God bless music. I'd rather have no
hands than not be able to listen to my music. It
has become such an integral part of who I am.
Notice I said 'my music.' Save the hands, throw
Britney Spears out a window. And it should make
sense that the only music that matters to me is
the music I care to listen to. Nevertheless, I
feel like I take my music, and music in general,
a lot more seriously than others do, although I
try not to be an ass when I converse on the
subject. So before I dive into some
philosophical, holier-than-thou rant, let me
provide for you a list of what I consider my
"principle" bands:
Chances are
you either know none of these bands or all of
them. If you don't know the common thread here, let
me inform you: thrash. Some people brand these
bands "metal" and I'd love to slug them
for doing so. The word "metal" brings
to mind things like Metallica, long hair,
deep-voiced frontmen, pyro and large venues, and
gothic themes. In general, the groups I listen to
aren't really representative of any of those
things. Metal denotes an image, and the groups
listed above don't seem to subscribe to any one
image in particular, or at all. They seem to be
more focused on their music - writing it, playing
it, performing it, loving it. And it shows, if
only to me. There is nothing more intense than
watching a performer pour their heart out and use
every ounce of strength and energy to emote their
message. Lajon from Sevendust does it like a pro,
as does Elias from Nonpoint. That, in conjunction
with the forcefullness of their music, has the
potential to create such an exchange of energy
between the crowd and the band, one feeding off
the other, everyone on one powerful wavelength. I
imagine Blink 182 can illicit something similar,
but I guarantee it's nowhere near as potent or
moving. Besides, Blink just wants to get the show over with so they can go count their money in their tour bus. There's something about thrash music and
what it brings it to the table that makes it such
a fulfilling experience.
That makes the fact that
these bands can't get proper promotion from the
major record labels or the Executive Empire (MTV)
extremely disheartening. I love these bands. They
help me through bad spots in my life and help
emphasize the highs. Without a leg up and some
backing, however, many of these bands either fail
to conform and are forced to dismantle or are
assimilated into the spiral of trash that has
become the music industry. The problem: music
executives hate thrash. Geffen seems to be able
to tolerate it in small doses, but the industry
has an otherwise dismal attitude. The solution:
step up to the plate. There needs to be someone,
somewhere, whether it be within one of the top
five or six labels or just a thrash fan with deep
pockets and a vision for the industry, who can
step forward and get the ball rolling. The only
way to bring thrash music to any kind of positive
standing in society is to make it ridiculously
available and push it to no end. Don't get me
wrong, my thoughts here aren't greedy; I don't
want an industry revolution. I simply feel so
strongly about thrash that I'd love for everyone
to experience the power and intensity it can
deliver.
If your heart so desires,
you can read a rant I authored concerning the
demise of music in society here.
The following pages
contain some show reviews.
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