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In 1930 Juana decided to leave Los Toldos with her "tribe," as she liked to call her family, to seek a better fortune in the nearby town of Junin, where Elisa had been transferred. Blanca would soon begin teaching at the Sacred Heart School and Juan would find work in the town's pharmacy. Erminda began secondary school at the Colegio Nacional and Eva was registered in third grade at Public School #1, Catalina Larralt de Estrugamon.

In Junin at lunchtime three people sat down at the family table because they preferred Doña Juana's homemade cooking over anything else the small town had to offer; with time they would become part of the family.

Major Alfredo Arrieta, Commander of the Military District, would marry Elisa. Don José Alvarez Rodriguez, rector of the Colegio Nacional, came with his brother, Dr. Justo José Alvarez Rodriguez, who would one day marry Blanca.

In Junin, the childhood theatricals of Los Toldos were replaced by roles on a real stage. Eva began to stand out for her ability to recite poetry. In her autobiography, The Reason For My Life, she would say, "Even as a little girl I wanted to recite. It was as though I wished to say something to others, something important which I felt in my deepest heart." (pg.21) The Commission of the Artistic and Cultural Center of the Colegio Nacional often organized theatricals. Erminda was a member and even though Evita wasn't, she was still allowed to join the group and participate in a play called "Arriba Estudiantes." In Junin Evita's voice was broadcast for the first time over the loudspeakers installed in Prime Arini's "House of Music." Once a week the young people of the town would take the microphone in hand and display their artistic talent for singing, reciting, or declaiming.

Evita's "profound artistic vocation" (as she herself spoke of her calling) was nourished by Junin's cinema, her teenage radio auditions and her collection of film star pictures.

In Junin Evita had to make her first choice: "Shall I remain a small town girl and marry here as so many girls do? Shall I be a teacher like Blanca? Or an employee like Elisa?" By 1935 Evita had made up her mind: "I'II be an actress.

The characteristics of Evita's personality fit her vocation. She herself would say in La Razón de Mi Vida, her autobiography, "Like the birds, I've always preferred the freedom of the forest. I haven't even been able to tolerate that minimum loss of freedom which comes from living with your parents or in your hometown. Very early in life I left my home and my hometown and since then I've always lived free. I've wanted to be on my own and I have been on my own." (La Razón de Mi Vida, C.S. Ediciones, Buenos Aires, 1995, pgs. 193-194).

The circumstances which surround Evita's leavetaking from Junin have generated countless versions, the most common of which involves Augustín Magaldi, nicknamed the "Gardel of the Provinces" [Carlos Gardel was a famous Argentine tango singer]. Depending on which version you hear, he's either interceding with Doña Juana, at Evita's request, to obtain her permission for Evita to go to Buenos Aires, or simply providing Eva with letters of introduction which will open the doors of stardom for her. Erminda's memory of the conflict caused by Evita's unshakable decision to go to Buenos Aires and Doña Juana's no less unshakable desire to prevent her from going, contradicts the Magaldi versions. After pondering the words of José Alvarez Rodriguez, who advised her not to stand in the way of her daughter's vocation, Doña Juana gave in. "The rector insisted so much, that Mother, clenching her teeth, took you to Buenos Aires.

Doña Juana returned alone, "furious with the Rector of the Colegio Nacional, furious with everyone, "having left Eva in the home of friends of the family, the Bustamantes" (Duarte, Erminda: op. cit., pg. 71). The little girl of Los Toldos and Junin had been left behind. Together with a few personal possessions placed in a suitcase and lost over the course of the years, Eva took with her the pedaling sound of the New Home Sewing Machine, the remembrance of toys wished for but never obtained, the impact of the discovery that there are poor and rich in the world and the emotional indignation felt when faced with injustice... these things she would always keep.

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