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CURRICULUM VITAE |
Personal Data |
Name Status Citizenship Nationality Languages |
Detlef Stiebeling Single |
Address | 5220 Victoria Av., #9 Montreal, Quebec, Canada H3W 2N9 Tel.: (514) 733-7004 (833-6254) |
Education |
Ph.D. thesis
M.A. thesis |
Traditional Iconographic
Themes in a Victorian Context: Paintings by Sir John
Everett Millais between 1848 and 1860; McGill University,
Montreal, 1986 Tractarian Symbolism in the Work of Sir John Everett Millais, 1848 to 1853; McGill University, Montreal, 1984 |
Academic Awards | McGill Research Grant, 1988 McGill Travel Grant, 1987 FCAR, bonus for early thesis completion, 1986 FCAR, 1985-86 McConnell Fellowship, 1985-86 McGill Summer Award, 1985 SSHRC, Travel Scholarship, 1985 McGill Summer Award, 1982 FCAR, 1981-82 FCAR,1980-81 |
Working Experience |
Academic Working Experience | 1993-96 Professor,
Université Canadienne en France 1986-93 Assistant Professor, McGill University 1981-86 Teaching Assistant, McGill University 1983-84 Instructor at Centre for Continuing Education, McGill University 1981 Summer Session Instructor, Concordia University 1976-79 German Language Instructor, Goethe Institut, Montreal |
Lecture Courses Taught | Introduction to Art History Introduction to Modern Art Introduction to Nineteenth-Century Art Realism and Impressionism Romanticism to Impressionism Age of Revolution Survey of Canadian Art North-American Art and its European Background Man and Nature in Renaissance and Post-Renaissance Art |
Seminars Taught | The Pre-Raphaelite
Brotherhood Pre-Raphaelitism and Post- Preraphaelitism Realism Symbolism Landscape Painting Realism: Courbet, Millet, Daumier, Manet The "Gesamtkunstwerk" in the 19th Century |
Thesis Supervision | "Art Criticism of Eva
Hesse," M.Millard, M.A., 1991; (int. excellent, ext.
very good) "A Woman's Place: Gender and Class in Manet's Paris," J. Patten, M.A., 1991; (int. very good, ext. excellent) "Images of the Opera in Nineteenth-Century Painting," B. Bronfman, M.A., 1991; Dean's Honours List (double excellent) "The Influence of Antonio Gaudi on Jean Miro," B. Frumkin, M.A.,1987; (int. excellent, ext. very good) |
Other Working Experience | 1998-99 Translator, Quebec Religious Heritage Foundation
1995-96 Translator, Ministère de Culture de France 1994-96 Photographer/assistant web site designer 1985-87 Foreign Student Ombudsman, McGill University 1986-93 Deputy Chief Invigilator, Arts and Science, McGill University 1980-85 Staff photographer, Department of Art History, McGill University 1982 Cataloguer and photographer of McGill visual arts collection 1970-72 Officer in West German Army |
Administrative Experience |
1989-93 Chairman,
Student Liaison Committee, Dept. of Art History, McGill U.;
this committee, consisting of elected faculty members and student representatives was created to deal with common concerns among students within the Faculty of Arts. 1990-93 Director, Honours, Joint-honours Programme; responsible for curriculum standards and course guidelines of thirty to forty students in the programme. 1988-90 Director, Major Programme; overseeing the majority of students in the department of Art History, with an enrolment of ca. 135. 1986-93 Member of the art history advisory board, Ctr. for Continuing Education, McGill U.; this involved participation in the hiring of new staff, course proposals, and special lecture series on topics related to Art History. 1986-89 Member, FCAR grant committee, Art History and Museology; this is a peer-elected committee consisting of three academics and one administrative officer which processes between eighty and one hundred applications by M.A. and Ph.D. students for a government fellowship valued at $7000 to $12000. 1986-89 Major Adviser 1986-93 Member of the following committees at McGill U.: Student affairs (1986-89) Student Appeals (1986-89) Humanistic Studies (1988-93) DAAD Selection (1991-92) |
Public Lectures |
Numerous lectures on a variety of
topics in the history of art, including: Three lectures on Turner, Constable, and Victorian painting, Goethe Institut, Montreal, February, March, 1993 "The Nature of Renaissance Art" ART FOCUS, February, 1991 "Goya and Politics" Goya to Bejing Symposium, Montreal, June, 1990 "Realms of Beauty" McGill University, October,1989 "The Colour of the Impressionists" Sir W. Grenfell College Corner Brook, Nfl., May,1988 "The Art and Architecture of Vienna and Munich" McGill University, April 1984 "Religious Symbolism in the Work of J.E. Millais" Queen's University, Kingston, May,1983 "James Wilson Morrice" Montreal Museum of Fine Arts, February, 1980 |
Publications |
"Aus dem Nachlass Leopold von
Pezolds," Jahrbuch des baltischen Deutschtums, vol.XXXIII,
1986, 103-115, co-authored with B. and A. Koch Nineteenth-Century Painting: Romanticism to Impressionism, PS Presse, Montreal, 1988 (Course Material) ed., Readings in Nineteenth-Century Art, PS Presse, Montreal, 1988 (Course Material) In Preparation Manet's "Bar aux Folies Bergère" Nineteenth-Century Painting, Reflections on an Era; this is an edited and extended version of the above-quoted textbook |
Computer Knowledge |
Windows 95, Microsoft Office 97,
Lotus Smartsuite Miscellaneous graphic software programs (Adobe Photoshop 4.0, Corel Draw version 6, Fractal Design Painter, Paint Shop Pro, L View Pro, etc.) HTML script, Visual Page |
Personal Statement |
During my stay at McGill University, and subsequently at Université Canadienne en France, I taught courses and seminars, primarily dealing with various aspects of Modern art. In addition to these, I was assigned a variety of other courses, including a general survey course, Canadian art, Renaissance painting, and others. Due to a thorough education both on the undergraduate and graduate levels, I feel utterly confident to conduct undergraduate classes in virtually every area of Renaissance and post-Renaissance painting, sculpture, and, to a somewhat lesser degree, architecture. The Art History Department at McGill used to take pride in its comprehensive instruction on all levels, and to ensure appropriate results modelled its graduate exams after those of major American universities, primarily Harvard and Princeton. My own Ph.D. comprehensive exam consisted of three parts, each covering the five historical areas in art, as well as related fields such as literature, history, philosophy, the theatre, and music. The three parts consisted of a six-hour, ten-question written test, a 36-hour open book research paper, and an oral exam of two to three hours duration. I managed to pass with an overall mark of A-. While this proved to be a gruelling operation at the time, it should serve as an irrefutable indication of my exhaustive knowledge of the arts. Three of the M.A. theses I supervised as a professor dealt to some extent with feminist issues, and my own interest in this field, especially relating to conditions in Victorian England, has familiarised me with a great number of related topics. All through my professional career, I have been keenly concerned with and passionate about teaching and matters of student affairs - I am including some course evaluations that I had access to in the application package. As a member of the Student Affairs and Student Liaison committees at McGill, I was involved in effecting a number of changes, including the institution of a "J" (incomplete mark) Appeals Committee in the Faculty of Arts and Science. In my own department, I was instrumental in establishing a career day for art history students, which featured speakers from diverse institutions involved in the arts, and brought about several changes to the Major and Honours curriculums. Due to my experience, I was invited to sit on the Humanistic Studies Committee, which directed an interdisciplinary programme. At the time I began teaching, the Dean of Arts urged my department to reintroduce Summer courses, and as the junior member of the department, I was given that task, although this effectively extended my school-year from one of two semesters into one of three trimesters. At McGill, I also continued to work with the Centre of Continuing Education as an advisor for their adult education courses in art history, and as liaison person between the Centre and local museums and art galleries. My last position at the Université Canadienne en France, a branch of Laurentian University gave me the ideal opportunity to combine all my concerns. In addition to my courses at the university, I was responsible for the co-ordination of art history and studio courses, and organized field trips to art collections in the immediate area and to Paris, Germany, Italy, and Spain. I also conducted workshops on photography and darkroom technique, as well as effective public speaking. Unfortunately, much to the dismay of students and staff, the program was prematurely terminated for budgetary reasons. Since returning to Canada, I have furthered my knowledge of computer programs, particularly graphic programs such as Adobe PhotoShop, Corel Draw, and Fractal Design. This gave me the opportunity to participate in the design of a number of web sites, and my previous expertise in photography has helped me to become highly proficient in image manipulation. Moreover, I have produced English and German translations for web sites by the French Ministry of Culture and the Archeveché de Montréal, as well as giving occasional talks on a variety of subjects in art history. In an additional activity, I have been able to expand on a life-long interest in watches. Over the past year, I have been an active participant in TimeZone, the most important international forum on watch-related issues. Recently, I have completed my own personal web site on timepieces, which is listed in TimeZone's directory of members' web sites. No matter where and in what capacity I have been employed in the past, I prided myself on my problem-solving abilities, openness to new ideas and concepts, and vision to improve existing conditions without resorting to the dismantling of current states of affair. Ever since the age of eighteen, when my two-year stint as officer in the West German army began, I have been accustomed to assume leadership positions, and have routinely succeeded in meeting the given challenges with sensitivity and vision. |
Page 1: hello |
Page 2: nice things |
Page 3: Audemars Piguet |
Page 4: IWC, JLC |
Page 5: Patek Philippe |
Page 6: Flieger |
Page 7: more Flieger |
Page 8: Zenith, Eberhard |
Page 9: chronographs |
Page 10: big money! |
Page 11: mo' money |
Page 12:
more chronos |
Page 13: less known gems |
Page 14: moonstruck |
Page 15: pictures & links |