
their experiences. Until Sharon
Chalmers wrote her thesis on the invisibility of Japanese lesbians, there had
been no major critical analyses done, in English, of
lesbians and their positions within Japanese society.
Sharon focused upon the assumption of heterosexuality and social policy,
and how this silences Japanese lesbians. Jennifer
Robertson does refer to female homosexuality in her book Takarazuka
(1998), however this is in relation to gender politics and how the revue exists
in Japanese society. The first book
to be published in Japanese about lesbians was ‘Onna
o Aisuru Onnatachi no Monogatari’
(The
story of women who love women) in 1987, followed by Hiroko Kakefuda’s ‘Rezubian
de aru to iu koto’ (On being a Lesbian) in 1992. Onna
included personal stories and contact information for various lesbian groups and
meeting places, and also a survey. (Summerhawk, 1998)
Not surprisingly, queer women themselves have written the majority of
relevant literature.[i]
I am yet to see a paper written by a
heterosexual Japanese academic in regards to homosexuality in Japan, though
neither have I seen anything written by homosexual Japanese academics;
the majority of authors are women who front organisations such as Regumi
Studio.
This essay has been divided into five major sections, which I will summarise below. The first provides a general overview of Japanese women, sexuality and their role in society. It then addresses what I have defined a ‘lesbian’ as, and examines how homosexuality is represented in the Japanese language; and then whether Japanese lesbians have an identity. The second examines how lesbians fit into Japanese society, looking at whether a same-sex orientated society is tolerant of homosexuality, and what the word ‘lesbian’ represents to mainstream society, and how lesbians are treated. The third considers conformity in Japan, looking at the difference between homosexual sex and a homosexual identity, and how this fits into the constraints of tatemae and honne; before addressing whether coming out is necessary in Japan. The fourth examines problems faced by Japanese lesbians, concerning independence, legal recognition of relationships, isolation, the inequality of women in Japanese society and finally discrimination from within the queer community. Finally the fifth section, Chapter 6, addresses the history of lesbian organisations and rights’ movements in Japan, from the very first social group to today’s Dyke Marches.
Chapter 2 :
Japanese Women and Sexuality
The past twenty years
have supposedly been the ‘age of women’ in Japan, however women are still
far from real, substantive equality in nearly every sphere of life.
(Fujimura-Fanselow, 1995: xix) Employment
opportunities have greatly opened up, but women are apparently still the last
hired and the first fired. Pressure for women to marry is less from the younger
generation, but archaic cultural values are still entrenched in their parents’
generation; and it is this older generation who employ young women to look
pretty, until they marry and have children.
It is easier for women to live independently, but compared to Western
societies, unmarried women are still incredibly disadvantaged.
Theoretically,
women are not meant to be sexual in Japanese society. Although the pressure for women to marry has decreased, and
the ideal marriageable age has increased in recent years, the official female role in Japan is still that of ‘good
wife, wise mother’. Be a good
wife to your husband, bear him healthy children, and raise them well.
It is considered ‘unwomanly’ (onnarashikunai) for women to not
want children (Chalmers, 2000); and women are not meant to have sex outside of
marriage. This is illustrated by
the fact that the contraceptive pill was not made readily available by
prescription until 1999. (McLelland,
2000b) . The fact that arranged marriages used to be so prevalent in Japanese
society (and still happen today) demonstrates the dominant role of reproductive
sexuality within society.
Women would be divorced if they could not bear children, regardless of
the success of the marriage. (Yoshizumi, 1995) .
Thus the opposite to modern Western society, where marriage is usually
love-based, the institution of marriage in Japan seems to be more controlled by
society than by the couple concerned. McLelland
hypothesises that :
Only
a boy who loves a boy (or a girl who loves a girl) is truly free in Japanese
society to love beyond the constraining roles imposed by the marriage and family
system. (2000b:22)
Buckley affirms the
only sanctioned expression of female sexuality exists within marriage (1993:
30). However,
in 1995, almost 85 percent of marriages were love-based (renai) as
opposed to arranged, and the average age for marriage for women has risen to 27.
(Nipponia, 1999). One could be cynical and suggest that just because these
marriages are renai, it does not necessarily mean that they were free
from pressure.
Nevertheless,
this does not stop women being objectified by men as sexual objects, women are meant to be passive during sex and
devote themselves to their men. (Funabashi,
1995). While the only official role
of female sexuality is
to please one’s husband, and then only passively, in practice things
are very different. Young women are
sexually aware and sexually active. It
is simply kept behind closed doors. Public
displays of affection between opposite-sex couples are rare, although in larger,
more Westernised cities this is changing. Kazuko
Tanaka reports that ‘singlehood for women has become more accepted as an
alternative lifestyle among Japanese. Increased
employment opportunities allow women to be more independent and to refuse
undesirable marriages.’ In other
words, the definitions of norms for women’s roles in society are no longer as rigid; there is some room for freedom.
(1995:306)
Lesbian
describes a relationship in which two women’s strongest emotions and
affections are directed toward each other.
Sexual contact may be a part of the relationship to a greater or lesser
degree, or it may be entirely
absent. (Faderman, 1981:18)
A
lesbian relationship does not signify a lesbian identity, nor does lesbian sex.
The focus of this research is upon Japanese ‘lesbians’, that is,
women who identify as women-loving-women. The
author recognises that ‘lesbian’ in the sense she knows it refers to a
specific Western cultural identity, one that Japanese women would not be
expected to have developed. The
concept of a ‘lesbian’ came to Japan with the feminist movement in the
1970’s. Up until then, there were dōseiai[ii]
and ome
relationships, ‘romantic friendships’ and ‘Class S’, but apparently no
shared identity, and thus no label. Nanshoku can be translated as ‘male homosexuality’
or ‘sodomy’, both nouns, but there is no word for a homosexual male, apart
from the slang okama. The
same with women, there is only the slang onabe, reinforcing the idea that
the concept of a woman who identifies as loving other women is unthinkable in
Japanese society.
Having
established this, I shall herein refer to homosexual Japanese women as lesbians
in the sense that they are women-loving women. I have not made any definite
distinctions between homosexuality and bisexuality within my research.
Apart from the fact that it is incredibly difficult to draw a line as to
where one ends and the other begins, I feel that bisexual Japanese women would
have experienced a lot of what ‘purely’ homosexual women do; and a label
does not always imply heterosexual experience.
What must also be established is the vast difference between having
homosexual sex, and being a homosexual, that is, recognising that one’s
primary sexual attraction is a same-sex attraction.
It
is also important to recognise that the majority of women who love the otokoyaku
(male role players) in Takarazuka or who frequent Shinjuku bars to visit onabe,
or ‘Miss Dandies’ as Robertson refers to them (1998), are not lesbian, and
are not acting on lesbian desires. In
an ironic parallel to the onnagata in Kabuki, where real women were not
perfect enough to appear on the stage, these performers represent the
(non-existent) ‘ideal’ Japanese man, kind and caring even after the
courtship period. After the
honeymoon, so many husbands revert to sarariman behaviour, virtually
ignoring their wives except for sex, that these romantic pseudo-males who lavish
attention on their women for the rest of their lives together provide a
dream-world alternative. Fans describe otokoyaku as having none of the
usual brutishness or rudeness of ‘real’ men. (Dream Girls, 1994) Onabe,
male impersonators in the entertainment industry, are usually transgendered
or transvestite biological women. They
love women, but do not see themselves as women-loving-women, not even as women. Similarly,
their customers see them as ‘men’.
Then
how do we explain the popularity of musumeyaku, the female actors in
Takarazuka? Whether many Takarazuka performers are lesbian or not may be a
hotly-debated issue that management try to downplay, but the majority of fans,
despite ‘being in love’ and buying gifts for actors, do not identify as
homosexual. Despite the 1930’s
hysteria that ‘feverish yearning for otokoyaku’ eventually lead to
the deviancy of ome no kankei (male-female relations),
the relationships (or rather, the way the fan reacts to the star) may be
homoerotic and there may be
elements of a homosexual relationship (i.e. the perceived closeness). However,
the bottom line is that they
are perfectly natural crushes, and have no indication of sexual identity or
orientation.
It
is, of course, possible that the concept of the ‘ideal male’ is merely a
ruse, a cover-up for a subversive lesbian counter-culture.
But this is ignoring the popularity of bishōnen,
beautiful young gay males, and shōnen
ai (boy-boy
love), in shōjo
manga, another
fantasy representation of the ‘ideal male’ ; and it is unfeasible to suggest
that every single female fan of Takarazuka and patrons of Miss Dandy bars are
all lesbians.
The
invisibility of Japanese lesbians is evident in the lack of vocabulary to
describe them. There are no native
words that mean ‘woman-loving-woman’. The term for homosexuality, dōseiai,
comes from the
Chinese characters for ‘same-sex love’, love in this sense being agape.
Coined by medical specialists, Robertson writes that it ‘refers
specifically to a passionate, but supposedly platonic, friendship between
females’. The term soon became an
umbrella term for homosexuality of both sexes. (1998:68) However, dōseiai
and dōseiaisha
(homosexual) have now taken on mainly masculine connotations, Summerhawk defines
it as ‘same sex love between men’ on the back of Queer Japan (1998).
The word nanshoku (literally male charms, defined in the
dictionary as ‘sodomy’) does have a female counterpart, joshoku
(female charms), but this refers to heterosexual attraction.
Okama,
slang for gay male, also represents cross-dressers and transgendered
individuals, coming from an allusion to anal sex.
(McLelland, 2000a) From okama
came onabe,
a pun on the pan supposedly being similar to female genitalia. Onabe
can
also be spelt onnabe,
as in the subtitles on the documentary Shinjuku Boys (1996) , perhaps the
emphasis on the ‘woman’ is a reclamation of the word.
Once again, onabe
can be a derogatory term for lesbians, it can be a cross-dressing ‘woman’
(or Miss Dandy) working in a Shinjuku Ni-chome nightclub, it can be a
female-to-male transgendered person – regardless of sexuality.
The word ‘lesbian’ became rezubian
in Japanese, sometimes shortened to rezu,
mostly in pornography or as an insult, sometimes shortened to bian[iii],
as in the case of the Tokyo lesbians who wanted both a code name for themselves,
and to reclaim rezubian.
Bisexual is also borrowed as baisekushuaru.
Sexologists
at the beginning of the century defined two types of lesbian relationships.
The first,
dōseiai
relationships,
were homogendered, and supposedly harmless, being like ‘Class S’ crushes.
The second, ome no kankei (male-female) relationships, were
heterogender, ‘explicitly sexual and pathological’.
These were more like butch/femme relationships, where the two women
resembled a heterosexual couple. (Robertson,
1998) The term for butch, (o)tachi, comes from tachiyaku meaning
‘leading actor’ in kabuki.
Neko or nenne means femme, and is also used by gay males.
(Cherry, 1987) More specifically,
there is zuboneko, or a femme who wears trousers; and sukatachi, a
butch who wears skirts. (Tsukasa,
1999)
Thus
there is no native Japanese word for woman-loving-woman, and the only
alternative, rezubian, has such negative connotations that few women want
to even self-identify as being one. One
of the most important processes in accepting one’s sexuality is to be able to
identify as something, and although labels can be terribly restricting, it is
essential to be able to say ‘I am a lesbian’ to oneself.
Thus without such a word, Japanese lesbians cannot create a proper
identity, until they reclaim rezubian and rid it of its connotations, or
else create a new word. Many women
feel that dōseiai
is too clinical or
male-orientated. And because there
is no such word for lesbian that is taken seriously, and few lesbians are
confident to publicly identify as a ‘lesbian’, the myths about sexually
obsessed lesbians are perpetuated, because the only representation of lesbians
is in the entertainment industry, mainly in pornography.
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It
is difficult for Japanese women to recognise their own homosexuality, as there
is no concept of a woman-loving woman in Japanese vocabulary.
Many recall feeling ‘different’ while growing up, but in order to
realise something about oneself, one needs a name or label for it.
The founder of ILGA/Japan, Teishiro Minami, questions Japanese peoples’
ability to look inside themselves,
They don’t ask the question: Who am I? So it’s hard to develop a
“It
is impossible to get people to yearn for something they have never known, “
wrote Hara (1996: 129), thus without the concept of a homosexual identity,
Japanese lesbians remained invisible until the turn of the 20th
century and the coinage of dōseiai,
literally ‘same-sex love’. (Robertson, 1998)
Homosexual
Japanese women do not usually identify as ‘lesbian’ unless they have been exposed to feminist literature, theory,
or gatherings; because of the connotations ‘lesbian’ conveys. Pornography
brought to Japan with the American occupation after World War Two brought with
it images of lesbians as sexually obsessed perverts.
Many
describe knowing the word ‘lesbian’, but not feeling it applied to them.
Apart from the Internet, unless one lives in big cities such as Tokyo or
Osaka, there are few resources and no visible community.
Even then, it is difficult to take the first step. A friend living in
Osaka tells how close-knit the scene is, newcomers are usually not spoken to
unless introduced; and Shinjuku Ni-chome lesbian bars sometimes have a
reputation that ‘no Japanese lesbians go there, only foreigners’.
(Miller, 1993: 52) Thus, one could deduce that either Japanese lesbians
are afraid to acknowledge their sexuality, or to visit such bars by themselves.
Chapter
3
: Lesbians and Japanese Society
Japanese
society is a same-sex orientated society. Kyoko
Yoshizumi explains that it is very common for children to
play in same-sex groups, and to grow up feeling much more comfortable
psychologically with same-sex friends. She
believes there is ‘something in the culture which is conducive to the
development of strong emotional bonds and feelings of solidarity between those
of the same sex.’ (1995: 190) Thus, it is common to see schoolgirls walking
hand-in-hand and hugging. These ‘Class S’ friendships between girls,
supposedly non-sexual schoolgirl passionate friendships or crushes, are regarded
as harmless. The S can stand for ‘sister’, ‘shōjo’
(young woman),
‘sex’ or all three, and also ‘schöne’, a German word meaning
‘beautiful woman’ or ‘escape’, the loanword being popular in the
1920’s. (Robertson, 1998)
There
is a very fine line between ‘Class-S’ type friendships, often stereotyped as
a junior-senior pair of girls with mutual crushes; and the romantic friendships
that Faderman speaks of (1981), and lesbian relationships, which are not
necessarily sexual. I believe the difference lies between act and identity, all
three relationships may have the same intensity and degree of passion and love
shared, but only a lesbian has defined herself as a woman who loves women (and
as someone who does not wish to be married).
This of course is a mere
interpretation of something that cannot be clinically defined.
In
answer to the question, does this encouragement of closeness between young girls
create an environment tolerant of lesbianism; I would say both yes and no.
Society seems to tolerate physical contact between women; ironically, it
is heterosexual public displays of affection that are frowned upon.
Ayako Hattori suggests that this is because ‘no one recognises their
feelings for their women friends as reflective of their sexuality’.
It is perfectly permissible for girls or wives to have emotionally
intimate relationships with other women, because the marriage system is
supposedly infallible. (1999)
Up until post-World War 2 American Occupation,
romantic crushes between women were quite common. (Izumo, 2000) Thus
society’s same-sex orientation allows romantic friendships and lesbian
relationships to exist without suspicion; because women are not given a choice
regarding their sexuality, the existence of ‘normal’ lesbians is hidden
and so it is assumed women will eventually get married and fulfil their
duty as ‘good wives, wise mothers’. However,
since being a lesbian is rejecting mainstream heterosexuality, and thus
normality, it is still looked upon as something one should not be.
The
‘invisibility’ of Japanese lesbians is a complex issue, society views
lesbians as such horrible things that no woman wishes to identify as one,
the government won’t officially recognise that lesbians exist and so
lesbians cannot legally register themselves; and because of this silence,
society thinks that ‘real’ lesbians don’t exist anyway. (Chalmers, 2000)
Because the only place that lesbians are really visible in society is in
pornography, the dominant image of lesbians is sexual. Ayako Hattori describes
society’s view of lesbians as ‘abnormal people who are in pornography, or
foreigners’. (1999) Lesbian means sex animal, rapist, pervert or potential
sexual abuser. (Tsuruga,1994; Machino, 1994)
Just as it is popular in men’s manga, girl-girl sex is portrayed
in ladies’ comics (rediizu kommikusu).
However, these comics are
known for their contents of sexual ‘perversions’, such as S&M, violence,
and homosexuality (Kazumi, 1998), and do not reflect reality. Just as
sado-masochistic tendencies are not considered polite dinner conversation, the
publication of woman-woman sex in mainstream comics does not mean it is widely,
or seriously, accepted by society.
Maria
Miho Hiramatsu argues that ‘the
problem with the image of lesbianism in Japan is that it is connected with
pornography produced according to male ideas of what women are’, not what
women think they are. (Utopia,
2000) Chalmers argues that society ‘refuses to acknowledge the
presence of lesbians outside the confines of erotic art, pornography and the
entertainment industry.’ (1995:88)
What
is even more oppressive is the confusion between transgenderism and
homosexuality by the media, not helped by the double meanings of okama
and onabe. Both can mean either ‘a homosexual man/woman’ or ‘a
cross-dresser’ or ‘a transgendered person’.
Thus with no linguistic definition, society regards homosexuals and
cross-dressing entertainers as one and the same, and the only native word that
is related to lesbians, onabe,
is rejected by many because it implies a desire to appear, or be, male.
This
confusion by the mass media only helps to perpetuate stereotypes of what
lesbians are, either ‘horrible mannish women’ or disturbed individuals,
lesbians really want to be men. (Summerhawk, 1998)
In the 1920’s-30’s; in the midst of a spate of lesbian double
suicides, when ome relationships were fervently discussed in the
newspapers, the masculine partner was always the deviant, the aggressor.
Females being naturally passive, the feminine partner was rarely at
fault. (Robertson, 1998)
Hara Minako describes homosexuality as seen as a ‘teenage phenomenon’
(1996), homosexuality in this case being dōseiai
relationships, often stemming from Class ‘S’ friendships.
These relationships were fine, because eventually the girls would grow
out of this ‘tendency’, get married and have babies, fulfilling their duty
to Japanese society. However, the masculine lesbians in ome relationships
were rejecting the social constraints of femininity, by not getting married and
by being fully deviant, and so society had a problem with them.
As long as lesbians are feminine, and thus retain their attractiveness to
men, there is the chance that they will get married and become normal.
There are also many stories of lesbianism being seen as a mental illness;
(Hara Minako) and thus a stigma
within the lesbian community (Summerhawk, 1998); because what sane woman would
not want to marry and have children for their country?
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I
gain the overall impression that as long as Japanese people conform to social
norms by marrying, no one cares what they do in their own time.
Baruma (1985:124) cites the proverb ‘The nail that sticks out, must be
hammered in’. Homosexuality has
an aura of ‘don’t ask, don’t tell’, as long as people do not have to
think about it, as long as it is kept in private, they do not care. Hence, homosexual sex is fine, as long as it is behind closed
doors, preferably in a love hotel. Indeed
sex for men is seen as ‘play’. Therefore,
nanshoku was glorified and perfectly acceptable, because these warriors
were doing their duty for their country. Because
there were no women around, naturally senior
warriors turned to juniors to
release all that pent-up sexual energy. So
theoretically, as long as they are married and raising children, Japanese women
may have as much lesbian sex as they like.
However, again, women are not meant to be sexual.
Sex is for procreation, not recreation, thus women are meant to please
their husbands, and that is it. (Buckley,
1993) Therefore, for lesbians to
not want to marry, and to be sexual, is catastrophic.
In
his book, Behind the Mask, Baruma argues that homosexuality ‘has never
been treated as a criminal deviation or sickness’. (1985: 127).
The act of homosexual sex itself, be it gay or lesbian, has never been
seen as a sin, as within Christian religion.
Whilst Summerhawk alleges that
Traditionally,
Japan has looked at homosexuality as something
I
personally believe the previous statement would be much more correct if
‘homosexuality’ was changed to ‘homosexuals’.
Society has no problems with homosexuality, that is, having same-sex
desire, because within the
constraints of tatemae and honne[iv], an individuals’ sexuality is not a public
concern. “The Japanese are underhanded about desire.” (Izumo,
2000:56) However, homosexuals,
because they are different, because they are openly rejecting heterosexual
marriage and families, because they bring sexuality, something that Japanese do
not wish to think about, into the open, pose a big problem.
To
‘come out of the closet’ means to openly admit your sexuality to those
around you, to readily identify as a lesbian or bisexual or gay person.
It is not a once-off event, but a continual process, for unless you dress
obviously to fit the stereotype of what a lesbian looks like; not every person
you meet each day will know your sexuality.
It is possible to be completely out, to all family, friends, co-workers,
and sporting team mates; or only to your immediate friends and relatives.
It is a matter of personal choice, and not even a necessary one at that;
but it does help in finding a partner. The
main reasons people come out are because they felt they were living a lie,
constantly changing gender pronouns when talking about partners, pretending to
be something they aren’t. They
may also tire of being asked, ‘So when are you getting married?’
The need to ‘come out’ is directly related to whether you wish to
lead a ‘lesbian lifestyle’ or merely be a lesbian in your spare time.
Effectively,
coming out is identifying as different to the heterosexual norm.
Thus, in the context of Japanese society, where everyone strives to
appear normal, coming out is not necessarily a good idea.
Baruma writes that no one cares what you do in private, as long as you
conform in public. Most Japanese
are incredibly afraid of appearing odd or strange, instead striving to be
ordinary (heibon) (1985). In
addition, the word ‘lesbian’ has such negative connotations that it would
mean social death to readily identify as such.
So for Japanese women to openly declare that they will not conform to
societal norms, they will not marry, and they will have their own sexual
identity is akin to becoming burakumin.[v]
Japanese
society is effectively based on a façade of normality: principles of, amongst
others, tatemae and honne. Takeo Doi describes the situation as
such :
Tatemae
is a certain formal principle which is palatable to everybody concerned so that
the harmony of a group is guaranteed, while honne is the feelings or
opinions which they privately hold regarding the matter.
Thus
in order for society to function properly, everyone must conform to these
natural conventions, and keep their own motives and opinions inside for the good
of the general population. Hence
individual sexuality falls under honne, illustrated by the popularity of
love hotels (rabu hoteru) in Japan.
Friends recount being told by Japanese friends that one does not bring
people home to stay the night, else they risk being seen as having loose morals
by the neighbours. It is perfectly
ok to be promiscuous in Japan, fetishes are not seen as deviant behaviour but as
play; as long as it is in a love hotel, as long as it is in private, as long as
you keep up your reputation, your normal face in public. Hence,
it is perfectly ok to have homosexual sex, as long as one does not identify as
being homosexual, and thus ‘not normal’.
Chapter 5 :
Problems faced by Japanese Lesbians
Summerhawk
writes that Japanese lesbians are doubly oppressed, first as women, secondly as
lesbians. (1998)
Whilst I believe that oppression is a culturally-specific concept; and an
American woman cannot judge Japanese society using Western standards; Japanese
women are certainly not equal to men, and neither are homosexual Japanese equal
to heterosexual Japanese. Women have come a long way in the past thirty years;
however, there is still room for much improvement.
Because of the assumption that women will get married, take time off to
have children and possibly leave full-time work, their positions in companies
are greatly affected. (Chalmers, 2000) The
majority of companies today are run by middle-aged men, whose generation
believes that in the workplace, women are supposed to be young and pretty and
obey men. Furthermore, the average
Japanese woman’s income is less than half of the average man’s, and almost
at the formal poverty line. (Machino,
1994) According to a 1998 survey conducted by the Japanese Ministry of Labour,
women (of the same age group) earn only roughly seventy-five percent of the
average man’s monthly salary. For example, a 25-29 year old woman working in
the finance and insurance sector would earn 230 000 yen a month as a basic
salary, whereas a man, of the same age, in the same field, could expect to earn
311 000 yen. In the hospitality
industry, women earned on average 216 000 yen a month, compared to 270 000 for
men. (Ministry of Labour, 1999) Hence, it is difficult for women to
survive financially without the tax concessions and housing allowances awarded
to married couples by the husband’s company. Satoru Ito, Sukotan campaigner,
affirms that all current social welfare systems are designed with only married
heterosexual couples in mind, with no support for single women or homosexual
couples. (Planet Out, 2000)
It
is also very difficult to find accommodation.
Real estate agents are reluctant to rent to single women, because they
doubt their ability to pay the rent; or to groups of friends,
because they doubt their commitment to the agreement.
(Hattori, 1999; Chalmers, 2000) Thus, most Japanese women live with their
parents until they marry, unless they have moved to larger cities for work or
study purposes. So lesbian couples
often have to lie and say they are cousins, or other family, to ensure approval.
What’s more, a guarantor is needed to secure the apartment / house, and the
initial costs of moving in are often prohibitive, landlords requiring key money,
bond, and up to four months’ rent in advance. (Izumo, 2000)
Once
the household is set up, there is also the
problem of (lack of) privacy. Japanese
apartments and buildings are built very close to each other, often with only a
paper screen separating one family from another. Even if a lesbian couple do
wish to set up a family or household, they cannot legally register it on the koseki,
or family register. They can either remain on their biological family’s list
or register as individuals within a household.
Similarly, the national census has no category for women outside married,
divorced, widowed or single; by having no ‘de facto’ option reinforcing the
idea that women are not meant to be sexual outside of marriage.
Thus, officially, lesbians are denied existence, and legal support. (Chalmers,
2000)
The
only way for lesbian partners to create a family, and name each other as
next-of-kin, is adoption. The older
partner can adopt the younger into a ‘legitimate family’, subverting the
tradition of mukoyōshi,
where a son-in-law is adopted by his wife’s family in order to continue the
family name and/or business. (Chalmers,
2000) However, by doing so, lesbians are also self-enforcing the myth that
‘real lesbians do not exist in Japanese society’. For example, lesbian
author Yoshiya Nobuko adopted partner Monma Chiyo, but in her museum, little
mention is made of the two women’s relationship.
Another option pursued by couple Claire Maree and Marou Izumo was to draw
up a joint living agreement, which gave legal recognition and rights to their
relationship, including notary deeds in case of death. Without this, if Izumo
were to become ill, Maree could not visit or authorise surgery; and if she were
to die, her family could keep Maree out of all decision-making processes and bar
her from the funeral. (Izumo, 2000)
Another
major problem faced by homosexual Japanese is isolation. (Miller, 1993)
Unless one lives in a large city or has Internet access, there is little
or no information available, let alone support groups or social events.
Based on the assumption that small towns are nearly always quite
traditional and conservative places where everyone knows each other, and privacy
is non-existent, to merely be a lesbian without being socially ostracized, let
alone find other lesbians or resources, would be an incredibly difficult task.
Few would have the courage to sign up to lesbian newsletters or mail
outs, with the possibility that parents or postal workers could see their mail. Regumi Studio founder Machino Miwa describes
newsletter subscribers’ fears that others would see ‘Re’ and know it meant
‘lesbian’, so the publication’s return address was changed to ‘RST’.
(1994) Because there are no social
groups or lesbian venues, there is no way for these women to meet others like
them. Hence, the
importance of websites such as Ruby in the sky with Citrine, which
provide bulletin boards allowing for contact with other lesbians. (For a list of
major Japanese lesbian sites, see Appendix 2)
The Internet is an invaluable media because content can be viewed in
relative privacy, and it provides the opportunity to publish material without
the usual restrictions, thus giving every woman a voice.
However,
the main problem faced by Japanese lesbians is the inequality of women in
society. Founder of ILGA/Japan,
Teishiro Minami writes: ‘ For women, before taking the position of a lesbian,
they have to take a position as a woman. And,
in Japan, the position of women is weak.‘ Women are far more susceptible to family and societal
pressures. (Miller, 1993:166)
Lesbians are also susceptible to ‘minority bashing’, the Japanese way
of making sure everyone conforms by attacking those who do not.
Chieko Ariga writes:
The
heterosexual system…[is] increasingly looked at as a cultural construct that
marginalizes and excludes from effective participation certain groups of people,
including single people beyond an acceptable marriageable age
(particularly women), homosexual men and lesbians.
Those groups of people have often been labelled as deviant, abnormal,
dangerous and threatening and have been excluded from society because compulsory
heterosexuality must be maintained and enforced.’ (1995: 55)
Recent
television shows have had ‘Spot the Gay’ segments, where supposed homosexual
men are ridiculed. In 1995,
Shinjuku Ni-chome was featured in a television show segment of ‘dangerous
places you should not go alone’. Seventy-two
year old Yu Nakamura was ridiculed in a partially fabricated tabloid article
titled “Lesbian granny!”, full
of sexual innuendo. (Summerhawk, 1998)
Nevertheless,
Japanese lesbians do not just face problems from outside, but also inside the
queer community. Lesbian-feminists
speak of how much a marriage-orientated society Japan has and how difficult it
is to survive. In a 1987 survey,
almost one quarter of the respondents had been or were married.
This figure increased to nearly 64% of lesbians in their forties. (Summerhawk,
1998) Yet there is much discrimination against married lesbians, as to whether
they are ‘real lesbians’ or not. Tsuruga
Minako describes them as having ‘lesbian preference’ but refuses to
acknowledge them as lesbians because they are not living a lesbian lifestyle.
(1994) Kirara (1998) tells the
story of a woman starting a relationship with her, only to discover this woman
was engaged to be married in two months. It
is unclear as to whether this woman wanted to get married or was being pressured
to, however this is a common story.
Many
lesbians are afraid of bisexual women, because they fear they will be left for a
man. (See Appendix 1) But there is
no distinction made between actual bisexual women, and married lesbian women.
Thus these women who have been
pressured into marriage for survival, are being denied their lesbian identity
because they have not ‘chosen a lesbian lifestyle’.
Feminists such as Minako and Minami describe their decision to lead a
lesbian lifestyle, to be open about
their sexuality and participate in lesbian gatherings and rights movements’
activities. I find it incredibly
hypocritical for these women to attack society for its homophobia, the very
women who complain of the way they are treated by heterosexual Japanese
feminists, to not be inclusive of the very women that society silences.
There is also much biphobia, especially within the lesbian-feminist
community. Magazines such as Labrys
contain much bi-bashing, and lesbian circles apparently do not welcome bisexual
women. (Summerhawk et al, 1998)
However,
this is not a solely Japanese phenomenon, unfortunately it exists worldwide in
many gay communities. The status
and welfare of women may be higher, but it would be naïve to say that living as
a lesbian in Western societies is easy. Many
women, especially if they are from small towns, are pressured to marry, wear
make-up or forgo comfortable shoes. Many are afraid to come out, at home, university or work.
Homophobia still exists, but in a more overt way than in Japan.
Return to top
Chapter
6: You’ve come a long way, baby
Clare
Maree wrote that in 1994, Tokyo was ‘arching into a gay and lesbian boom’.
(2000: 107) With the annual Tokyo International
Lesbian and Gay Film and Video Festival, the first Tokyo Lesbian and Gay
Pride Parade on 28th August,
and more bars for women in Shinjuku Ni-chome than ever before, the community was
definitely strengthening. Previously, the cost of going out for women had been
prohibitive, however with the opening of Kinswomyn, a bar without cover charge
and with competitively priced drinks, came a definite increase in the amount of
women who frequented Ni-chome. Since
then, bars and dances for women have steadily grown in number,
see http://geocities.datacellar.net/WestHollywood/3006/info.html (last
updated in September 2000) for a list.
In
early 1999, the Tokyo governor’s advisory commission asked for input from the
gay and lesbian community to develop human rights guidelines for Tokyo. This was
a first in that no Japanese government has ever recognised that homosexuals
might be a group needing protection. However,
when the draft was published on June 19 2000, none of the concerns voiced by the
community were included. (Planet Out, 2000)
Gerber wrote :
Tokyo
officials said including homosexuals is premature because most residents do not
recognize gay people. They also say homosexuality is not
"inescapable," instead viewing it as a sexual "habit."
(2000)
Indeed,
despite vigorous campaigning from queer rights groups, homosexuals are still
seen as having a solely sexual identity. In
February of 1991, gay and lesbian rights group OCCUR filed Japan’s first
Homosexual Discrimination Suit against the Tokyo Metropolitan Government.
The group had held an overnight study camp at the Fuchu Youth Activity
Centre in February 1990, and faced harassment and discrimination because the
group leaders were required to introduce their group at an obligatory meeting.
Identifying as a homosexual group, they were harassed by other groups
using the facilities, and then later denied the use of facilities for another
camp in May. The Tokyo Board of
Education ruled that since all homosexuals do is have sex, seeing this lewd
sexual behaviour would be detrimental and traumatising to all others using the
centre. However OCCUR appealed
against this decision, and despite another appeal from the Tokyo Metropolitan
Government, won. (Satoru Itoh,
1998) One would have hoped that in
the nine years since this victory, people would have become less prejudiced.
However, the actions of one municipal government certainly do not speak for the
majority of society.
The
first lesbian social group in Japan, Wakakusa, or ‘Young Grass’,
started in 1971, with the beginnings of the feminist movement. Shortly
afterwards, a more political
women’s lib-inspired ‘Mainichi Dyke’ group was born, with weekly
meetings and a monthly party. Once
a month, a group called ‘Sappho’ would
hold dance parties in Shinjuku, with up to 50 women attending each.
Sappho also published a bimonthly newsletter, Sappho Kawaraban, for group
members outside of Tokyo; containing international lesbian news, group
members’ writings and individual profiles. Sappho continued for nine years,
until 1994, when because of the new lesbian bars in Ni-chome, it was felt it was
obsolete. (Kido Ran, 1998) In 1978 came ‘Subarashii Onnatachi’ , or
‘Wonderful Women’, born from a discussion group held at the now-abolished
Liberation Shinjuku Centre, or Libsen. (Izumo, 2000)
In 1985, Tokyo’s Regumi Studio was born out of the JOKI feminist
group and their co-op office, and in 1987 started a lesbian space. (Summerhawk,
1998) The group’s monthly newsletter, ‘Regumi Tsushin’, had around
300 subscribers in 1994. (Machino, 1994) Naeko Wakabayashi and others set up the group
and organised Japan’s first lesbian conference later that year. (Wakabayashi)
This conference was the forerunner of the popular Tokyo Dyke Weekends.
In
1987, ‘The story of women who love women’, or ‘Onna o Aisuru
onnatachi no Monogatari’ was published by a mainstream
publisher, thus bringing Japanese lesbians into public visibility. (Summerhawk, 1998) Full of personal
stories and information about lesbian organisations, social groups and bars;
this remained the only lesbian book available until Hiroko Kakefuda released ‘Rezubian
de aru to iu koto’ in 1992. (Maree, 2000) In 1986, the Asian Lesbian
Network was born, and in 1992, their biannual conference was held in Japan. (Summerhawk,
1998) Thus, the lesbian community
was gradually developing and strengthening, but for the exclusion of bisexual
women from events such as Dyke weekends. Hence, Womyn’s Weekends were started, allowing all queer
women to attend; and in 1994, Japan Womyn’s Binet was started – open to
women of all sexual orientations who were supportive of bisexuality. (Summerhawk
et al, 1994)
After
Tokyo’s first Lesbian and Gay parade, attended by over 1200 people, Kokusai
Bian Renmei, or ‘International [Les] Bians United’, staged further
events, such as a Christmas Eve Lesbian Kiss performance.
IBU succeeded in raising lesbian visibility; and in developing a media
watch network; within minutes of a homophobic comment on television, up to
twenty protest calls could be made to the station. (Maree, 2000) On October 10,
1997, some three hundred lesbians and drag queens marched through the Shibuya
district of Tokyo, in Japan’s first dyke march on ‘Dyke Day’; a pun on
Taiku no hi, or National Sports Day.
(Utopia: 2000)
Thus,
one can see there is a definite lesbian community, intent on raising visibility
and pursuing liberation. Whether or not they are still exclusive of bisexuals, whether
or not they work as close by with the gay male community as one would like is
relevant, because united we stand, divided we fall. I feel that within any rights movement, be it women’s
liberation or queer liberation or any other, there is always the same problem in
that solidarity is not always present. Many
campaigners have individual agendas, or spend so much time arguing over small
things, for example, whether married women can be real lesbians, that they lose
sight of the big picture, and the concept of a community, the togetherness that
binds despite individual differences.
Return to top
Chapter
7: Recommendations
This
essay has highlighted the necessity of a major study of all Japanese lesbians
and their places in Japanese society.
Unfortunately, my research sample was limited in that although I did find
some apolitical young women who were not feminist identifying, these five young
women are not entirely representative of all the non-feminist women in Japan.
There were a lot more sources of information I would have liked to
include, for example a content
analysis of a lesbian publication such as Regumi Tsushin, or of
Kakefuda’s Rezubian de aru to iu koto.
What also needs to be done is a study of women’s sexuality in modern
Japanese society – addressing whether marriage is still as important today as
ten years ago, how sexually liberated are today’s young women? What would also
be interesting to look at is the women who frequent onabe bars in
Shinjuku Ni-chome, are they all office ladies? Are they mostly all feminine? Are
they mostly straight or is there a tendency for bi-curiosity?
Finally the portrayal of woman-woman sex in rediizu kommikusu, it
would be interesting to analyse whether these women are in fact lesbians, or
straight women who have been ‘led astray’, seduced, or imbibed with alcohol.
Theoretically, if they were attractive, married women experimenting
sexually, they would be more accepted than militant lesbian-feminists who have
rejected the necessity to be feminine.
Thus,
in conclusion, the main problem faced by Japanese lesbians is conforming to
societal norms. Despite the fact that women have come a long way since the
Meiji era, women's parents still pressure them to marry, and the men who employ
them still believe that women should be young, pretty and married with children
by twenty-five. Thus, it is still
difficult for women to earn enough money to live independently, and thus
lesbians are still socio-economically disadvantaged. There is still the stigma of pornography associated with the
word rezubian, and the
government refuses to officially recognise that women do have relationships with
other women. The homophobia that
exists within Japanese society is covert rather than obvious, with relatively
less violence than in the West, however this only makes it harder to identify.
There is a strong sense of community amongst the lesbians in Tokyo, and
Internet communities are overcoming the isolation experienced by
non-metropolitan women. One can only hope that, with support from the Japanese
feminist community, Japanese lesbians will be able to reach a point of
acceptance by mainstream society, and the government will realise the nuclear
family is not the sole family unit in Japanese society.
Notes
:
[i]
Although I cannot comment on Sharon Chalmers’ sexuality, nor do I have any
right to, it would seem logical that someone writing an honours thesis about
Japanese lesbians would have some personal links to either lesbians in
general or Japanese lesbians in particular.
[ii]
Please see Chapter 2’s section on language for an explanation of all
Japanese terms used in this essay.
[iii] The term is also used in Hokkaido, and apparently there is also a type of sausage called ‘Bian’.
[iv]
Please
see Chapter 4’s section on tatemae and honne for an explanation.
[v]
Burakumin
– Japan’s underclass, originally social outcasts because family members
worked as butchers and the like, today’s burakumin still have
problems finding work and marrying, as social status is of great importance
in Japanese society.
Go home!
© Heidi
Birkbeck 2000
No part may be reproduced without the author's consent... you
know the deal...
www.geocities.com/queerfush/essay.html