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This page is for fun and information only. My hope is to give fans the resource necessary to obtain answers to their questions. My sources are from various magazines and news articles that has been printed, and from the music bible of the industry: Billboard. Additional information has been provided from other fans from the internet, which were later verified. If by any chance the information is erroneous, please e-mail me with the corrections and the source. Also, if you have any suggestions and/or want to contribute, please let me know. |
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INDEX
RECORDINGS |
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Florence Ballard - Detroit, Michigan,
(Died of cardiac arrest at Mount Carmel Mercy Hospital, Detroit) Cindy Birdsong - Camden, New Jersey
Scherrie Payne - Detroit, Michigan
Diana Ross
Jean Terrell
Mary Wilson
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CHARITY
Diana Ross presented a $200,000 check to Gil N. Schwartzberg, president and CEO of the City of Hope, following her tour of the Cancer Center's Pediatric Dept. She met with physicians who head the research and treatment options for children suffering from cancer and Diana hoped that her donation will help further research and treatment programs there.
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THE SUPREMES RECORDING LINE-UP
The Supremes line-up since their inception:
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Billboard Book of Top 40 Albums Diana Ross and the Supremes had three #1 lps:
The Only Diana Ross album to reach #1 was the soundtrack to 'Lady Sings the Blues,' December 72, 2 weeks. The only 70's Supremes album to chart on the Top 40 album chart was: Right On, #25, 6 weeks |
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LOOK WHAT THEY'VE DONE
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DIANA ROSS & THE SUPREMES Back to the Top
A Breath Taking Guy
Baby Love
Back In My Arms Again
The Beginning of the End
Come See About Me
Everything's Good About You
Forever Came Today
Going Down for the Third Time
The Happening
I Hear A Symphony
I Want A Guy
Just A Little Misunderstanding
Love Child
Love Is Here & Now You're Gone
Love Is Like An Itchin' In My Heart
My World is Empty Without You
Put Yourself In My Place
Reflections
Someday, We'll Be Together
Some Things You Never Get Used To
Stop! In The Name of Love
Where Did Our Love Go
Whisper You Love Me Boy
Who Could Ever Doubt My Love
Who's Loving You
You Can't Hurry Love
You Keep Me Hanging On
The Young Folks
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Ain't No Mountain High Enough
Ain't Nothing But A Maybe
The Boss
Didn't You Know (You'd Have to Cry Sometime) Gladys Knight & the Pips
Endless Love
I Can't Give Back (The Love I Feel For You)
I Thought It Took A Little Time
I'm Coming Out
It's Hard For Me to Say
It's My Turn
Love Hangover
Muscles
Promise Me You'll Try
Reflections
Remember Me
Soul Kiss
Surrender
Theme From Mahogany
Upside Down
Work That Body
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Bad Weather
Happy (Is a Bumpy Road)
I Don't Wanna Lose You
I Keep It Hid
I'm Gonna Let My Heart Do The Walking
Nathan Jones
Stoned Love
Touch
You Are The Heart of Me
Up the Ladder to the Roof
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IN HONOR: THEIR FAVORITE COLLABORATORS
ASHFORD AND SIMPSON Ain't No Mountain High Enough
HOLLAND-DOZIER-HOLLAND Baby Love, Where Did Our Love Go
MICHAEL MASSER Theme From Mahogany,
SMOKEY ROBINSON The Composer, Misery Makes Its Home in My Heart, The Loving Country, Get Ready, You've Really Got a Hold on Me, I'll Try Something New, My Girl, My Guy, Take Me Where You Go, Ooo Wee Baby, Then, A Breathtaking Guy, Who's Lovin' You, You Bring Back Memories, Your Heart Belongs To Me, He's My Sunny Boy, Loving You is Better Than Ever, Till Johnny Comes, Automatically Sunshine
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Diana Ross has been nominated many times for the Grammy Awards. Amazingly, she has never won. In retrospect, most of the songs she performed has gone on to become timeless classics, outpacing in popularity, with few exceptions, the other songs nominated in her category.
The Supremes "Stop In The Name Of Love" was inducted into the Grammy Hall of Fame in 2001. The Grammy Hall of Fame,
established in 1973 to honor albums and singles of
1964 BEST RHYTHM & BLUES RECORDING Back to the Top Nominated for Baby Love (The Supremes)
1965 BEST CONTEMPOARY (R & R) GROUP PEFORMANCE, VOCAL OR INSTRUMENTAL Back to the Top Nominated for Stop! In The Name of Love (The Supremes)
1970 BEST CONTEMPORARY VOCAL PERFORMANCE - FEMALE Back to the Top Nominated for Ain't No Mountain High Enough
1971 BEST RHYTHM & BLUES VOCAL PERFORMANCE - FEMALE Back to the Top Nominated for I Love You (Call Me)
1973 BEST POP VOCAL PERFORMANCE - FEMALE Back to the Top Nominated for Touch Me In The Morning
1976 BEST RHYTHM & BLUES VOCAL PERFORMANCE - FEMALE Back to the Top Nominated for Love Hangover
1977 BEST RHYTHM & BLUES VOCAL PERFORMANCE - FEMALE Back to the Top Nominated for Your Love Is So Good For Me
1978 BEST RHYTHM & BLUES VOCAL PERFORMANCE BY DUO, GROUP OR CHORAL Back to the Top Nominated for Ease On Down The Road (w/Michael Jackson)
1980 BEST RHYTHM & BLUES VOCAL PERFORMANCE - FEMALE Back to the Top Nominated for Upside Down
1981 BEST POP PEFORMANCE BY A DUO, GROUP OR CHORUS Back to the Top Nominated for Endless Love (w/Lionel Ritchie)
1981 RECORD OF THE YEAR Back to the Top 1982 BEST RHYTHM & BLUES PERFORMANCE - FEMALE Back to the Top Nominated for Muscles
Note: Diana did share three Grammies in 1985 for We Are the World.
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VH1's "100 Greatest Dance Songs |
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Supreme Wealth in Motown Vaults From: "David Barrett" (david.barrett@zen.co.uk) "Most serious admirers of Motown Records are aware that all artists who have recorded with the company have unreleased material in its vaults. What many people are not aware of, however, is the overwhelming amount of that material. The music which has reached the public is just a tiny fraction of what has been recorded. Especially in the early years, when Motown concentrated on singles, there was a steady stream of traffic into the studios and only a trickle of releases from those sessions into the record stores. What little we know of this material has come mostly from that wonderful slip of publicity, the premature announcement. We have Motown itself, a company never given to small talk or inside information, to thank for the information we do have. Diana Ross and The Supremes recorded hundreds of songs which were never released. In fact, they recorded several whole albums which were announced but never pressed. After their debut set in 1962, 'Meet The Supremes' (not the same album re-released later under that title with one song , 'The Boy That Got Away' omitted, and several others added), The Supremes did a collection titled 'Supremes Sing Ballads And Blues' (Motown 610) which was never marketed. 13 Supremes albums were scheduled for release between 1964-1966. 4 were announced but never packaged. They were 'Supremes Live! Live! Live!' (626) 'There's A Place For Us', a collection of Broadway show tunes (628) 'A Tribute To The Girls', songs made famous by girl groups (633) and 'Pure Gold' (648). Another album, 'Supremes And The Motown Sound' was listed in a program booklet, but Motown has no memory of it. After Diana Ross left The Supremes, Jean Terrell recorded around 60 songs initially, the best of which appeared on 'Right On'. Another projected package 'Kept Promises' was never marketed. Only a small amount of the music ever recorded with Jean was ever released, but the fabled LP produced by Stevie Wonder and produced by Frank Wilson never existed. It was started - a few of the songs being 'Bad Weather', 'Soft Haze' and 'Superstition'. 'Love Train' was released in Great Britain. Several live albums were recorded, at least 8 of them, but only one released, and only in Japan. A 'Best Of The Supremes' package was scheduled for 1974, along with a 'Best Of Diana Ross', but it was dropped, although similar albums have been released in other parts of the globe. Mary, Scherrie and Cindy recorded 47 songs for their first album. Among the unreleased titles were 'Hey Boogie Man', 'I Can't Stop Dancing', 'Plant The Seed Of Love', 'Look What You've Done To Me', 'The Shoop-Shoop Song', 'Another Saturday Night', 'Bend A Little', and 'Got My Dancing Shoes On (Gonna Boogie Tonight.) An unreleased cut from 'High Energy' is 'More Room At The Top', a song about a mother's advice about breaking out of the ghetto. It didn't fit the album's concept. As a soloist, Diana Ross got right on the unreleased bandwagon by shelving her first album and single, 'Time And Love', produced by Bones Howe. Later, she recorded an album produced by Smokey Robinson, 'Whatever Makes You Happy', an album with Marvin Gaye produced by Ashford and Simpson, (one cut on it reached the 'Diana And Marvin' LP, originally titled 'Art And Honey'), started an album with The Temptations, recorded an LP produced by Stevie Wonder (which he slaved over and was deeply unhappy about the public never hearing), did something called 'The Baby Album' (parts of which surfaced on 'Touch Me In The Morning' and 'Last Time I Saw Him', recorded several live albums and announced singles ranging from 'Funky Rolls Royce', to 'To The Baby For The Baby', which went unheard. Right now, Diana is talking about a disco album, a collection produced by Richard Perry, a children's album, and a Christmas package. Don't be surprised if you never hear these tunes, though she's talked about them - 'The Most Important Person', 'You Only Build Me Up To Tear Me Down', 'Fire Won't Burn', 'We Can Never Light That Flame Again', 'All Night Lover', and 'Too Shy To Say'. On the other hand, don't be surprised to see material produced by the likes of Willie Hutch, Holland and Holland, and others, including Ross herself. She has talked about an album written and produced by herself, and some of it has been completed. She's even described the cover - a painting of herself smoking a cigarette whose smoke spells out her name. Will we ever hear the stuff? Yes, if Motown ever falls on really hard times and is bought out by another firm. Only then does this type of material ever surface. So be patient and give it about 25 years. Maybe your patience will be rewarded."
Diana Ross and the Supremes Albums
SINGLES
The 70's SUPREMES Singles
FLORENCE BALLARD
DIANA ROSS
JEAN TERRELL After Diana Ross left The Supremes, Jean Terrell recorded around 60 songs initially, the best of which appeared on 'Right On'. Another projected package 'Kept Promises' was never marketed. Only a small amount of the music ever recorded with Jean was ever released, but the fabled LP produced by Stevie Wonder and produced by Frank Wilson never existed. It was started - a few of the songs being 'Bad Weather', 'Soft Haze' and 'Superstition'. 'Love Train' was released in Great Britain. The "Bad Weather" session (like many other recordings) came and went very fast. Jean did the lead vocal about three times before Stevie was completely happy (not an unusual recording practice) Several live albums were recorded, at least 8 of them, but only one released, and only in Japan. A 'Best Of The Supremes' package was scheduled for 1974, along with a 'Best Of Diana Ross', but it was dropped, although similar albums have been released in other parts of the globe. MARY WILSON
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In 1965 the Supremes made a recording for the EEOC (Equal Employment Opportunity Commission)? It was called 'Things Are Changing'. It was a promotional recording for the EEOC. There was also another recording made by George Alexander inc., that was made the same year called 'The Only Time I'm Happy'/ 'Supremes Interview'. Neither was from Motown records, the label they were under during that time.
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Diana Ross made such a huge impression on the public, that many recordings by the '70 Supremes have been mistakenly attributed as a Diana Ross-led song. Jean Terrell, who replaced Ms. Ross, a talented and aggressive singer, would sometimes sing in the same range as the singer she replaced. Motown, who's notorious about substituting performers during times of absentees or illness (Tammi Terrell/Valerie Simpson; Florence Ballard/Cindy Ballard) more than likely made a conscious decision to have Diana's departure from the group as smooth as possible. The following are just a few of the mistakes noticed on the jackets of cd/lp covers/booklets: MOTOWN LEGENDS: Stoned Love/Nathan Jones (37463 8523-2)
Greatest Hits of The Greatest Stars - Motown Collection (Motown Special Products - MOTD 2857)
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Diana Ross and various other members of the Supremes could be heard, on more than one occasion, in the background of records as varied as Stevie Wonder and Kim Weston. In the early days, Motown employed them to sing behind some of their biggest stars, which gave the Supremes the experience and maturity that eventually separated them from the other packaged "girl groups" of the 60's. The following is a small sample of their work:
Small Sad Sam - Bob Kayli with Diana on backgrounds 1961
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