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David E. Kelley : The Man Behind Ally McBeal America's luckiest guy? The real story behind the most important man in the lives of Michelle Pfeiffer and Ally McBeal "I love Ally McBeal," says one female fan. "She's gorgeous, she has a great job, men are crazy about her, and she's still unhappy! Well, if Ally can be unhappy then I can be unhappy too." Is that what the popularity of "Ally McBeal" is about? Misery loves company? Only partly. The dialogue is scintillating, the characters peculiar, the stories -- and not just those fantasy moments -- are creative and surprising. But most of all, "Ally McBeal" is about romance. First-date kisses. Lost chances. Jealous suspicions. Raging desire. Wattle fetishes. As Shakespeare and David E. Kelley know, these are everyone's favorite topics. How did David Kelley, the man behind "Ally McBeal", become one of the most exciting writer/creator/producers working in television today? How did a young lawyer with almost no writing experience end up scripting some of the best episodes of "L.A. Law"? And go on to create "Picket Fences", "Chicago Hope", and "The Practice"? And then marry Michelle Pfeiffer? And create a female character named Ally who would become so popular, so loved and reviled, that she would end up on the cover of Time? Depending on which newspaper columnist or public commentator you ask, "Ally McBeal" is either destroying the American feminist movement or revealing the secret hopes and desires of women across the country. In Ally, David Kelley has captured the spirit of our times. And he's having fun doing it, too. |
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The Art of the Storyboard : Storyboarding for Film, Tv, and Animation Book Description |
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And on my nightstand ... A Man in Full Reviews On many counts, the answer would have to be yes. Like its predecessor, A Man in Full is a big-canvas work, in which a multitude of characters seems to be ascending or (rapidly) descending the greasy pole of social life: "In an era like this one," a character reminds us, "the twentieth century's fin de siècle, position was everything, and it was the hardest thing to get." Wolfe has changed terrain on us, to be sure. Instead of New York, the focus here is Atlanta, Georgia, where the struggle for turf and power is at least slightly patinated with Deep South gentility. The plot revolves around Charlie Croker, an egomaniacal good ol' boy with a crumbling real-estate empire on his hands. But Wolfe is no less attentive to a pair of supporting players: a downwardly mobile family man, Conrad Hensley, and Roger White II, an African American attorney at a white-shoe firm. What ultimately causes these subplots to converge--and threatens to ignite a racial firestorm in Atlanta--is the alleged rape of a society deb by Georgia Tech football star Fareek "The Cannon" Fanon. |
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Plumed Serpent (Quetzalcoatl) Reviews |
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