A man with a silver mask, so people who don't know him call him "Silvermask". A fire 16 years ago, which Hilmes believed was set up by Andragoras, left an ugly fire scar on Hilmes' right-side face, so he always wears a silver mask. He always believes that Andragoras murdered his father in order to take over the throne and attemped to slauter him too. That's part of the reason why he associated with Lusitanians to rebel. He wants to revange on Arslan.(However, it seems that there are still many myths between Andragoras and his older brother, Osiris. There's also a question about whether Andragoras really killed Osiris to seize the authority.)
He's the younger brother of Lusitanian King Innokentis VII. He is an ambitious man who controls over his king brother.(Well, or we should say that Innokentis VII is too stupid) Although he associated with "Silver Mask", he doesn't totally trust Hilmes. He knows that there's a very complecated argument in the royal family, but not quite understand what's going on between those people. Giskal is a very thoughtful and careful person since that his brother doesn't really care about anything except Andragoras' wife, Tahamine.
He was crowned as Lusitanian king after Lusitanians conquered Pars. He always devotes in the fantasy of love with the Parsian queen, Tahamine and pretty much ignores everything else. He lets his younger brother, Giskal, to be in charge of all the things and seems enjoy being a coward. When Giskal was captured by Andragoras as a hostage, nobles suggested him using Tahamine to force Andragoras to release Giskal, but Innokentis refused.
Boden is a high priest of an evil religion. He uses his evil power to make people believe in him and follow his will. What he really worships is unkown, but he tells his followers that they are "Holly Knight of the God". He's got a very cold personality. His purpose does not show very clearly, but he's very ambitious indeed. Both Silvermask and Giskal want to hunt down on him, but he luckly flees every time and eventually disappears.
