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In 1983 Yamaha beginning with the release of DX-7 first truly digital programmable algorithm synthesizer based on the FM synthesis technology. DX-7 became great commercial success with over 180,000 sold units. The DX7 use a type of synthesis called "Frequency Modulation" developed by Professor John Chowning at Stanford University in the 1970s. Yamaha DX synthesizers use "operators" to generate sound Instead of VCOs, VCAs and VCFs known from the subtractive analogue synthesizers. An operator is basically a digital sine wave generator combined with an complex envelope generator that can be used alone or in combination with other operators. A combination of operators is called an "algorithm". The operators can be connected "horizontally" so that each contributes its own pitch to the sound (additive synthesis), or "vertically". In vertically connected configurations, the upper operator modulates the lower operator at a precisely controllable frequency ratio, resulting in highly complex waveforms that are the key to the DX system´s incredible sound. Some operators even permit the application of feedback so, effectively, they can be made to modulate themselves. Further, the sophisticated envelope generators incorporated in each operator make it possible to produce time-based timbre variations as well as level variations. The DX7 was one of the first synths with a full complement of MIDI ports. It also has a unique breath controller input port. This device allowed the user to manipulated the instruments timbre using breath pressure via a mouth held tube. DX/TX series were available either as a 6-operator or 4-operator synths.
....well and James Bond will come back in SY-99/77, TG-77 and most recent FS-1R .... |
YAMAHA CX-5M |
YAMAHA MUSIC COMPUTER
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YAMAHA DX-1 |
THE TOP OF THE LINE
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YAMAHA DX-5 |
- Dual programmable 6-operator 32-algorithm digital FM tone generators - Independent 8-parameter envelope generator for each operator - 32-voice x 2 internal RAM memory - 64 internal RAM performance memories, each storing a combination of voices and performance functions - Dual cartridge slots for ROM cartridges containing 64 voices or user-programmable 32-voice (made by Yamaha) or 32-128 voice (made by third party companies) RAM cartridges Programmable 6-operator 32-algorithm digital FM tone generator. ROM or RAM cartridges storing data for the 64 performance memory locations can also be used - Independent audio outputs for each tone generator channel - Single, Dual, and Split play modes - 76 keys with velocity and aftertouch sensitivity - 32-note polyphonic output in single mode - Sustain footswitch, portamento footswitch, volume and modulation controllers, and breath controller inputs. - MIDI IN/OUT/THRU terminals - MIDI send and receive channels independently programmable for each tone generator channel |
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YAMAHA DX-7 |
THE FIRST AN MOST FAMOUS
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YAMAHA DX-7IID / DX-7IIFD |
THE ONLY DIFFERENCE BETWEEN D AND FD IS BUILT-IN 3,5" FLOPPY DISK DRIVE
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YAMAHA DX-7S |
ANOTHER 16-bit UPGRADE
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YAMAHA DX-9 |
BUDGET SYNTH
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YAMAHA DX-11 |
ANOTHER 16-bit UPGRADE
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YAMAHA DX-21 |
- Programmable 4-operator 8-algorithm digital FM tone generator - Independent 5-parameter envelope generator for each operator - 32-voice internal RAM memory - 128 voices programmed into internal ROM - Built-in cassette interface for voice data storage - Single, Dual, and Split play modes - 32 performance memories can be programmed with voice combinations and other performance parameters - Built-in chorus effect - 61-key keyboard - The DX21´s keyboard itself does not have key velocity, but its tone generator accept key velocity data from an external MIDI source - Sustain footswitch, volume foot controller and breath controller inputs - MIDI IN/OUT/THRU terminals |
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YAMAHA DX-27/27s |
THE ONLY DIFFERENCE BETWEEN DX-27 AND DX-27s ARE BUILT-IN SPEAKERS
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YAMAHA DX-100 |
- Programmable 4-operator 8-algorithm digital FM tone generator - Independent 5-parameter envelope generator for each operator - 24-voice internal RAM memory - 192 voices programmed into internal ROM - Bank Play mode permits direct access to 96 voices, programmable in any order - Shift mode permits access to another 96 voices - Built-in cassette interface for voice data storage - 49-key mini keyboard - The DX-100´s keyboard itself does not have key velocity, but its tone generator accept key velocity data from an external MIDI source - Sustain/portamento footswitch and breath controller inputs - MIDI IN/OUT/THRU terminals |
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YAMAHA TX-216/816 |
- 8 TF1 digital FM tone generator modules in a rack-mountable system - Each TF1 contains a 6-operator FM tone generator with 32 RAM voice memories - Each module contains 32 function memories corresponding to the 32 voice memories - Independent MIDI IN and THRU terminals for each module - Common MIDI IN/OUT/THRU terminals - Independent balanced XLR audio outputs from each module - All voice and performance memories can be programmed via an external 6-operator DX synthesizer - TX-216 is a two-module version of the TX-816 - Individual TF1 modules were available for expansion of the TX-216 |
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YAMAHA TX-7 |
DX-7 WITHOUT KEYS - THIS IS NOT RACK MOUNTABLE DEVICE
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YAMAHA TX-802 |
RACK MOUNT VERSION OF THE DX7II SERIES
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YAMAHA TX-81z |
RACK VERSION OF DX-11
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YAMAHA FB-01 |
- 4-operator 8-algorithm digital FM tone generator (programmable via computer) - 96-voice internal RAM memory (loaded from computer) - 240-voice internal ROM - 8-note polyphonic - 8 multitimbral - MIDI IN/OUT/THRU terminals |
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YAMAHA V-50 |
WORKSTATION
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YAMAHA YS-100 |
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YAMAHA YS-200 |
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There are many other devices using FM tone generators. Either keyboards (portable, preset synthesizers, etc.) or computer cards. Here you can find some of them. If you have such a machine or any information please contact me to list them here. |
YAMAHA CE-20 |
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YAMAHA CE-25 |
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YAMAHA GS-1 |
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YAMAHA GS-2 |
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