Anna's Inkwell Academia Journal Gallery Correspondence & Links


Classicism and Romanticism: Opposing Realms of Consciousness or Consituents of Quality?

by Anna Chan

Endnotes | 1 | 2 | 3 | 4 | 5 | 6 | bibliography

Endnotes

1. Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance, New York: William Morrow and Company, Inc., 1974, p. 61

2. Charles Augustin Sainte-Beuve, "What is a Classic?", Mortimer J. Adler, Robert M. Hutchins, ed. Gateway to the Great Books, Chicago: Encyclopedia Britannica, Inc., 1963. Volume 5, Critical Essays, p. 65

3. Stanley Sadie, ed. The New Grove Dictionary of Music and Musicians, Hong Kong: Macmillan Publishers Limited, 1980. Volume 4, p. 450

4. Ibid, p. 451

5. Ibid, p. 451

6. Stanley Sadie, ed. The New Grove Dictionary of Music and Musicians, Hong Kong: Macmillan Publishers Limited, 1980. Volume 16, p. 141

7. Sainte-Beuve, Op. Cit. p. 67.

8. Parvin F. Sharpless, Romanticism: A Literary Perspective, Rochelle Park: Hayden Book Company, 1979, pp. 2-3

9. Josephine Miles, "The Romantic Mode," Harold Bloom, ed. Romanticism and Consciousness: Essays in Criticism, New York: W.W. Norton and Company, Inc., 1970, p. 173

10. Ibid, p. 180

11. Ibid, p. 174

12. Frederick Antal, Classicism and Romanticism with other studies in Art History, New York: Basic Books, Inc., 1966, p. 4

13. Pirsig, Op. Cit. p. 86.

14. Sharpless, Op. Cit. p. 2-3.

15. Pirsig, Op. Cit. pp. 61-62.

16. Geoffrey H. Hartman, "Romanticism and Anti-Self-Consciousness," Harold Bloom, ed. Romanticism and Consciousness: Essays in Critism, New York: W.W. Norton and Company, Inc., 1970, p. 50

17. Ibid, p. 48

18. Sharpless, Op. Cit. p. 13.

19. Stephen Prickett, ed. The Romantics, New York: Holmes and Meier Publishers, Inc., 1981, p. 104

20. Antal, Op. Cit. p. 1

21. Jacques Barzun, Classic, Romantic, and Modern, Chicago: The University of Chicago Press, 1975, p. 52

22. Pirsig, Op. Cit. pp. 101-102

23. Paul K. Feyerabend, Against Method, Norfolk, Great Britain: Lowe and Brydone Printers Ltd., 1975, p. 19

24. Ibid, pp. 29-33

25. Ibid, p. 37

26. Ibid, p. 43

27. Barzun, Op. Cit. p. 13.

28. Pirsig, Op. Cit. p. 62.

29. Barzun, Op. Cit. p. 4.

30. Pirsig, Op. Cit. p. 223.

31. Barzun, Op. Cit. p. 52.

32. H.W. Janson, History of Art, Englewood Cliffs: Prentice Hall, Inc., 1986. Third Edition, p. 574

33. Feyerabend, Op. Cit. p. 39.

34. Ibid, p. 32

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