W.B. Yeats
The Scholars

BALD heads forgetful of their sins,
Old, learned, respectable bald heads
Edit and annotate the lines
That young men, tossing on their beds,
Rhymed out in love's despair
To flatter beauty's ignorant ear.

They'll cough in the ink to the world's end;
Wear out the carpet with their shoes
Earning respect; have no strange friend;
If they have sinned nobody knows.
Lord, what would they say
Should their Catullus walk that way?


Why Should Not Old Men Be Mad?

WHY should not old men be mad? Some have known a likely lad That had a sound fly-fisher's wrist Turn to a drunken journalist; A girl that knew all Dante once Live to bear children to a dunce; A Helen of social welfare dream, Climb on a wagonette to scream. Some think it a matter of course that chance Should starve good men and bad advance, That if their neighbours figured plain, As though upon a lighted screen, No single story would they find Of an unbroken happy mind, A finish worthy of the start. Young men know nothing of this sort, Observant old men know it well; And when they know what old books tell And that no better can be had, Know why an old man should be mad.
Politics

How can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics?
Yet here's a travelled man that knows
What he talks about,
And there's a politician
That has read and thought,
And maybe what they say is true
Of war and war's alarms,
But O that I were young again
And held her in my arms!


HURT HAWKS
Robinson Jeffers

The broken pillar of the wing jags from the clotted shoulder,
The wing trails like a banner in defeat,
No more to use the sky forever but live with famine
And pain a few days: cat nor coyote
Will shorten the week of waiting for death, there is game
without talons.
He stands under the oak-bush and waits
The lame feet of salvation; at night he remembers freedom
And flies in a dream, the dawns ruin it.
He is strong and pain is worse to the strong, incapacity
is worse.
The curs of the day come and torment him
At distance, no one but death the redeemer will humble
that head,
The intrepid readiness, the terrible eyes.
The wild God of the world is sometimes merciful to those
That ask mercy, not often to the arrogant.
You do not know him, you communal people, or you have
forgotten him;
Intemperate and savage, the hawk remembers him;
Beautiful and wild, the hawks, and men that are dying,
remember him.

II

I'd sooner, except the penalties, kill a man than a hawk;
but the great redtail
Had nothing left but unable misery
From the bone too shattered for mending, the wing that
trailed under his talons when he moved.
We had fed him six weeks, I gave him freedom,
He wandered over the foreland hill and returned in the
evening, asking for death,
Not like a beggar, still eyed with the old
Implacable arrogance. I gave him the lead gift in the
twilight.
What fell was relaxed,
Owl-downy, soft feminine feathers; but what
Soared: the fierce rush: the night-herons by the flooded
river cried fear at its rising
Before it was quite unsheathed from reality.

RONDEAU
Leigh Hunt


Jenny kissed me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in:
Say I'm weary, say I'm sad,
Say that health and wealth have missed me,
Say I'm growing old, but add,
Jenny kissed me.


Old Men
Ogden Nash

People expect old men to die,
They do not really mourn old men.
Old men are different. People look
At them with eyes that wonder when...
People watch with unshocked eyes;
But the old men know when an old man dies.


Edna St. Vincent Millay
Untitled

I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fainr, and feel a certain zest
To bear your body's weight upon my breast:
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me onvce again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity,-let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass ald listen for reply,
And in my heart there stirs a quiet pain
For unremmermbered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone;
I only know that summer sang in me
A little while, that in me sings no more.


Garcia-Lorca
The unfaithful married Woman
(translated by Rolfe Humphries)

I took her to the river,
believing her unwed;
the fact she had a husband
was something left unsaid.
St. Jame's night is timely--
She would not let me wait--
The lights are put out early,
the fireflies light up late.

I roused her sleeping bosom
right earily in our walk;
her heart unfolded for me
like hyacinths on the stalk.
Her starchy skirts kept rustling
and crackled in my ears
like sheets of silk cut crosswise
at once by twenty shears.

The dark unsilvered treetops
grew tall, as on we strode;
dogs barked, a whole horizon,
far from the river road.

When we had passed the brambles
and the thickets on our round,
her colied hair made a pillow
in a hollow on the ground:
As I undid my necktie,
her petticoats left their place;
I shed my leather holster,
and she, four layers of lace.

Not nard nor snail had ever
texture of skin so fine,
nor crystal in the moonlight
glimmered with purer shine:
Her thighs slipped from beneath me
like little trout in fright,
half chilly (but not frigid),
half full of shining light.

The whole night saw me posting
Upon my lovely mare;
mother-of-pearl the saddle,
no need for bridle and spur;
and what her whispers told me
a man should not repeat
when perfect understanding
has made the mind discreet.

Dirty with sand and kisses
I brought her from the shore
as the iris poised green sabres
at the night wind once more.

To act in decent fashion
as loyal gypsy should,
I gave her a sewing-basket,
satin and straw, and good;
and yet I would not love her
in spite of what she said
when I took her to the river,
for she was not unwed.


If You Go Away
Rod McKeun

If you go away on this summer day,
Then you might as well take the sun away,
All the birds that flew in the summer sky,
When our love was new and our hearts were high,
When the day was young, and the night was long,
And the moon stood still with the nightbird song.
If you go away, if you go away, if you go away.

But if you stay, I'll make you a day
Like no day has been or will be again.
We'll sail the sun, we'll glide on the rain,
We'll talk to the trees and worship the wind.
Then if you go, I'll understand;
Leave me just enough love to fill up my hand.
If you go away, if you go away, if you go away, if you go away.

If you go away, as I know you will,
You must tell the world to stop turning 'til
You return again, if you ever do,
For what good is love without loving you?
Can I tell you now, as you turn to go,
I'll be dying slowly 'til the next hello?
If you go away, if you go away, if you go away.

But if you stay, I'll make you a night
Like no night has been or will be again.
I'll sail on your smile, I'll glide on your touch,
I'll talk to your eyes that I love so much.
But if you go, go! I won't cry,
Though the good is gone from the word goodbye.
If you go away, if you go away, if you go away, if you go away.

If you go away, as I know you must,
There'll be nothing left in the world to trust;
Just an empty room, full of empty space,
Like the empty look I see on your face.
I'd have been the shadow of your shadow
If I thought it might have kept me by your side.
If you go away, if you go away, if you go away.

Please don't go away.


Lyrics are by Johnny Mercer & Angele Vannier; Music by Philippe Bloch; Song written in 1950
When the World was Young

It isn't by chance I happen to be, A boulevardier, the toast of Paris. For over the noise, the talk and the smoke, I'm good for a laugh, a drink or a joke. I walk in a room, a party or ball, "Come sit over here" somebody will call. "A drink for M'sieur, a drink for us all! But how many times I stop and recall.

Ah, the apple trees, Blossoms in the breeze, That we walked among, Lying in the hay, Games we used to play, While the rounds were sung, Only yesterday when the world was young.

Wherever I go they mention my name, And that in itself, is some sort of fame, "Come by for a drink, we're having a game," Wherever I go I'm glad that I came. The talk is quite gay, the company fine, There's laughter and lights, and glamour and wine, And beautiful girls and some of them mine, But often my eyes see a diff'rent shine.

Ah, the apple trees, Sunlit memories, Where the hammock swung, On our backs we'd lie, Looking at the sky, Till the stars were strung, Only last July when the world was young.

While sitting around, we often recall, The laugh of the year, the night of them all. The blonde who was so attractive that year, Some opening night that made us all cheer. Remember that time we all got so tight, And Jacques and Antoine got into a fight. The gendarmes who came, passed out like a light, I laugh with the rest, it's all very bright.

Ah, the apple trees, And the hive of bees Where we once got stung, Summers at Bordeaux, Rowing the bateau, Where the willow hung, Just a dream ago, when the world was young.

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