Linguistic Philosophy
In the early 20th Century, philosopher Ludwig Wittgenstein theorized that the only question left to philosophy was that of understanding the limits of language. Wittgenstein’s first attempt at understanding language, called “early Wittgenstein”, used painting as a metaphor. A landscape and a painting of a landscape are two different things, yet we can easily identify the painting with the landscape. Wittgenstein believed this was because the logical forms of the two things were the same; in another words we perceived them as being the same. However, Wittgenstein abandoned this approach for one known as “later Wittgenstein” in which he called language a tool. Like a tool, a word has no purpose until it is put to use. Words have no intrinsic meaning, and therefor “the meaning of a word is its use in language.” For instance, the word evidence means something different to a lawyer, historian, and physicist, proving that the meaning comes from the user of the word. Later philosophers used these ideas to support their belief that modern philosophy should be concerned with the unraveling of truths, references, and meanings obscured by our improper and confusing use of language. To these philosophers, most philosophic problems arose from the inaccuracies of language. Since then, modern philosophy has been mainly concerned with questions of logic and linguistics.
Silence
What is the meaning of silence? Though many would define it as the "absesne of speech," silence communicates as effectively as any words, through body language, facial expression, and proximity. Silence carries different connotations in different cultures. Some view silence as a sign of respect; others view it as the proper behavior between strangers; still others believe silence is a part of rituals, including the grieving process. Americans tend to think of silence as ominous. They associate feelings of "hostility, disdain, disinterest, and anger" with persons who do not speak. Many American language rituals like "formulaic greetings, so-called 'small talk,' and frequent question and answer sequences" as ways to "avoid silence." However, the silent person may simply be showing peacefulness and respect for others or expressing his or her contemplative nature.
SOURCE: Bonvillain, Nancy. Language, Culture, and Communication: The Meaning of Messages. Upper Saddle River: Premtice Hall, 2000.
thlIngan Hol
thlIngan Hol, the official language of the Klingon Empire on Star Trek is a harsh language composed of short, clipped sounds and guttural, "growls." The language reflects the cultural norms of Klingon society--aggression, directness, and confidence. Klingon grammar is characterized by the use of prefixes and suffixes to add vowel tenses and prepositional relationships to words. Basic Klingon is simple, but complex sentences are multifaceted and carry a great deal of meaning. thlIngan Hol has been developed over many years by many people. The Klingon sound was first created by actor James Doohan who played Scotty on Star Trek and later fleshed out by linguist Mark Okrand. Several other Klingon languages, including klingonaase, have been developed by fans. There are many resources for those interested in learning thlIngan Hol including The Klingon Dictionary, The Klingon Way, The Klingon Galactic Traveler by Mark Okrand, and the audiocassettes Power Klingon and Conversational Klingon.
- thlIngan Hol Dajathl'a'- Do you speak Klingon?
The Klingon Language Institute
Quenya and Sindarin
These Elven languages developed by J. R. R. Tolkien may have perhaps the largest vocabulary of any artificial language. The sound and structure of Quenya is based upon Finnish, and Sindarin is based upon Welsh. Old English and other tongues of the British Isles also had an influence on Tolkien's work. The Elven tongues were designed to be perfect for song or poetry, the most elegant forms of expression to the Elven mind. The grammar of these languages is similar to Latin and is just as complex. Tolkien was quoted as saying that he wrote his famous Middle-earth books simply to create a world in which his invented languages, the works he spent most of his life developing, could be spoken. Besides Quenya and Sindarin, more than ten other languages were created for Middle-earth.
The Languages of Tolkein's Middle-earth by Ruth Noel is a beginner's guide to Tolkein's linguistic creations.
Here are some Elven phrases in Quenya...
- namarie- Farewell
- Anar kaluva tielyanna... The Sun shall shine on your path.
- "Vanda sína termaruva Elenna-nóreo alcar enyalien, ar Elendil Vorondo voronwe. Nai tiruvantes i hárar mahalmassen mi Númen, ar i Eru i or ilye mahalmar ea tenn'oio."-An oath from Unfinshed Tales
Ardalambion: Of the Tongues of Arda, invented world of J. R. R. Tolkien
Eunoia
The mysterious and almost whispered language Eunoia, which is an obscure English word meaning "beautiful thinking", is the language of the Taelons, or Companions, on Gene Roddenberry's Earth: Final Conflict. Eunoia, characterized by aspirated vowels and clipped, purring consonants, is a language of dual meanings. Depending on how a word is pronounced, it can be a greeting or a veiled threat, reflecting the alien Taelon philosophy. Because the Taelons are genderless and think as a group, their language doesn't include words for "he" and "she" and uses the plural forms of words as their standard form. Eunoia also doesn't reflect tense, as in past, present, or future, because the Taelons do not consider moments in time to be separate. Eunoia is written in three dimensions and reading it is a matter not only of translation, but also of emotional insight and empathy.
- [s]inaui [e]uhu[r]a (pronounced sheeh-nauh-weeh y-wh-h-wh-rrrah)- The Taelon greeting which means "arriving as if serene and/or fierce"
Eunoia Lexicon