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You are here: Pinoy na Pinoy >   Dancing Queens

PINOY DANCING QUEENS

In a country which has produced a good number of international beauty queens, it isn't surprising that at least three women have proclaimed themselves (in more than subtle ways) as the Ballroom Queen of the Philippines. On was even flaunted as (sigh) "Asia's Ballroom Queen". Fortunately for all three, they have the necessary resources to push their claimed reign.  

        Widowed socialite Aida Posadas seems to dominate the more classy magazine covers. With her millions, she can practically get her way in media (so we heard) and simply smiles as she hands out free copies to her presumed fans.  Recently, Ms. Posadas starred in an exclusive fashion launch "Strictly Fashionably Ballroom" at The Heritage Hotel in Pasay City. The show itself fell short of its avowed goal to blend fashion and ballroom dance, but Ms. Posadas outdid herself. Interspersed between features of our local designers' interpretation  of fashionable dancing outfits, Ms. Posadas displayed her dancing prowess with one of 6 dance partners she contracted for the night. In the finale number she wowed everyone with her stamina while dancing (and flying) with all 6 partners in a row. 
     Ms. Posadas, who was awarded the Teodora Alonzo Mercado Award in 1997 for having raised her children into prominent professionals and community leaders, was a former PE teacher in Makati. 

     Public relations practitioner- turned ballroom school owner Becky Garcia was once a TV dance show host. With her extensive media contacts, she is never at a loss for mileage, as long as she appears at the function. She too presides over  the DanceSport Council of the Philippines. Ms. Garcia continues to manage her own public relations firm as well as a dance school which helps train future competitive dance champions for the country. 

     Real-estate consultant Beth Victoria will not be left out. No millions nor classy media friends here. But she's outdone the other two by publishing her own ballroom magazine where she can unabashedly plaster her pretty face and form in every issue. As publisher, she is able to mingle and wangle her way into the most exclusive dance clubs as "Sparklers" and "Smiles" to assure continuous sales of her "Ballroom Dancing Philippines" magazine which is right about to release its 5th issue this quarter. 

     Obviously, all three are dance addicts like us, and quite proficient in their level of dancing. But to claim a crown is, well, .......   Especially so, since even the amateur formally-trained dancer can immediately see the many flaws and inconsistencies in their dancing. If they can claim a crown, surely many unknown dancers are more deserving of the title.

August 1998

Some of your comments

"Your description of the Filipino dancer is contradictory. How can the dancer not be responsible on the floor and still enjoy a wondrous dance when he has to lookout for flying arms and bodies?" -- from a dancer in New Jersey

"The jeepney is an most appropriate symbol for the Filipino dancer -- very irresponsible yet adaptable." -- from a Filipino based in Hawaii

"I always knew our Swing was not the Swing in the US. Neither is it the Hustle." -- from a recent visitor to the East Coast.

"Why do DIs refer to the "break on 2" as off-beat. They just prove how naive they really are."

"I can't imagine Tango-ing in a dance hall where no one follows the line of dance." -- from an American dance champion

"I love your story on the ballroom queens. But there's much more juicy details to tell about each of them."
    

 

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Copyright Heritage Dance Center 1998          Design by Vikky Bondoc-Cabrera
This page was last updated on Friday, October 01, 1999

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