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ALFRED GILBEY: A PERSONAL SIGHTING

When I first saw Alfred Gilbey he was wreathed in the dappled light of a mid-70s summer sunset.

He was in the company of two much younger men, somewhere in their mid-thirties, I supposed. One had short dark hair and wore small, round and challengingly unfashionable tortoiseshell spectacles; his silk gown was thrown over his left shoulder, and occasionally brushed the paving stones. The other had a roseate slightly tanned complexion and a beautifully cut mane of tawny blond hair which the breeze and the westering light caught at after each long slow stride. Both were tall and enviably debonair.

But it was the older, slighter figure who walked between them who had most secured my attention, as this elegant and self-contained trio sauntered along King’s Parade, in the direction of St. Botolph’s and the University Press. The echoes of their quiet, gay laughter vanished at the same moment as the street lamps suddenly stuttered into horrid neon light. Dressed in a closely-fitting clerical frock-coat and a priest of priest’s round black hat, he angled his tightly-furled umbrella more in the manner of an ancien régime cane than as an actual aid to walking. It was an engaging and intriguing scene.

At the same time, there was nothing theatrical about its central character. The entire mien of this elderly priest spoke to me of well–appointed libraries and secluded chapels. So who was he, I asked myself with happy curiosity, as I turned my bicycle round and rode back down St. Ben’t’s Street? He had to be Anglican, of that I was sure. No Roman priest of my acquaintance was so poised. The aura that he left behind was redolent of a quieter Chancellor Garth Moore , a less rickety and unpredictable Canon Simpson of Trinity, and an altogether more seemly version of the Rev Dr. Cuthbert Cupitt Keet, the aged incumbent of St. Clement’s in Bridge Street and my own parish priest at that time. Moreover, I told myself that this demure yet electrifying figure was no Anglo-Catholic. Too smart and too relaxed to be part of that often overwrought and somewhat tatty ambience.

No: he could only be an old-fashioned high and dry Anglican - blue copes and ante-communion; a Dean of Chapel possibly, a Reader at the Divinity School: a Trollopian figure in any case, and not a latter-day emanation of Pusey or Hurrell Froude. Whatever else, here was no emissery from Rome!

The following morning, which was a Sunday and one of that summer’s sweetest, I took myself off to Little St. Mary’s, knowing that the Vicar, Fr. James Owen, was better acquainted with the university and its denizens than the unworldly Dr. Keet. After Mass, I reported my sighting to him as we walked round to his house in Newnham Terrace.

‘That "vision of a quintessentially happier Cambridge, now all but lost " as you so lyrically put it, was, Sir, none other than the Right Reverend Monsignor Alfred Newman Gilbey. former Roman Catholic Chaplain here. I was was Chaplain at Jesus at the time of his sudden departure. December 1965. All very untoward; practically forced to leave, you see"

‘ "Roman Catholic?"…"forced to leave"…" – I interrupted the sonorous flow. ‘Peter, do sit down again for goodness sake. Drink your sherry and eat up that Bath Oliver. Excellent. Now, as I was trying to tell you.’

He proceeded with his own highly partial but desperately loyal version of the events leading up to and surrounding Mgr. Gilbey’s resignation, accompanied by thumb-nail sketches and dazzling imitations of those involved – the most withering being reserved for Mgr. Gilbey’s immediate successor, Fr Richard Incledon and the latter’s King Charles spaniel.

‘That dog, my dear, was positively Cromwellian. Barely a term into the new régime and man’s – best – friend was prancing and snuffling about the rubble that had once been a perfectly decent baldichino, from the old Upper Chapel, you know.’

I didn’t, but soon was to. It had been a brilliant performance. With a final yap, he slumped back into his chair. He grinned broadly, but his eyes remained sad and troubled as they had been throughout this tour de force.

Presently, it was time for us to part, so I drained my glass and we said our
good-byes. I left with a heavy heart. For while my initial curiosity had been well and truly satisfied, the images which Fr Owen had conjured up, apparently so playfully, had already firmly impressed themselves. They seemed hardly credible -–sweating undergraduates wielding pick-axes in the afternoon sun as they smashed down plaster pillars and ripped out panelling; or of an unprotected grand piano discovered one bleak winter’s lunchtime supporting a trestle-table stacked with hammers and open paint tins. Such seemingly mindless destruction of Church fabric and property was of course not unknown elsewhere in the dreary wake of the Second Vatican Council, but that it had also apparently happened here in Cambridge, transformed what had previously been a generalised aesthetic and intellectual disapprobation into something less cerebral and more personal. Ridiculously, no doubt, but somehow or other I wished to make amends.

****

Later that summer I had another similarily climacteric experience, when I was taken to visit the Catholic church at Bury St Edmund’s.

When seen from without, Charles Day’s 1830s Greek Revival church at Bury, with its Ionic portico and generally unassuming and unflustered air, still sets off quiet echoes more redolent of Penal Times than the Wisemanian revival which was soon to embolden English Catholicism. The interior, however has been desecrated. Stripped of its architecturally necessary furnishing, the church neither looks, sounds nor smells like a place of worship or devotion. It is lacking in anything vaguely approximating to the numinous. Newman might never have been. This was my first visit, and it was suddenly clear that something very akin had happened to the chapels at Fisher House; though here it was writ large: for all to see. Distraught and angry, I stomped out into the leaden late August afternoon.

It was because of this experience and partly on account of James Owen’s revelations, but principally as a result of having seen that "quintessential" silhouette, side-lit by a June sunset, that earlier and hazier intentions now crystallised into a single resolve. To meet Mgr. Gilbey, and tell him that I wanted to try and write the history of the Cambridge Catholic Chaplainy which, to my astonishment, I had learnt did not then exist.

****

Several months were to pass, however, before I took up the gauntlet I had thrown down for myself. Mainly because I had been settling into my first job, at the King’s School, Rochester: that autumn, my time belonged to others.

But, immediately after Christmas I wrote to Fr Owen asking him for Mgr. Gilbey’s address. However before receiving his reply, I overhead a (very noisy) conversation in my own club which supplied me with the information. It was a typically misogynous exchange between ageing clubmen who had lunched well, and it concluded more or less like this:

"Can’t imagine how he did it".

"How who did what?"

"Old Gilbey".

"Ah! What though?"

"How he wangled it to live full time at the Travellers".

"No wife of course. Children?"

"I shouldn’t think so".

I preferred to believe that ‘old Gilbey’ had achieved his domicilary status more by charm than guile. Be that as it may, I could now enact my plan.

Accordingly, one dank and freezing Sunday morning in early February 1976 I caught an empty train up to Charing Cross. Invaded by curious undulating layers of opalescent fog, Pall Mall was silent to the point of eeriness . Having neither written nor telephoned, when I arrived at the Club’s heavily-shut doors, I was suddenly reminded of the Mole turning up unannounced on Mr Badger’s snowy threshold. And although SWI is hardly the Wild Word, my misgivings almost got the worse of me. However, when I rang the bell and the door was eventually heaved open by a dishevelled porter with a Dublin accent and a Guinnessy belch, my anthropomorphic fantasizing was (quite literally) blown back into the fog. I gave my name and asked whether Mgr. Gilbey were in.

"O, to be sure he’s in, he is. That is, if he didn’t just go out. I’ll be calling his likes for you. Now you just wait over there by the fire, even if it’s not lit, today being a Sunday".

This knock-about turn lasted all of five seconds while he ushered me to a chair in the Hall, before lurching back to his little lobby.

I didn’t have long to wait, which was as well because my earlier misgivings were resurfacing, before a familiar figure slipped into my range of vision, neatly circumvented an obtruding table and was, as it were, upon me. Being huddled in a heavy coat and encumbered by hat, gloves and scarf, I only just managed to get to my feet in time.

An outstretched hand; a smile which was both quizzical and quixotic. Then the opening salvo: "My dear boy, forgive me, I don’t quite remember you and perhaps I didn’t catch your name properly – Peter Gregory-Jones? The porters on Sundays are …well".

My first overriding impression of Alfred Gilbey at close hand was not so much the man’s poise and gravitas as his aura of cleanliness. A reassuring, masculine, nursery smell of Pear’s Soap, freshly-ironed linen, the careful use of starch: this much at least my nose seemed to inform me. His long hands were exquisite, Dureresque and beautifully cared for .They were also radiantly clean. No Edwardian nanny, whether Spanish or Essex-born, could have demanded more from her former charge.

****

"So you still want to write the history of the Chaplaincy? As I said earlier, ‘a most laudable aim’, I think though that I ought to warn you that you and I will probably be your book’s only readers".

When Alfred said this I was on the point of taking my leave and we were getting up from our chairs by the fire in the library at the Oxford and Cambridge Club, where earlier he had given me a princely luncheon .

It seemed a paradoxical warning, and rather nonplussed me. For Alfred had spent half a day reliving for my benefit remote dramas from his time as Chaplain, and recounting anecdotes with all the verve of a James Owen, yet with none of the latter’s underlying bitterness or resentment. He had also suggested how and where I should start my researches. Indeed, he had just handed me a letter of introduction to the Westminster Cathedral Archivist, Miss Powyser.

As Alfred’s enthusiasm had grown for what he was already calling ‘our joint-project’, so too had the feeling of intimacy between us. It was difficult to believe that we had met only hours before.

"Oh, I’m utterly certain, Father. I don’t believe in destiny in any formal sense. But I do believe in Divine Providence. I can’t really imagine why or how, but this ‘project’ seems to have been… sent me. I feel, well, entrusted with it".

I also felt embarrassed at this self-important sounding declaration. But Alfred smiled delightedly. His heavy lidded Spanish eyes glistened momentarily in the play of the firelight.

"My dear boy! And what fun we’re going to have together. Now, off you go to your Dormitory Duty. What lucky little boys! And ring me up soon and invite yourself to dinner. I say Mass at the Travellers’ most Wednesday evenings at 6.30."

With that, he sat down again, drew a reading lamp on to his lap and opened his Breviary. I tip-toed away across the Turkey carpet, retrieved my greatcoat and other wintry paraphernalia and walked out into the fog and silence. My heart was lighter now.

We had both had a more than agreeable and mutually profitable afternoon. I had seldom been so entertained or charmed nor, for that matter, so utterly flattered. It was flattery which had taken the form of encouragement: affectionate but dispassionate, wholehearted but also cool and even slightly wary – yet flattery all the same.

However, recalling now the warm tones and fleeting nuances of that short winter’s day, I don’t think the rippling success of our first meeting can be solely attributed to the fact that I desired to write the book which for long years Alfred had wanted to see written.

No, it was also a question of mutual physical attraction – not sexual as such, but aesthetic and, as for as I was concerned, social too. I was young, personable and full of enthusiasm; he was elderly, elegant and self-possessed: a classic recipe. Beauty might be relative; but gesture, tone of voice and accent, the ways a person moves, how he smiles and what his eyes tell you, are objective realities, which can be measured and assessed. In this respect, neither of us had apparently found the other wanting.

****

"Even as I speak I believe there are Guardian Angels hovering in this room. But I don’t expect to see then".

The room was the dining room at Rose Hill, in Alfred’s Cousin Walter’s Edwardian country house high above the Thames Valley and not far from Henley. Lunch was long over, but we were still sitting round the table, sipping Gilbey’s ‘J’ port and nibbling water biscuits, as another winter’s afternoon darkened into evening.

Andrew Wilson had come to interview Alfred for an article which appeared shortly afterwards. As a result, the conversation had been more theological than anecdotal; less gay and confidential than usual, though as arresting as ever. On that occasion, Alfred presided as a Protonotary Apostolic of Holy Mother Church. It was an impressive performance and an illuminating experience.

At the mention of Guardian Angels, I caught not only myself but also Andrew Wilson, in his most reputable ‘Young Fogey’ suit, casting a fleeting upward glance. That we were both captivated by the notion was evident; an ex cathedra reiteration, as it were, of the lulling bedside chatter of Christian mothers and nannies down the generations. We were perhaps also slightly incredulous.

But when Alfred, after delivering himself of this neglected Eternal Truth, leant back in his chair, and the fading light transformed him into an almost inquisitorial figure, there was no longer any room for doubt that what he had avowed he had meant quite literally. This affirmation was no exercise of religious whimsy designed to charm those whose doctrinal development had been arrested in the nursery. Rather, it revealed the religious humility, which in turn rested upon a bed-rock faith, of an otherwise subtle and sophisticated, yet disciplined and logical mind; a mind that above all else sought and responded to revealed truth. This had certainly been Alfred at his most enchanting, but also at his most categorical.

****

Not until his very last years, when dressing became an almost insurmountable effort, did Alfred wear a cassock in the public rooms at the Travellers’ (or in any other of the clubs to which he belonged). The one exception was at lunchtime in highest summer, when he would take his favourite table at the near end of the Coffee Room, wearing "what, my dear, I call my Oratorian day-dress" – consciously echoing a Lopesian turn of phrase.

Alfred’s reluctance to wear a cassock under such circumstances was not, I think, solely or even principally, dictated by a desire not to arouse any anti-Popish sentiments which some of his fellow members might have harboured.

It was a question of coherence and personal taste. He had reached sartorial maturity in the early 1920s, when gentlemanly English Catholic priests wore clerical frock coats and black silk waistcoats. Soutanes, like birettas, were essentially liturgical and domestic garments; not social ones.

It was a black, straight-cut, narrow-skirted cassock without monsignorial magenta piping or cincture, which he wore an inch or so above the ankle, after the style of Fathers at the London (Brompton) Oratory.

In any case, he believed that once one accepted membership of a self-governing institution like a London club, then by definition one also accepted that institution’s codes and usages even when, as in this instance, they were unwritten. As he once pointed out to a friend at the Travellers’ , who was intent upon an act of single-handed mutiny, individual club members are not at liberty to follow only those rules which are personally congenial to them. "What you can do, however, and I urge you to do so, is to try to reverse this woeful decision at the next House Committee Meeting".

Alfred’s outward tolerance of norms and notions which potentially conflicted with his own convictions and sensibilities went far wider and deeper than any conforming instinct. His toleration was routed in the knowledge that human society is a divided house. He quietly insisted, however, that such divisions were not of themselves necessarily synonomous with acrimony. It was, fallen man, at once arrogant and pusillanimous, who made them so. At our last meeting he rehearsed this thesis:

"Human folly and villainy are boundless because they are intrinsic to our condition. But no one race or cultural tradition, and still less one social class or government can be accused, even Stalin’s, as being more inherently evil, or for that matter better, than another. As always, my dear Peter, good and evil and everything which flows from those two impulses, can only be appraised in the context of individual choice".

Theology apart, this conviction was the fruit of Alfred’s own human experience. Both as a man and as a priest he had dallied and laboured in a thousand gardens.

****

King George V is described as having "spanned the centuries" . Alfred spanned society; not admittedly the whole social arc, yet sizeable segments of it. This had happened in the first place because of his own many-faceted family and social background. While later, as a priest with a wide cure of souls, it became more or less inevitable. He first spent thirty-three years as Catholic Chaplain at Cambridge, and then thirty-two in London continuing the same work which his retirement from Fisher House in 1965 had only very temporarily interrupted. In all, a pastoral cure which lasted five and sixty years.

That Alfred was, however, able to slip from one social group or situation to another, without giving rise to suspicions about his sincerity or provoking charges of superficiality, was the result of an innate talent to empathise with his interlocutors. He also made people laugh and indeed, love each other. Moreover, because they instantly became the cynosure of his attention, he made people feel important too.

In such situations, while his mind delved, and his voice evoked and wove before one, patterns of the past, his heart was living for the moment – that moment – in which he made you his co-protagonist, his fellow conspiritor. But at the same time one knew, or at any rate one felt, that his soul was already walking in eternity. And this sensation also contributed to the success of his personal relationships, for it created in his interlocutors a feeling of security as well as the hope that one day they too might attain a similar condition of spiritual serenity and worldly detachment.

Loyal to his mother’s routine, which he had followed since the placid, halcyon years at Mark Hall, Alfred used to say his Rosary most evenings, between seven and eight. Whenever appropriate, his guests at dinner would be invited to join him. Essentially of course a devotional exercise, these occasions – and they were also precisely that: Occasions – epitomised this evocative nexus of past, present and future time, which was not merely the hall-mark, but the very corner stone of Alfred’s communion with others.

Whether before the altar in his pocket-sized chapel at the Travellers’, or by the library fire at Rose Hill, or on an early evening train to Cambridge, saying the Rosary with Alfred was a social and pastoral experience as well as a spiritual exercise.

In boyish tones more usually associated with an explorer discovering a glacier or an oasis, an English Catholic bishop recently, sound-bitingly declared:

"Shared prayer is for the Christian of today a new and beautiful affair"

With respect to Your Lordship: it has always been so. Ask the Benedictines!

****

Paradoxical though it may sound, it can be argued that Alfred’s social success and ‘mobility’ was also a measure of his detachment. He participated, enthusiastically or dutifully, in half a dozen or more distinct, if frequently overlapping, ambiences, but he never wholly belonged to any one of them. Neither kinsman nor close friend, Englishman or Spaniard, scholar or beagler, aesthete or clubman could claim Alfred as entirely theirs. As he once pointed out: "I am sociable not gregarious" , meaning ‘gregarious’ literally – one of a flock, a crowd. Under God, he was his own man. He was also a priest with a covenanted obligation – ‘ut nullis perturbationibus impediti , liberam servitutem tuis semper exhibeamus officiis’.But if in the last analysis, he was the most independent and private of men, he was seldom self-preoccupied or indifferent. Even at his most aloof, Alfred’s charm never abandoned him for long. And his curiosity was on occasions as proverbially feline as his affections were deeply-felt and enduring.

Our own friendship, which had begun with such an erruption of mutual trust and spontaneous affection, soon steadied. Apart from any other consideration, there was a book to be written. It would become ‘my’ book, yet without Alfred’s contribution the enterprise could easily flounder. Clear heads constituted a sine qua non, while warm hearts gave us the emotional zest.

So, with the book’s gestation providing, as it were, the splints for the strengthening bones of friendship, our task went ahead with purpose and an ever more pronounced complicity.

Nevertheless, Alfred was not easy to get to know. He was suave and friendly and familiar, but seldom intimate. He would tell endless stories about himself – funny stories usually, and as often as not shrewdly commented upon, but I had to glean for myself the self-knowledge these anecdotes revealed. Even at his most genial and apparently confidential, Alfred was also elusive. No doubt this was a question of character. But his reluctance, or indeed his inability, to talk about his own feelings and emotions directly was a matter of generation too. Upper class Edwardian reticence was no mere pose: it had been a behavioural ground-rule. ‘One’ just didn’t. And while to some extent, Alfred shied against this (though very quietly of course), he complied as well.

Fortunately, none of this seemed to matter very much. With the result that our growing intimacy was almost never noticably impeded. However, the difference of generation and social class existed, and the outcome was as probably inevitable as I found it also "all very right and proper" (a favourite Alfredian phrase). I became his pupil.

While our subsequent conversation-supervisions were possibly for Alfred ‘ordinary admin’ – he had already spent a working lifetime doing very much the same manner of thing - , for me they were a delicious novelty. Because Alfred did not simply evoke and describe the past, as for example had my grandmother had done (adding another, and magical dimension to already charmed childhood), he explained its workings and justified the religious and socio-political tenets upon which earlier orderings of society had been based. In a phrase, Alfred provided intellectual cogency. He made the past speak intelligibly, so that my own long-and dearly-held opinions were at last given an ideological framework.

At same time, we laughed and joked a great deal, though never I think, for sake of the thing. Alfred possessed a fine turn of whimsy, but he eschewed frivolity. Rather, we laughed at some story or remembered episode which illustrated or followed on from what we had been saying. And this shared sense and style of humour enforced and confirmed our mutual convictions. We were thoroughily at ease in each other’s company.

I was however, always conscious that there were intrinsic limits to our friendship. It could probably not have been otherwise. The most significant was the result of Alfred’s being a priest, and, especially, a priest who had been trained and ordained in an age of church history when detachment from the laity was still regarded as a sacerdotal virtue. Although Alfred’s warmth and embullience, coupled with his talent for making friends, tended to disguise the fact, he did in the last analysis subscribe to this Pre-Conciliar ordering of relationships between a priest and his flock.

This was never more apparent than when attending one of Alfred’s Masses, however intimate the physical surroundings. In the Travellers’ his chapel measured perhaps no more than ten feet feet by eight. During those fleeting seconds in the Tridentine Rite when the celebrant turns from the altar to face his congregation, hardly a flicker of recognition would escape from Alfred’s far-away gaze. Just minutes earlier we would have been chuckling over some gentle absurdity.

But once vested, Alfred the friend and counsellor seemed to dissolve behind the veils of ecclesiastical propriety. Suddenly remote and austere – shoulders flexed in a visible effort to correct their tendency to stoop; the eyes hooded and shadowy; his long hands, blotched marble replicas of themselves - , Alfred would celebrate the Sacred Mysteries with all the inscrutable fervour of a Counter-Reformation prince-bishop. Initially, this transformation unnerved me; presumptiously , I also felt somehow rejected. However, I eventually realised that it was not principally Alfred’s respect for traditional liturgical decorum which determined this transformation, but was rather his own need to disconnect himself, as it were, from his immediate surroundings, lest his earthly affections, for those for whom he was saying Mass, might deflect his and indeed our own attention from the workings of divine love, at a moment when one is potentially most exposed to its saving grace.-

"I only hope, however", Alfred replied to me when I once voiced these misgiving, after serving his Mass at which I had also been his only congregation, "that my behaviour at the altar doesn’t appear ostentatious or, Heaven forbid, ’put on’". As at the time I assured him, perhaps somewhat backhandedly, that once one understood the reasons behind his behaviour, then it couldn’t possibly be misconstrued, it seems only right that here Alfred should be given the last word – his own:

"No-one can receive the sublime and awful grace of the priesthood without fear and trembling. Some things lose their awe with familiarity; not so the priesthood".

****

"Now, dear Peter, I want a full report about it all, and whatever else you say, don’t leave out how you felt about the thing". As a friend, Alfred’s interest in me and my doings was spontaneous and wholehearted.

At the same time, he exerted immense emotional restraint. There were times when I could practically ‘hear’ the questions he left unasked. But circumspection had by then become a way of life, no longer merely a rule of gentlemanly behaviour.

Nevertheless, whenever I confided in Alfred or sought his advice, he would suddenly unwind, like the hands of a clock being flicked backwards. And if as a man he was easily embarrassed, especially where sexual matters were concerned (as inevitably they often were), as a priest he was utterly undeterred. Indeed, he positively flouted that circumspection of expression which otherwise characterised his dealings with others. And this became even more marked when I asked Alfred whether he would instruct me. "Of course I shall. You can’t imagine how long and how hard I’ve prayed for this. We’ve been friends, more than friends; but now… the sky’s the limit".

****

‘Truth alone is worthy of our entire devotion’. This lapidary axiom of Fr. Vincent Mc Nabb’s, O.P:, was not only a sentiment which found its echo at the very core of Alfred’s humanity , it transposed into words the cornerstone upon which his entire priestly ministry was based.

In many ways, Alfred was at his absolute best during those hour-or-so sessions when he was preparing me to be received. He was as charming and courteous as ever; but now the priest emerged fully from the man, revealing the tempered steel of an intellect freed from the social constraints, which giving or receiving hospitality imply. While he displayed his usual patience and empathy, there was little else left of the urbane prelate who smiled and demurred over the claret and candlelight. Never a moment of self-deprecation – for indeed his ‘self’ was barely a part of these proceedings – as he explicated not only the Church of Rome’s fundamental dogmas, but also digressed, less austerely perhaps but no less succinctly, upon the secular accretions of pious belief and devotional custom. "For you see, Peter, as dogma encapsulates revealed Truth, so pious beliefs flow from, and bear witness to, that same Truth. Take for instance holy water stoops! When I was a child, the good Jesuit fathers who came to Mark Hall from Farm Street would remind us that Holy Mother Church had decreed that good Catholics were to dip their first two fingers into the stoop and make the sign of the cross as soon as they entered a church. It was, however, the older members of my family who made sure that we performed this same act of devotion upon leaving our chapel. A perfect example of the osmosis between the official and the unofficial; between a rule of devotional homage and decorum laid down by ecclesiastical authority, and a consequential act of piety invented by the laity".

If Alfred’s style and manner of expounding the Catholic Faith veered towards the idiosyncratic, the substance of his course of Instructions was unerringly and implacably orthodox. "once you accept the Incarnation as the cardinal and over-arching Christian mystery, then, by God’s grace, you’re home and dry. Believe that, and, again by God’s grace, everything else Holy Church sees fit to teach will follow on automatically, and will not only make sense to your reason, but also your heart and soul will know that Christian Truth embodies the essence of all sense".

Alfred’s approach was straightforwardly didactic. Assuming, and in my case perfectly correctly, that anyone who asked for Instruction wanted precisely that and not, for example, an exchange of theological opinions, Alfred never asked me for mine. Rather: "if you’re not clear on any particular point, tell me, and I’ll try to explain it in another way".

This was in relief-making contrast to an earlier experience when I had sought instruction. Then, the priest had kept asking me why I wanted to become a Catholic, with the result that there were moments when I almost felt that I was instructing him. This continued for several increasingly fraught weeks, until the day I answered, or rather, ‘asked’ back.

" – Father shouldn’t it be you telling me ‘why’ I must … join your church?"

With Alfred holding and dealing the doctrinal cards, neither I nor any other instructee risked such a sense of frustration or disappointment. Alfred also made it clear that one was at total liberty to interrupt his course of Instructions, or to withdraw from them altogether, at any moment whatsoever. Moreover, there would be no discussion, or still less personal offence or hard feelings on Alfred’s part. "I am a humble, I hope, instrument in the hands of Almighty God; not some haughty viceroy from the Heavenly Kingdom".

We would meet in his bedroom at the Travellers’, usually between teatime and dinner.

The routine was reassuringly unvaried during those spring and summer late afternoons (from May to October, 1977), with the linen blinds drawn down and the room cocooned from the world in a golden penumbral glow. The mingled aromas of furniture polish, dust and Pears’ Soap permeated the warm, dry air. Alfred would sit in a high-backed leather armchair with his sister Carmen’s old back-board resting across its arms. A foot or so away, I perched less comfortably but as contented as a sand-boy, on a rickety bedroom-chair with a Viennese straw seat. Alfred’s legs would be stretched out in front of him, ankles crossed. When he wasn’t reading aloud from one of the books extracted from the little pile on the carpet, his eyes would be usually closed, while he held his spectacles flat between those long, quiet fingers.

With the surrounding silence providing a soft backdrop for his low, rapid speech (Alfred murmured; never mumbled), he talked with apparent effortlessness from start to finish, and certainly with no interruption on my part. But although I was entranced, I was able to register the points Alfred was making. Such was the spell he wove, that one was both lulled, and yet as alert as any fox emerging from a winter copse in hunting country.

Despite the agreeable surroundings and what many would consider a highly rareified social context, Alfred’s narrative skills caused the tumultuous realities of the first century A.D to break through to the exclusion of all else. For although he read out passages from such authors as R.H. Benson, Belloc and Chesterton, as well as Douglas Woodruff and even Houseman and Eric Gill, to illustrate the Church’s social doctrine, along with lyrical extracts from Bishop Challoner’s The Garden of the Soul (1740) on questions of devotion, when he was recounting events from the life of Christ he spoke with all the immediacy and barely suppressed emotion of an eye-witness. In those moments, it was as if the long centuries of an all-powerful Church were as yet to come. Instead, he transported me, body and soul, to the very foot of the Cross, evoking first the tormented deliberations of Pilate and the anguished flight of St. Peter from Temple, the tears of Our Lady, and finally to the blood and dust of the Crucifixion itself. He spoke with the sincerity of the suffering believer.

But as soon as we had finished the voice from the Judean desert vanished – as if borne away by the same wind-devils it had previously challenged. "Peter, if you’d go down to the Smoking Room and order us two glasses of sherry, I’ll join you directly"

****

Coupled with Alfred’s ultimate reserve and, I believe, to a certain extent underpinning it, was his sharp but invariably amused understanding of English social nuance, and of the snobberies of class and cadre in particular. He once for example told the Old Etonian scion of an ancient Catholic house that if he really wanted his fellow parish councillors to take him seriously "then you could make a start by not calling the priest’s housekeeper ‘the Dame’ ". On another occasion, a former member of his flock, who was loquaciously proud of his double first and humble origins, complained to Alfred that both the staff and boys of the major public school where he had recently begun teaching, treated him with "disdain and suspicion". Alfred told him:

"Well, you ought really to know that in this country academic achievement has never been synonomous as such with social cachet. Just think of all those brilliant and richer than rich engineers living in the Thames Valley who never make it to the Members’ Enclosures at Henley or Ascot! In your own case, this is, as it were, doubly true. And, er, dear boy, most people wouldn’t wear white socks with that very pretty suit you’ve got on".

Alfred himself glided over these perilous acres of social cat-ice with astute good humour, and with words of solace or warning for those who sought them.

****

Alfred wrote little himself, but whenever he did commit his pen to paper, he is not only a pleasure to read, but also a mine of revelation. In his charming piece on the Trinity Foot Beagles for ‘The Field’ magazine, he describes how his father "ever solicitous for the welfare of his sons", had asked the tutor at Trinity, who had provisionally accepted Alfred, to find an undergraduate who would go and stay with the Gilbeys at Mark Hall in that summer of 1920, in order to give Alfred "a final polish". Alfred continues:

"We were indeed fortunate in [the tutor’s] choice: Ian Macpherson , an Old Harrovian and a distinguished oar. Finding himself welcomed into a large family, given over to fox-hunting, Macpherson advised that there was only one thing to do at Cambridge and that was to beagle. He also had me proposed for the Pitt [Club] which was then much more the centre of the beagling world than it is now and very much more difficult to join from a school like Beaumont, which had few connections with Cambridge".

While the tone here is mellow and suffused by affectionate recollection, the inferences to be drawn stand out in an unrelenting silhouette. The phrase "few connections with Cambridge" is a masterpiece of decorous understatement .

Beaumont was in no sense of the term a ‘great’ public school, and its ethos when Alfred was a pupil there could hardly have been more remote from the greatest school of them all – Eton, whose Old Boys formed the Pitt’s rank and file.

For all its dedication to hunting the fox, Alfred’s immediate family was not landowning gentry (Mark Hall itself was rented). Their prosperity was based on (the wine) trade. Rather, it was the magnitude of their fortune, coupled with their gentlemanly tastes and pursuits which had assured their acceptance into the society of rural Essex. Alfred’s father was a member of the Carlton Club: not of White’s or Boodle’s. The family was devoutly and stoutly Roman Catholic, but there were no recusant forbears. No Elizabethan or Georgian Gilbey lay at rest in the chapel at Mark Hall, or indeed elsewhere.

Of all this, Alfred was as aware in the early 1920s (when it mattered far more), as he was seventy years later. Awareness did not, however, lead to any discernable resentment. Returning late one evening to the Travellers’, after having dined with the Earl of Gainsborough, he murmurred amusedly "I’ve been living it up with my elders and betters – most entertaining!" "With your ‘elders’, Alfred?" (He was 93 or 4 at the time.) "Oh yes, of course". He was at once smilingly serious. " Old in terms of lineage; much more important, you know, than actual age". And blowing me a mischievous good night kiss, he slipped spryly round his bedroom door which, as almost always, he had left conveniently ajar.

It was not though just Alfred’s degree of social awareness which distances him in this article from the popular image of the ‘jolly beagler’.

"Denny Abbey" he writes "arouses memories. It was one the few stretches of grass over which we hunted and the great bulk of the monastic church stood engulfed in a Georgian farmhouse, looking for all the world like a Cotman painting. Now you may see it pickled and purged of later accretions, lacking all mystery and charm."

His knowledge of art and his sensitivity to architecture were, after religion, two of the mainstays of a life which was dedicated to the pursuit of religious truth, but which was also sustained by the cultivation of beauty and excellence. Indeed, it was his aesthetic sensibilities which ultimately set him apart not only from a broad swathe of the English upper class, with whom otherwise he can be largely identified, but also – it has to be said – from the overwhelming majority of later twentieth century churchmen, Romans and Anglicans alike. "Who", Alfred once commented, "commission their unappealing ‘church and parish complexes’ and are well-pleased. So they can’t possibly be aware of the damage they are doing. Or can they? One hopes not".

However, in this article for ‘The Field, Alfred’s comments are so unobtrusive that they could virtually be overlooked by a reader whose interests and enthusiasms lie elsewhere. In one respect, this is a matter of literary technique. But it is also, and more importantly, very much in character. For whenever Alfred succumbed to the infrequent urge to put pen to paper, he wrote as he spoke – quietly but assuredly, stylishly yet spontaneously and above all in a manner least likely to offend or cajole.

****

In response to the charge of proselytism, Alfred told one journalist: "Conversion? No. I’ve never done that. I receive. I instruct". He could have added "I never instigate". On the same theme, he suggested to another interviewer: "Call me when you are ready: human nature works best that way". This policy of studied laisser aller not only informed Alfred’s priestly approach to would-be converts, it also conditioned his more purely social dealings. Take, for instance, heraldry – something that had enthralled him since childhood. With me he never broached the subject. I did once or twice ask him some specific question, which he answered with alacrity and precision. We had other and mutual fields of interest, and those we explored endlessly. I am sure, however, that had I asked for a full-blown course of Heraldic Instruction, then he would have obliged – and with even greater alacrity. Alfred never imposed himself, unless as a priest he was under obligition to do so. Instead – welcoming as well as merely recognising the rich conversational potential of the variegated milieux in which he moved – he preferred to steer the conversation towards subjects which the assembled company would be likely to find spontaneously congenial.

What commanded Alfred’s intellectual attention and emotional interest was that kind of free-ranging intercourse between individuals, where anecdote mingled with comment, and flights of fantasy merged with opinion and personal recollection. It was to this he was alluding when he stood up in the Hall at Trinity College, Cambridge, at the conclusion of a dinner to celebrate the fortieth anniversary of his ordination and recounted to those present that:

"This seems a singularly inappropriate occasion to make the claim, but I am really a very private person: so what I should have liked would not have been one dinner of 170 persons, but 170 successive dinners, at which I could have dined à deux with each of you in turn. Then indeed we might have ‘tired the sun with talking’.

The following week, we were drinking tea at the Overseas League in St. James’s Place, and reading aloud the reports of the Trinity dinner in the Catholic papers. Christopher Howse’s piece in ‘The Universe’ had particularly captured Alfred’s attention.

"Oh my goodness, did I really say that?" ‘One hundred and seventy successive dinners…’; what a horribly greedy old man Father Mac Murphy and his dear, good parishioners must be saying of me. I am of course. Extremely greedy – and indolent too. Christopher is naughty though, even if, God bless the boy, his intentions are always of the best. Not much I can do about it now, I suppose. Except say my prayers".

****

That between ‘Father Mac Murphy’ and Alfred there was a social, cultural and presumably generational abyss, really goes without saying. But there would have been no fundamental religious differences. Their pastoral approach and the style and manner of their liturgical presentation no doubt varied considerably, but they were both priests in the same Church: the faith they preached and in whose name they prayed embraced them with an identical promise. Two souls; one God. In the same way, the majority of Fr. Mac Murphy’s parishioners will have moved in circles vastly removed from the majority of Alfred’s friends and flock. However, both groups - millions in the former, several hundreds in the latter – share a common loyalty. The ethos of their devotions may differ, though not the content of those devotions.

This century’s egalitarian and collectivist tendencies have upset the previous formal hierarchies, and removed most of those priveleges once sanctioned exclusively by birth or rank, but human societies everywhere remain pyramidal. And England’s large Catholic minority has proved no exception. So ultimately the distinctions, both real and imaginary, between the worlds represented on the one hand by the average parish and on the other by a university or a private chapel (and precious few of the latter remain) are, religiously-speaking, as unimportant as they are, statistically, inevitable. A myriad separate voices and different accents singing in a thousand choirs which invoke, however, a single Mystery.

What does matter though, and which here concerns us intimately, is how these distinctions were often wheeled out, and used against Alfred’s priestly ministry. For there existed a body of opinion amongst some of those who wrote about Alfred during the concluding decade and a half of his life, which argued that he cared only and prayed only for those of high birth and ample private means.

Anyone who knew Alfred even only moderately well would be likely to query such an accusation. For those who knew him better – and so very few of his true intimates were either seriously rich or, in the traditional usage of the term, ‘well-born’ – the charge is an insult.

Considered generously, this is an erroneous reading based on flawed logic and is as fatuous as proposing that Anglican archdeacons love buildings and not people because their jobs centre upon the upkeep of church property. To suggest that Alfred was a snobbish prelate who carried out his priestly duties so assiduously only because his flock were members of a ‘priveleged élite’, is to misunderstand Alfred himself and to misconstrue his life’s work.

When in 1932 he was appointed Roman Catholic Chaplain at Cambridge, he found there a ready-made society, in whose creation he had played no part, nor ever was to. He was moreover under sacerdotal obligation to provide this undergraduate flock, whoever they were, wherever they ‘came from’, and whatever they were like personally, with as complete a cure as ‘circumstances permit’. And this he did, for a hundred terms, to the limits of his talents and personal fortune. Fortunately both were considerable. So that when he left Fisher House, if there were members of his former flock who rallied enthusiastically to the new incumbent, others sought Alfred out in London and urged him to continue there the cure of their souls. At the age of sixty-five, he took up their challenge. He could so easily have slipped into sequestered retirement as his friend and sometime Oxford counterpart, Mgr. Ronald Knox, had done some twenty years earlier.

"But you see, Peter , I could no more have translated The Bible than you, my dear Tertius,are going to persuade me to drink a single drop more of this excellent champagne. They say Ronnie’s Latin was better than Horace’s. Whereas I have no scholarship whatsoever. I’m a bog-priest by comparison".

None the less, it is a charming though somewhat disconcerting thought that Alfred might have spent the last thirty-three years of his life (always assuming he survived the rigours and the relative isolation) as resident chaplain at a boys’ preparatony school in deepest Suffolk.

Commander Peregrine Hubbard, the Headmaster of Moreton Hall near Bury, and his wife Lady Miriam Fitzalan-Howard, extended their well-meant invitation during the winter of 1966. "Alfred came here on a day of intense cold, rather like today actually", Lady Miriam recalled for me (in her none too warm drawing-room), when I visited the Hubbards to see the school and to talk about Alfred. She continued:

"I think I realised right from the start that our offer was not on. Of course Alfred was charm itself; he even stayed to boys’ tea. You see, we both admire him so very much, and at the time felt jolly sorry about how shabbily he’d been treated. Alfred told us about the whole business, and said that the Cardinal had been most courteous and correct. I daresay he was. But then Alfred never does blame other people.

"He conquered me, you know, when I was teen-ager. He used to stay with us in the north, on his way between Stoneyhurst and Ampleforth. His beautiful table manners put my own to shame. He could break a piece of toast into perfect halves without letting drop a single crumb. But what I most loved was watching him peel on apple. He produced from some invisible pocket a little silver folding fruit-knife, like a well-bred conjurer."

When I told her that Alfred was still an impeccable peeler of apples, the sister of England’s Earl Mashall hugged her wool-clad knees and whooped with girlish glee.

"Do, do, please give Alfred our fondest love and ask him to say a prayer for us. You will, won’t you?"

I did indeed; and Alfred was much amused by her recollections. "Was she actually wearing a pair of rose-tinted spectacles while you were talking together?", he murmured very sotto voce.

So Alfred did not rusticate in Suffolk; he stayed in London, to welcome back his flock. As the years passed, and many of the traditional practices of parish Catholicism passed with them, so the flock multiplied, as increasing numbers of the disenchanted and disorientated gravitated into Alfred’s new pastoral orbit. Had Alfred not been available to receive them, it is more than likely that many would have been lost to the Church. If there were those amongst them who were attracted as much by the man as by the religion he represented – by his panache and politesse, by his social aplomb and his serene yet implacable orthodoxy - , Alfred himself was essentially indifferent about the reasons for his popularity. He never courted it, but neither did he take it for granted – "I am an instrument in the hands of Almighty God, that’s all". Or, as Eamon Duffy puts it:" Alfred Gilbey was a man of disarming simplicity, in whom social decorum blended indistinguishably into the life of grace" As it was, he simply made himself as available as he could. There were minds to be guided and souls to be nurtured.

Apart from the numerous invitations Alfred accepted to solemnise marriages, officiate at baptisms and to celebrate Requiem Masses, he also established his own regular pastoral and liturgical programme. Two Masses each month at Farm Street, for which he sent out scores of printed post-cards; a weekly Mass in his miniscule chapel at the Travellers’; courses of Instruction by appointment, and Confessions "for anyone who asks for them" as he told the Club’s porters. He also made it known that most mornings he would be saying Mass in St. Wilfred’s Chapel at the London Oratory in Brompton.

Alfred’s visits to the sick and dying were more frequent than many realised. An urgent request would be relaid to him, and he would respond as urgently, slipping hurriedly out of the Traveller’s, at all hours of the day and night. Such calls on his time and waning physical reserves obviously tired him. Simultaneously they refreshed his spirit and sharpened his priestly resolve.

An emblematic instance of this occurred during the afternoon which followed the culmination of the celebrations with which his family and friends had wanted to mark his Ninetieth Birthday.

We lunched à deux and very quietly that Monday, 15th July 1991. Alfred was visibly exhausted. His eyes lacked lustre, and closed more than once as his long head nodded heavily. He only picked at his food, and left a second glass of claret untouched.

"Do forgive me, my dear Peter; not quite the thing today. I’ve been telling everyone for a week what a lucky old man I am. And it’s true: I am".

We finished, or rather didn’t, our meal and I went downstairs to the Smoking Room, to secure us chairs and to pour our coffee. I waited, but Alfred didn’t appear. Twenty minutes later, and now thoroughly worried, I walked out into the Hall. I was just in time to see Alfred’s retreating figure, with a lilt to his step and his head high, disappear through the inner front doors, which the Head Porter was holding open for him. I hurried up. "Grafton, what’s happened?" "’Happened’, Mr Gregory-Jones? The Monsignor’s been called away. Someone’s had an accident Southwark way. He sent you his apologies. He hopes to be back for dinner. Will you be booking in as well, Sir?".

****

That there was a social as well as a spiritual dimension to Alfred’s cure of souls was an added bonus for all concerned. With a handful of his flock he had always shared a common social background. But it was with many that he shared similar tastes and interests. As a result, friendships were struck and cherished.

Alfred often entertained his friends: less frequently did they manage to return his largesse. This was for no lack of trying on their part. When it was practically always Alfred who got up from the table, and extracted the company-sized, Barclays cheque book from his coat-tails, as he strolled purposefully in the direction of the cashier, his excuses were two. He was richer than most of us, which was doubtless true enough – "I’d rather that my friends ate my money than the State confiscate it when I’m dead". Second, that in his opinion he was a better host than guest – "I usually end up misbehaving myself". "This was of course a delicious fib. He was as gracious a guest as he was a punctilious and generous host. None the less, Alfred could be stubborn, even headstrong, over the matter of giving and accepting hospitality. A day or two before he was to receive me into the Church (19th October 1977), I invited him to be my guest at dinner once the great deed was done. "Yes, I should love that; thank you dear Peter". So I booked a table at ‘The Ivy’ – an irreproachable restaurant, yet one with echoes of Edwardian raffishness. It seemed somehow wholly appropriate.

Immediately after my reception and First Communion, as I was carrying the little glass and gilt cruets to Alfred’s room down those perilous back stairs which protected his chapel at the Travellers’ from the wider world, Alfred, a few steps behind me, murmurred " I do hope you’ll be able to join us all in the Coffee Room. This evening you must have the best which this poor house has to offer". These words were followed by a low, disarming chuckle, almost a wheeze. The party which he had obviously planned so carefully could not have been more enjoyable or fitting. Two nights later, we did, however, dine together, at ‘The Ivy’, with Alfred as my guest. Headstrong, yes; but seldom vexatiously so. All this and more was extra grist for the mill. It helped to make Alfred’s work and his life in general more agreeable, and his friends to learn the meaning of gratitude. It was not though the fuel which powered the mill. For the mill ran on religion – on Trent wine and numinous discs of imprinted rice bread, not on claret or roast woodcock. So to insist otherwise – whether wilfully or ingenuously – is to confuse personal taste and preferences with professional and priestly obligations; and ultimately, to ignore the distinction between liking and loving. Alfred, the upper class Englishman who admired beauty and respected excellence, most certainly enjoyed the company of intelligent, personable and well-mannered men who shared his own political, social and aesthetic outlook. But as a priest, he took no notice whatsoever of social status, except to point out that high birth and worldly possessions conferred neither spiritual privileges nor a better bargaining position for heavenly rewards. He would sometimes quote Ronald Knox on the subject:

"I am not going to decide whether the average Catholic Mexican is what you [Sir Arnold Lunn] call ‘a better man’ than the average Protestant Englishman. I do not know – I know which I would rather go for a walking tour with, but that is not the same thing. I prefer [my italics] Englishmen… but that is not going to do them much good, poor dears, at the Day of Judgement"

Similarily, Alfred would point out that the rooms he had furnished or embellished at Fisher House, or later at the Travellers’ and at Rose Hill, were no better morally than Father Mac Murphy’s priest house and parish hall. He just happened to find the former more to his personal liking–"altogether a different matter"

****

If then Alfred brought to his priest craft, and to the environs where he practised it, the ethos and material effects of a rich and conservative-minded gentleman–aesthete, how much had Catholicism, in its turn, contributed to the person he was to become? "In a superficial sense", Alfred once confided, "absolutely nothing. Otherwise, everything – the whole works". At the time it was deepest frozen January, and we were on board a bus to Towcester, on our way to a restorative lunch at Easton Neston, after having spent a merry but damp and dusty morning in the cellars of Bishop’s House, Northampton, reading letters from successive Cambridge chaplains. "Until I went to the Beda", Alfred continued,

"and gave away all my pretty clothes, I was indistinguishable. Only my family and a few intimates knew, or guessed, exactly how greatly Holy Mother Church conditioned all my thoughts, and determined the way I behaved. I am law-abiding by nature. But the awareness of mortal sin was a far more effective deterrent".

He told one interviewer that even as a boy, he realised that the England which he knew and loved and the Catholic church were two aspects of the same civilisation, and that he wanted to increase the communication between the one and the other. Or, as he told me that frosty lunchtime, "to catholicize and to Englishize at the same time – I was a very presumptuous boy indeed".

Alfred experienced few, if any, pangs of conscience as the result of potentially contrasting loyalties. When, for example, Britain declared war on Germany in 1939, if the Englishman in Alfred recognised the tragic inevitability and the probable necessity of such a decision, as a Christian priest he could only doubt its ultimate wisdom. These doubts intensified when the Soviet Union allied itself with the British Empire. Such misgivings were both religious and political. On the first count, Nazi Germany had been playing a cat-and-mouse game with the Church, and had broken or half-broken the treaties and concordats which it had signed with the Holy See. But the Soviet Union had by 1940 persecuted and suppressed all forms of Christianity within its borders – and was angling to extend its atheistic hegemony. So how, politically-speaking, could Britain be fighting in the name of freedom alongside a régime whose avowed intent was its abolition, and yet retain any semblance of moral superiority? In these circumstances, was Britain fighting a just war? Cardinal Hinsley, Archbishop of Westminster, said we were. Alfred was less sure. At the same time, both sides in the conflict were destroying, in ever increasing numbers, the shrines and other landmarks of a thousand years of European and Christian civilisation. James Lees-Milne sums up this point of view with laconic and aching accuracy:

" Wednesday, 16th February 1944. News has come of the bombing of Monte Cassino monastry. This is comparable with the Germans shelling Rheims cathedral in the last war. No war-mindedness can possibly justify it "

Nevertheless, during these and later years, Alfred soldiered on, as it were: loving his religion and upholding his country. He could, however no more condone the destruction of the Benedictine abbey at Monte Cassino, than he could applaud William III’s victory at the Battle of the Boyne. In the dining room at Fisher House (later, on the stairs at Rose Hill), he hung portraits of the Stuart Kings – of those who reigned and of those who did not. Firbankian impishness, Chestertonian nostalgia, a decorous game of épater les protestants? Possibly, to some extent, all three. Yet definitely not the cold-hearted gesture of a Catholic Legitimist. As a child, Alfred’s Catholicism had been very Spanish in flavour and practice, but after he left home and other influences were exerted, it was reflected brightly through a looking-glass which was cut and polished after the English manner. In about equal measure, Catholicism brought to his Englishness an extra dimension of awareness – ecclesia super partes. As far as he was concerned, his religion and his nationality were complementary aspects of a single, yet dual reality – ‘The Perfectly Normal Case of Dr Jekyll and Fr Jekyll’. Whenever Alfred walked, or was being driven, past a Catholic church, he always lifted his hat and inclined his head; he would do exactly the same when passing the Cenotaph in Whitehall

****

" Oh Monsignor, what a thing!

The ‘ thing ’, or things, were Alfred’s pale and slender legs. These were bare between the bottom of his shirt-tails and the black bands of his suspenders – scarcely more than ten naked inches. "Oh yes " came the swift mellifluous reply, " priests have knees. Or at any rate, in my experience most of us would seem to have. " However, he darted back into the bedroom of the set in Trinity where he was staying, leaving his startled interlocutrix, Mrs Walne, standing agape in the middle of the sitting-room. "A hopelessly hay-wire old watch " (as she later, carefully explained) had brought her early to the appointment with her son, Victor. Together with Alfred and Adrian Mathias, he was giving luncheon to Wilfred Asciak and his daughter of the Progress Press in Malta, who were the first publishers of Alfred’s We Believe by A Priest It was Degree Day and Trinity was en fête. So it was more than fitting that Miss Asciak kept her own pretty hat on throughout the meal. And when she smoked an Egyptian cigarette afterwards, she put on her gloves first. Alfred was deeply impressed. " Now I understand ", he murmured to me, why Malta was awarded the George Cross! "

It was touchingly ironical that Mrs Walne’s momentary discomposure had been occasioned by Alfred’s own sense of sartorial propriety. He had arrived only moments earlier on a train from London that had been late. He was hot and tired – most people would have been flustered too. He had insisted on changing out of his " street clothes" and having a bath, before putting on a clean shirt and his monsignorial cassock, magenta stockings and buckled shoes – " otherwise the Asciaks might mistake me for ‘ A Priest ‘; that would never do! And as for poor Adrian, he’d simply disown me tout court " Victor’s mother had appeared while Alfred was searching for a collar-stud.

Alfred both delighted and believed in the value of sartorial symbolism. " When I joined the Atheneum a hundred years ago [...] one could always see, looking down, at least three sets of bishops’ gaiters. Now they all look like curates and bank clerks". The point here is that Alfred is not disparaging curates, or snobbishly pooh-poohing bank clerks (both vital cogs in mightier wheels). He is observing, and sadly, that bishops no longer choose to underline sartorially their position in society. "Of course they’re living in worlds of complete fantasy", Alfred commented one spring lunchtime over sherry at the Atheneum. " Because they’ve consigned their gaiters to the dressing-up box and lent their pectoral crosses to the diocesan museum, and buy expensive but unattractive suits, they imagine, poor dears, that people will rally to their democratic ardour, and heed their ‘ revelant ’ pronouncements. And so come flocking to the cathedrals, or in our case, ‘ Mass Centres ’, in their thousands. Such rot, don’t you think?! " I do. On rare occasions, Alfred was as sharp and crusty as his critics imagined him always to be.

Famously, the habit doesn’t make the monk. But neither does it unmake him. If one dresses for the part, the play might not gain credibility, but it certainly becomes more enjoyable, both to act in and watch. Apart from the symbolic significance of clothes (those outward signs of authority and belonging), they provided Alfred with much aesthetic and sensual pleasure – the cut of a suit; the colour of a shirt; how someone knotted his tie, the supple smoothness of wash-leather gloves, the richness of velvet and damask vestments, the latter perhaps inherited or as probably rescued in extremis from some sinking sacristy. I once told Alfred how I loved the scratchy tap and tinkle of his shirt and cuff-links knocking gently on a table-top. " Oh yes! " he replied instantly. " A beautiful sound; and for me, a deeply nostalgic one. All I have to do is to close my eyes " – he did – " and pouff! I can see my own dear Father ".

But clothes for Alfred were also a source of intimate amusement and private association. Once, going down the drive at Rose Hill, it was pointed out to him that his silk handkerchief was poking out of his tail coat pocket, and the concerned friend spontaneously sought to push it back inside. " Oh, no no. Thank you so much. It’s perfectly all right where it is. " We paused, but when no further word of explanation was forthcoming, the conversation continued as the four of us walked on. What image, what scene or archetype was in Alfred’s mind – a scene from Oliver Twist, a Rowlandson cartoon, a Hogarth print? Whatever it was, it was evidently both very real and dear to him. Otherwise he would never have been so brusque or enigmatic.

Alfred’s yard-square, mostly paisley-patterned, silk handkerchiefs were not only a cause of mysterious pleasure. Someone had to wash them. Mrs. Glockner, one of Alfred’s former housekeepers at Fisher House, devised an elaborate and time consuming, but efficacious system. In her sunny little flat at Honey Hill in Cambridge, she would three-quarters fill the bath with cold water and soak the handkerchiefs for twenty-four hours. The process would be repeated for another twelve hours, this time in initially luke-warm water, but not before this redoubtable Frenchwoman from deepest Languedoc, had softly rubbed each of them on a bar of old-fashioned green kitchen soap. Then there would be a final rinse in a bowl of warmer water, into which she sprinkled some drops of lavender essence. Finally, she would hang them out dripping on a special clothes-line above her kitchen balcony – " mais nev-ver in dir-rect sunlight. It fade them terriblement. Le Monseigneur no realise how much work he give me ". Her seeming grumbles encouraged me to commiserate. " I’m sure he doesn’t, Mrs. Glockner and what do you do about having a bath? " She spun round, her old eyes ablaze. " I wash me in ze sink. An’ don’t tell le Monseigneur what I just tell you. He’s so good to me – now ". Mrs Glockner; who was savagely loyal to Alfred, was sometimes just plain savage.

When she moved to Birmingham, where Alfred often visited her, and where she died, her place as darner and mender was taken over by one of Alfreds’ friends, John Parke, who did not, however, become his washer of handkerchiefs! Alfred now sent these, with some initial timerity, to a laundry in Knightsbridge. While John sat sewing, Alfred used to read aloud to him – usually history or biography. As Alfred often commented: " I have never been a great one for ‘ works of the imagination ’, except Trollope of course ". Of course.

If dress in general fascinated Alfred, his own sartorial habits (no pun intended) fascinated others no less. In the street or on public transport, people’s reactions ranged from surreptitious second glances through dazed immobility to dramatic double-takes and sickly grins, even the occasional (though still slightly awed) guffaw. When one was out and about with Alfred there was never a dull moment.

Alfred on Henley Saturday, amused and radiant, in a speckled boater tilted with Beerbohmesque élan; Alfred arriving for the Opening of Parliament in top hat and silk-faced frock-coat; Alfred out beagling, standing on the edge of a fenceless East Anglian field, with the low winter sun painting the stubble a still deeper shade of crimson than the lining of his black hacking jacket; or again, Alfred flitting down a hushed midnight corridor in a white lawn nightshirt ; Alfred resplendent in cappa magna or brocaded cope, aquiline and Hispanic, a Cardinal Pirelli figure, processing towards the high altar at the Oratory, with his upper lip drawn down at the corners and his biretta worn low on his forehead. A hundred and other such vignettes come to mind. But none seems to me more evocative of Alfred’s idiosyncratic elegance and sartorial sense of humour than the scene which presented itself one hot August afternoon in the library at Rose Hill. Alfred was dozing over his Breviary, with his father’s old spectacles on the very tip of his nose. He had discarded his cassock immediately after lunch, and was now sitting in a collarless shirt of black and cream striped silk, black breeches with Pitt Club silver knee-buttons, black lyle stockings and buckled shoes. Had Gainsborongh or Reynolds ridden over to paint the picture, they would have found nothing missing except an ecclesiastical wig; a beautifully-powdered wig it would have been, arranged on its cedarwood stand, within convenient reaching-distance of the old prelate’s chair. But on this magical and quintessential occasion, the man himself emerged as always from the folds, flaps and buckles of the clothes he wore: detached yet engaged, absorbed but aware. Alfred was elegant and impeccable; his hosiers, tailors and cutters were master craftsmen. But while these accidentals gave Alfred considerable personal pleasure and satisfaction - as did his umbrellas from Swaine, Adeney & Brigg in Piccadilly, the carefully conserved stock of Coty’s ‘Chypre’ talcum powderand the oval, ivory-backed hairbrushes that he had been given for his twenty-first birthday in 1922 - , he was alive to the fact that there was more at stake than socio-aesthetics. For he knew that the image he projected, could inspire and console, especially those of his flock who fretted and complained about "the way the Church is going today ".

" If, Peter, my starched cuffs and all this – his narrow-sleeved arm and glance briefly embraced the Coffee Room at the Travellers’, where twenty or thirty dark-suited diners sat at tables where the mahogany shone and the silver winked in the candlelight – " if this, will help me, with God’s grace, to bring one single soul to the sacraments, then Alfred Gilbey will not have worked entirely in vain". Shades of Pope Pius XI – abroad in Pall Mall.

****

It was almost as a shade that I last saw Alfred Gilbey, as his retreating figure walked, somewhat haltingly and heavily-stooped, in and out of the orange glare of the street lamps, as he made his slow progress to the Travellers’. A world away, it seemed, from that riveting, relaxed trio on King’s Parade, Cambridge. We had been dining à deux at the Oxford and Cambridge on a September night six months before he died, and nearly twenty-two years after our first meal there. I stood on the steps of the club and watched him go. Not because I was stricken by any premonition as such, for Alfred had talked non-stop all evening, had eaten heartily and more than enjoyed the claret and port we had drunk. Rather because, in the ‘logic’ of the thing, this could so easily have been our last meeting. And indeed so it was.

 

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