 Purchase Green Card -On Video- |
Synopsis: The fun starts when two strangers aggre to a marriage of convenience -- thinking it's going to be hassle-free. She'll get to live in the apartment of her dreams, he'll get a 'green card' to live in the US. But before they know it, the two opposites encounter far greater difficulties than most married couples could ever imagine. And worst yet, this mismatched twosome just might be falling in love!
Tagline: The story of two people who got married, met, and then fell in love.
By Leonard Maltin
Young woman agrees to marry Frenchman--in name only--so he may legally remain in this country... but when Immigration authorities begin to investigate, she's forced to spend time with the man. Thin, scarcely credible romantic comedy, written by the director; worth watching for Depardieu, who's charming in English-language debut.
[ Copyright© 1998, Leonard Maltin's Movie & Video Guide ]
 |
© 1990 Buena Vista Pictures |
By James McGrath
With the help of his lawyer, Georges (Gérard Depardieu), a composer and one-time petty thief who grew up in poverty, attempts to escape his life in Paris and begin anew in America by illegally marrying Bronte (Andie MacDowell), a prim and repressed young lady from a privileged life in Connecticut. Bronte, who has agreed to the scheme for her own self-serving reasons, is exasperated when the Immigration & Naturalization Service investigates their case, and she and Georges, whom she detests, must spend time together studying each other's lives to avoid disaster. The fallout, and how it ends, is infinitely more
delightful than your run-of-the-mill Hollywood romantic comedy, and the very ending itself stops deliciously short of where Hollywood would feel compelled to drag the story. Fine performances are given by MacDowell, Depardieu--who is fiercely charming pounding the keyboard of a Steinway at an upper class Manhattan dinner party--and Bebe Neuwirth, who is perfect as an upper-class child turned artist who revels in her irresponsibility.
[ Copyright© JM, Courtesy of Amazon.com ]
By Roger Ebert
Hollywood has since time immemorial defined the Meet Cute as a comic situation contrived entirely for the purpose of bringing a man and a woman together, after which they can work out their destinies for the remainder of the film. The classic Meet Cute involves the hero and heroine crashing into each other outside a department store, while all of their Christmas shopping falls to the ground. He helps her pick up her packages, they start to talk, and the rest is history - or formula comedy, anyway.
The package gambit is such a familiar Hollywood standby that "Green Card" has fun employing it as an alibi. The main characters - a Frenchman and an American woman who have to pretend their marriage is the real thing - solemnly explain to an immigration official that they met when they ran into each other, their packages fell to the ground, etc.
Actually the whole movie is a slightly more sophisticated application of the same formula. The Frenchman, played by Gerard Depardieu, needs a green card if he is to stay in America. The woman, played by Andie MacDowell, needs a husband if she is to rent a desirable Manhattan apartment. They are introduced by a friend, they go through the fiction of a marriage ceremony, and then when immigration comes sniffing around they have to put on a convincing show of really being married.
A movie like "Green Card" can supply two kinds of pleasures: those caused when it observes its formula, and those created when it violates it. The movie was written and directed by Peter Weir ("Dead Poets Society," "Witness"), who constructs it lovingly according to sturdy old principles: The couple is at first indifferent to one another, then hostile, then in love, then in denial, and then of course they break up - right before they get together. All of these stops are observed, but at the same time Weir has added some nice touches, including the unconventional characters themselves.
Depardieu, the leading actor in France, here making his American film debut, is a large, shaggy, untidy man who brings to every role a kind of effortless charm. He occupies a considerable psychic space on the screen. It is not hard to figure out his practical reasons for wanting to marry MacDowell. But her character has its work cut out: Would an attractive young woman, smart and with a great job, actually marry a stranger just to get an apartment? In Manhattan, this movie argues, the answer is yes - especially if the apartment incorporates a large solarium. We accept the marriage of convenience for the purposes of the plot, but the screenplay still has some explaining to do.
Weir is good with his actors and good, too, at putting a slight spin on some of the obligatory scenes. When Depardieu meets MacDowell's parents, for example, the scene doesn't develop along the standard lines of outrage and bluster. Instead, Conrad McLaren, as her father, grasps the situation instantly, and proves to be a good judge of character. I also liked the scene where Depardieu goes to a party and meets MacDowell's friends. Of course, they are snotty, and of course, it is mentioned that Depardieu is a composer, and of course, there is a piano there and Depardieu is asked to play one of his compositions. But what happens then is perhaps the best scene in the movie.
"Green Card" is not blindingly brilliant, and is not an example of the very best work of the director who made "The Year of Living Dangerously" or the actor who starred in "Cyrano de Bergerac." But it is a sound, entertaining work of craftsmanship, a love story between two people whose meet is not as cute as it might have been.
[ Copyright© 1991, Chicago Sun-Times ]