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Classicism and Romanticism: Opposing Realms of Consciousness or Consituents of Quality? by Anna Chan Endnotes | 1 | 2 | 3 | 4 | 5 | 6 | bibliography
Endnotes
1. Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance, New York: William Morrow and Company, Inc., 1974, p. 61
2. Charles Augustin Sainte-Beuve, "What is a Classic?", Mortimer J. Adler, Robert M. Hutchins, ed. Gateway to the Great Books, Chicago: Encyclopedia Britannica, Inc., 1963. Volume 5, Critical Essays, p. 65
3. Stanley Sadie, ed. The New Grove Dictionary of Music and Musicians, Hong Kong: Macmillan Publishers Limited, 1980. Volume 4, p. 450
4. Ibid, p. 451
5. Ibid, p. 451
6. Stanley Sadie, ed. The New Grove Dictionary of Music and Musicians, Hong Kong: Macmillan Publishers Limited, 1980. Volume 16, p. 141
7. Sainte-Beuve, Op. Cit. p. 67.
8. Parvin F. Sharpless, Romanticism: A Literary Perspective, Rochelle Park: Hayden Book Company, 1979, pp. 2-3
9. Josephine Miles, "The Romantic Mode," Harold Bloom, ed. Romanticism and Consciousness: Essays in Criticism, New York: W.W. Norton and Company, Inc., 1970, p. 173
10. Ibid, p. 180
11. Ibid, p. 174
12. Frederick Antal, Classicism and Romanticism with other studies in Art History, New York: Basic Books, Inc., 1966, p. 4
13. Pirsig, Op. Cit. p. 86.
14. Sharpless, Op. Cit. p. 2-3.
15. Pirsig, Op. Cit. pp. 61-62.
16. Geoffrey H. Hartman, "Romanticism and Anti-Self-Consciousness," Harold Bloom, ed. Romanticism and Consciousness: Essays in Critism, New York: W.W. Norton and Company, Inc., 1970, p. 50
17. Ibid, p. 48
18. Sharpless, Op. Cit. p. 13.
19. Stephen Prickett, ed. The Romantics, New York: Holmes and Meier Publishers, Inc., 1981, p. 104
20. Antal, Op. Cit. p. 1
21. Jacques Barzun, Classic, Romantic, and Modern, Chicago: The University of Chicago Press, 1975, p. 52
22. Pirsig, Op. Cit. pp. 101-102
23. Paul K. Feyerabend, Against Method, Norfolk, Great Britain: Lowe and Brydone Printers Ltd., 1975, p. 19
24. Ibid, pp. 29-33
25. Ibid, p. 37
26. Ibid, p. 43
27. Barzun, Op. Cit. p. 13.
28. Pirsig, Op. Cit. p. 62.
29. Barzun, Op. Cit. p. 4.
30. Pirsig, Op. Cit. p. 223.
31. Barzun, Op. Cit. p. 52.
32. H.W. Janson, History of Art, Englewood Cliffs: Prentice Hall, Inc., 1986. Third Edition, p. 574
33. Feyerabend, Op. Cit. p. 39.
34. Ibid, p. 32
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