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1976 Concept Album

1978 West End
1979 Broadway
1996/7 Movie

Lyrics by Tim Rice

Music by Andrew Lloyd Webber

Santa Evita 

After Superstar, the next theatrical project Tim Rice and Andrew Lloyd Webber were going to do was Jeeves. Then in 1973, Tim heard about ten minutes of a radio programme in his car about Eva Peron, and the idea for Evita came to life. Tim researched Eva Peron (second wife of Argentine president Juan Peron), and even visited Argentina in February of 1974. Andrew staged Jeeves with Alan Ayckbourn providing the book and lyrics in 1975, and then he and Tim began serious work on Evita.

Tim's very factual first draft of the show was discarded. Hal Prince wanted to do a stage production, but had ideas of his own about what should be done and was booked for at least a year. Instead of going to the stage first, Tim and Andrew followed their previous route, and released a double album of the show-to-be in November of 1976. (Andrew and Tim also produced the recording.) Julie Covington sang the part of Eva Peron, and her "Don't Cry For Me Argentina" reached number 1 on the charts in February of 1977 (and reached the number one slots in other countries as well). Colm Wilkinson (then going by the name C. T. Wilkinson) sang the part of Che, Paul Jones was Juan Peron, and Tony Christie sang the part of Magaldi. Barbara Dickson, as Peron's Mistress, had a hit with "Another Suitcase In Another Hall". In Britain, Australia, South Africa, South America, and various parts of Europe, sales of Evita were greater than sales of Superstar had been.

Julie Covington refused to repeat her role on stage, saying that the message of the piece would be lost -- and the search for someone to play Eva Peron was on. The prize role went to 27-year-old Elaine Paige, the most notable of whose numerous credits was originating the part of Rita in the 1974 musical Billy which starred Michael Crawford. Pop singer David Essex was signed on as Che in late April, Joss Ackland was Juan Peron, Siobhan McCarthy was Peron's Mistress, and Mark Ryan played Magaldi. The show was directed by Harold Prince, and presented by Robert Stigwood in association with David Land. Prior to the show opening, a book containing information about the Peron regime and the lyrics to the songs in the musical written by Tim and Andrew was released. It was called Evita: The Legend Of Eva Peron 1919-1952, was published by Elm Tree books, and sold for three pound ninety-five pence. Tim went to book signings in early June. Despite allegations of fascism, the original album went platinum just before the show opened.

When Evita opened at the Prince Edward Theater on 21 June 1978, the box office advance had exceeded $500,000. Elaine Paige won rave reviews, becoming a star over night and later receiving a SWET award -- as did the show. David Essex had a number 3 hit with "Oh What A Circus" arranged by Mike Batt.

The Broadway production opened on 25 September 1979 with Patti LuPone in the title role at the Broadway Theatre. (There had been discussion of Elaine Paige coming to the US, but nothing ever came of it.) Mandy Patinkin played Che, Bob Gunton was Peron, Jane Ohringer played Peron's Mistress, and Mark Syers was Magaldi. The show and cast won seven Tony Awards at the 8 June 1980 ceremony held at the Mark Hellinger, including Best Broadway Musical, Best Score of a Broadway Musical shared by Andrew and Tim, and the Tony for Best Book of a Broadway Musical for Tim. The show went on to play around the world in various places such as Madrid, Sydney, and Vienna.

The rumors for a movie of Evita began after its London opening. Of all the women considered for the title role, the two who had proved how well they could play Eva Peron -- Elaine Paige and Patti LuPone -- seemed to have been barely thought about.

In 1981 Paramount acquired the rights, with Robert Stigwood slated to co-produce. Ken Russell was brought on to direct, but then was dismissed from the project. The idea of Evita as a movie didn't go away though, and in the mid 80's Madonna decided she wanted in the picture and met with Stigwood. In 1987/88, Oliver Stone became involved and Weintrabu Entertainment Group (WEG) acquired the film rights from Paramount. Madonna was still looking to star in the picture, but reportedly she meet with Oliver Stone for 15 minutes and found they could not work together.

By 1989 Meryl Streep was supposed to be staring in the picture, but both she and WEG later backed out. In 1990 Stigwood struck a deal with Disney, and in early June he, Tim, Andrew, Madonna, and Disney executives met in New York to discuss the project. Jeffrey Katzenberg, chairman of the Disney film studio, was said to be very pro-Evita and pro-Madonna. The director eventually picked was Glenn Gordon Caron.

In January of 1991, Meryl Streep was reportedly upset that Madonna would be staring in the movie -- it looked like this time there actually was going to be a movie. However, the estimated budget for the film soon exceeded what Disney was willing to deal with, and the project was put on hold yet again . . .

Until 1993 when Disney decided to try again, with Oliver Stone as director (again). Stone closed the deal with Disney on 10 December 1993. Tim said at a gathering for The Lion King in July of 1994 that he got signed on to Disney because he "was walking around the Disney lot, hoping someone would make a film of 'Evita'. I'm still waiting.".

Instead of Madonna, Michelle Pfeiffer was named the Evita-to-be in 1994, with Antonio Banderas as Che. The movie was still in Disney and Stone's hands. Stone met with Argentine president Carlos Menem in the summer of 1994 who at first seemed agreeable, but then decided that the movie could not be shot on location after all. And then it got quiet again.

In late March 1995, the talks began yet again. Madonna was signing a deal with Arnold Rifkin who was friends with Andrew G. Vajna -- who was in control of the movie with Robert Stigwood. In a round about way, it meant that the movie with Madonna was on again.

This time the plans did not slink back into oblivion.

After many, many years of planning -- and many proposed directors and proposed stars -- the movie of Evita has finally been made. The estimated cost of the movie is about $56 million. Robert Stigwood, Alan Parker, and Andrew G. Vajna are the producers. Cinergy is the name of the production company, and Alan Parker directed. Hollywood Pictures released the film in the US and in Latin America; Paramount released it in Germany and Japan. It stars Madonna as Eva Peron, with Antonio Banderas as Che (the Guevara has be droppped), Jonathan Pryce as Juan Peron, and Jimmy Nail as Magaldi. David Caddick is the musical director.

Early in 1996, Madonna reportedly tried to contact all those who had played the role of Eva Peron before to gather information about the part. Madonna arrived in Buenos Aires on Saturday, 20 January 1996 to began filming on location. Her presence stirred up publicity between die-hard Madonna fans thrilled at her arrival, and die-hard Peronists horrified at her portraying their "Saint". As late as 19 February, Menem was still deciding whether or not the movie would allow scenes to be shot at the Casa Rosada (the Presidential Palace). He eventually agreed, and the Casa Rosada scenes were shot on 9 and 10 March 1996 with extras from the local population. By the end of March, Madonna was receiving more acceptance in the role. After the filming in Buenos Aires, the shooting was moved to Budapest, Hungary for six weeks, and then onward to wrap up shooting in London. The entire filming for Evita finished on Saturday, 25 May, and the editing began on 14 June.

For the film, the song "The Lady's Got Potential" has been included with all new lyrics except for the Cinderella bit. Madonna will sing "Another Suitcase In Another Hall". Most of "The Art Of The Possible" has been cut. An entire new song, "You Must Love Me", has been added for the final bedroom scene. A 10-minute preview of the movie was shown at the Cannes Film Festival in June of 1996, and received glowing reviews and praise. A special about the making of Evita, with interviews with Madonna, was shown on MTV in June of 1996. A minute and a half trailer for the film was released on 31 July.

The complete soundtrack release date was changed from 12 November 1996 to 5 November and then back to 12 November in the US, and it was released on 25 November 1996 internationally. The first single was to have been "You Must Love Me" with "Oh What A Circus" on the B side -- it was to be shipped to US radio stations on 1 October 1996, and available for purchase in stores on 15 October. Instead, "You Must Love Me" was released to the public on 29 October in the US and on 21 October in the UK with "Rainbow High" on the B side.

On 9 October, the video for "You Must Love Me" was shown on MTV, and the single started to receive airplay. ("Don't Cry For Me Argentina" , "Another Suitcase In Another Hall", and "Buenos Aires" were to be issued later.) The video premiered on MTV Europe on 15 October 1996.

"You Must Love Me" entered Billboard's Hot 100 Airplay chart, published on 26 October 1996, at number 55. It was the highest-charting debut single that week. It debuted at #10 in the UK charts.

A Uni-CD highlight album of the show has been available Internationally (with the US and Canada being exceptions). The Warner Brothers double CD soundtrack was available in stores starting on 12 November 1996 in the US, 18 November in the UK, and was available on 25 November 1996 Internationally. The soundtrack is orchestrated by Andrew Lloyd Webber with additional orchestrations by David Cullen. It is produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber, and David Caddick. It debuted at number 6 on Bilboard's Top Ten albums list. By mid-may May 1997, the soundtrack had sales of over 2 million in the US.

Evita premiered in Los Angeles at the Shrine Auditorium on 14 December 1996. The London premiere was on 20 December 1996. It opened on Wednesday, 25 December in New York City and Los Angeles, with the world premiere on 10 January 1997 in the United States and 17 January 1997 in other countries.

To accompany the film, Alan Parker has written a book -- which came out in both hardcover and paperback in December 1996 -- called "The Making of Evita" which includes 140 movie stills.

The film ended its first week at number two.

"Don't Cry For Me Argentina" has enjoyed chart success as a dance mix. The International version was released in January 1997. After one day of US sales, it appeared at #17 on the Billboard Singles Chart.

Evitawas nominated for five Golden Globe Awards: Best Musical or Comedy, Best Actress in a Musical or Comedy (Madonna), Best Actor in a Musical or Comedy (Antonio Banderas), Best Director (Alan Parker), Best Original Song ("You Must Love Me"). The 54th annual Golden Globe Awards ceremony was held on 19 January 1997. Evita won three of the five -- Best Musical or Comedy, Madonna as Best Actress, and Best Original Song for "You Must Love Me". Tim Rice accepted the award for the song and paid tribute to the late David Land.

"Another Suitcase In Another Hall" was Internationally released in March 1997. It debuted at #7 in the UK charts in the last week of March. There are two international releases, one featuring "You Must Love Me" and movie postcards, and the other with "You Must Love Me" and "Don't Cry For Me Argentina". The US release of the single has been cancelled.

Evita was nominated for five Oscars at the 69th annual Academy Awards (art direction, cinematography, film editing, original song, sound), and won for the song "You Must Love Me". Tim and Andrew accepted the Oscar together at the ceremony held on 24 March 1997. This marks Tim's third original song Oscar ("A Whole New World" with Alan Menken & "Can You Feel The Love Tonight" with Elton John) and Andrew's first.

Although the release of the "Buenos Aires" single has been put on hold world-wide, several radio stations have received copies. A highlight album, Evita: Selections From The Motion Picture Soundtrack was available internationally by July 1997, except in the US. The US debut was slated for 17 June, but has since been moved to 29 July 1997.

For home use, Evita is/will be coming out on video and laserdisc.

The video was available for rental in the UK on 23 June 1997, 15 July 1997 in Argentina, and was released in the US on 5 August. It should be in video stores world-wide by mid September 1997. After about six months from the time the video was available to rent, it will go on sale to the general public.

There will be three laserdisc versions of the film, to be released 19 August 1997 : Dolby Digital widescreen, DTS wide screen, and a special edition version from Criterion. The prices are tentatively set at around $40, $60, and $125 respectively. The movie itself is 135 minutes, but the Criterion disc also includes screen tests, demo tapes, commentary by Alan Parker, a 42 minute programme "The Making Of Evita", trailers, and the "You Must Love Me" video.

The show begins with Eva's funeral. It then flashes back to when she was 15, and follows her life from then until her death. Throughout the musical Che comments on Eva and the Argentine situation as a character close enough to the action to know what is going on, but yet not a part of it.

 

"Oh What A Circus" is similar to Judas' "Heaven On Their Minds" in that it establishes where the character is coming from. Che is critical of everyone. He is critical of the mourners who have "all gone crazy, mourning all day and mourning all night/ falling over themselves to get all of the misery right!". He is also critical of Eva, an "actress", who "let down" her people because she was not immortal -- a request that was "not much to ask for". It is Che who keeps trying to point out the problems with Eva's regime. "Waltz For Eva And Che" is a brilliant number showing the harder aspects to Eva's character, and yet drawing compassion for her as she collapses at the end of the number. The whole show depicts Eva's cold ambition with slight humor, from her daring "I'd Be Surprisingly Good For You" to her correction from "We'll" to "You'll be handed power on a plate" when talking political strategies with Peron in "A New Argentina".

Lyrical quotes from Tim Rice's libretto for Evita

 

The Songs

  • A Cinema In Buenos Aires, 26 July 1925
  • Requiem For Evita
  • Oh What A Circus
  • On This Night Of A Thousand Stars
  • Eva And Magaldi
  • Eva Beware Of The City
  • Buenos Aires
  • Goodnight And Thank You
  • The Lady's Got Potential

(This number cut after the 1976 recording and was then replaced with "The Art Of The Possible".)

  • The Art Of The Possible
  • Charity Concert
  • I'd Be Surprisingly Good For You
  • Another Suitcase In Another Hall
  • Dangerous Jade
  • A New Argentina
  • On The Balcony Of The Casa Rosada
  • Don't Cry For Me Argentina
  • High, Flying Adored
  • Rainbow High
  • Rainbow Tour
  • The Actress Hasn't Learned The Lines (You'd Like To Hear)
  • The Money Kept Rolling In (And Out)
  • Santa Evita
  • Waltz For Eva And Che
  • She Is A Diamond
  • Dice Are Rolling
  • Eva's Sonnet
  • Eva's Final Broadcast
  • Montage
  • Lament

 

The Film Soundtrack

    Disc One

  1. A Cinema In Buenos Aires,
    26 July 1952
  2. Requiem For Evita
  3. Oh What A Circus
  4. On This Night Of A
    Thousand Stars
  5. Eva And Magaldi /
    Eva Beware Of The City
  6. Buenos Aires
  7. Another Suitcase
    In Another Hall
  8. Goodnight And
    Thank You
  9. The Lady's Got
    Potential
  10. Charity Concert /
    The Art Of The Possible
  11. I'd Be Surprisingly
    Good For You
  12. Hello And Goodbye
  13. Peron's Latest Flame
  14. A New Argentina

    Disc Two

  1. On The Balcony Of The
    Casa Rosada 1
  2. Don't Cry For Me Argentina
  3. On The Balcony Of The
    Casa Rosada 2
  4. High Flying, Adored
  5. Rainbow High
  6. Rainbow Tour
  7. The Actress Hasn't Learned
    The Lines (You'd Like To Hear)
  8. And The Money Kept
    Rolling In (And Out)
  9. Partido Feminista
  10. She Is A Diamond
  11. Santa Evita
  12. Waltz For Eva And Che
  13. Your Little Body's Slowly
    Breaking Down
  14. You Must Love Me
  15. Eva's Final Broadcast
  16. Latin Chant
  17. Lament

 

 

 

 

 

 

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