page 2, reserved for my deeper thoughts


Art and Artists (and me, maybe) - jewel-eye twenty seven of ninety-nine
Boosting the Ego, a Human Obsession
Streamthoughts - 7/26/99


art and perception

things are spinning in me head. it's rather entertaining. the really fun thing about being cyclothymic is you never know what's real and what's in your head.... which leads me to - is there really a difference? anyone who has read over these pages in the past probably has picked up on my obsession with perception, subjectivity, and reality. i keep coming back to it - i just canna see it any other way, really - reality comes from the inside out, not the other way round. it's a tough view to really convince a lot of people of, though, because we have these little objective facts that are pretty sticky - gravity, air.... things like that.... which of course seem indeed to be coming from the outside in, imposing their reality on us, rather than the other way round. those things aren't particularly important, though - i mean, the laws of physics - we're kind of stuck with it - so instead of spending my time trying to figure out if that stuff is REALLY going on or if all of us humans just conveniently choose, collectively, to make it so, i'll choose to do something amazingly clever - ignore it. the rest of it is flexible, subjective, changable, and quite impossible i think for anyone who's not dead to get a complete grip on.
just why exactly am i going on like this today-? um. mostly because i have been in a flurry of updating and changing my pages around a bit and i feel like adding something less silly, daft, pointless, or poetic, and writing something a little more.... purposeful. and - here's the joke, folks - THIS IS IT! har har har.
see, there are some of us who have a hell of a time seeing things the way everyone else describes them. have you ever seen one of van gogh's paintings? one of his later ones? the interesting thing about van gogh is that these paintings - very bold and bright, filled with huge swaths of dabbed on paint - these painting were widely panned when he did them. didna look like anything in particular to the folks looking at them. but - here's the thing about van gogh - he really saw the world that way - all bright and fiery, light and dark, exploding with colour - so he painted that way. and people looked at the paintings, and, not seeing the world that way, they said, "who is this nitwit, and what does he want?" leaving poor old vincent scratching his head and wondering how in heaven's name to explain this. of course, his paintings DID explain it. poof - there it is, where everyone can see it - vincent saying, "welcome to my world, folks? isn't it bright and beautiful and bold!"
which brings me to something else. art. i think that's what it's for. the artist (poet, writer, film director, soccer player, dancer - any inspirational genius, really) takes the world, wraps it in her or his perspective, and then puts it some place where everyone else can see it. this, folks, is human interaction at its most basic. we're all so alone, in the end... even when we're together, even when we're in love or attending a party filled with close friends.... even then, it is so difficult to TOUCH anyone, or to feel them.... and then here comes that genius artist, and there it is, a direct connection between how that artist sees/feels/senses things, and how you do. they are the same things, but here's someone showing you - really showing you - how those things look to them. a feat of near impossibility. something so beautiful in conception, this connection... the most human of talents.... this is why i will always admire artists of all kinds more than other sorts of people. artists have power. and no matter who the artist happens to be, or what medium they're working in, or exactly what sort of work they've done, anytime someone experiences that work, that unique event is happening and one person's feelings and perspective are melting into another person's. and we're left with a third thing, bigger than either the artist or the person experiencing the art - we're left with this high human experience.
so, pay attention. don't just look or listen or read. feel. experience. here we are, being human, and hopeful. life is everywhere. one needs only open ones eyes, heart, mind.

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Boosting the Ego, a Human Obsession

Now here's something of which I am extremely tired... this tendency that some people demonstrate, to knock other people down in order to build themselves up.

I hate that.

It's pathetic. Almost everywhere I go where I have to spend any amount of time with people, there is one or more who feel the need to inflate themselves through various methods of demonstrating (falsely, most of the time, as it turns out) that they are superior to everyone else in one or more ways.

This is a traditional behaviour of bullies, who find someone who seems like an easy target, and who does not look likely to retaliate, and then embarrass or otherwise harass their target in the interests of making themselves look and feel powerful, confident, popular, etc. When one thinks of the behaviour of a bully, I think one sees someone who is unpleasant and deeply insecure. By deflecting all the negative attention onto someone else, the bully is able to hide his/her feelings of deficiency while simultaneously gaining the approval of those who enjoy the bully's behaviours. It's quite a bargain.

The downside of this is, of course, that the bully is not gaining any real measure of fulfillment; this is merely a smokescreen. The bully gains no sense of peace from this, he merely clouds his own insecurity behind a veil which others will be unlikely to penetrate.

Apologies for the side-track, but bullies illustrate my main point, which is that human beings should worry about themselves, not others. When someone is preoccupied about everything that someone else is doing wrong, that person is meddling in things that are none of his business. Where is the sense in harping on the perceived weaknesses of another human being? Why in heaven's name would anyone want to pontificate about the perceived offensive qualities of another human being when there is no purpose to it? The answer is - they feel better about themselves in doing this. By expressing their dislike of another person, they are making the things they object to seem more valid - particularly if they get affirmative feedback from whoever they are complaining to. And by making those objectionable qualities in another person more real, they themselves are able to say "I'm not like that," and thus feel better about themselves. Many people do this even when they themselves embody the very traits they are excoriating in another. It's silly.

Now, in writing this, I do not want to convey the impression that I think it is wrong to complain or that one ought never say anything negative about another human being. I am saying merely that, when the behaviour becomes a habit, and when it is exhibited with little reason (i.e. the complaints, excoriation, insults, whatever, are aimed at someone who has nothing or little to do with the complainer, or - even more common - the complainer is choosing to make issues of things which, if ignored, would not bother anyone at all, and which aren't harming anyone at all), then it is likely that the behaviour is built not on the shortcomings of its target, but instead, on the insecurity and need to feel powerful and correct of the person exhibiting the behaviour. It is most obvious when someone is going out of their way to make trouble for someone else, when, if that person would simply mind their own business, there would be no problem at all.

Finally, it could be said I myself am guilty of this behaviour, right here on this page, as I rant against a nameless group of people for their perceived behaviours. In defense of myself, I can only say that this is a piece of theoretical writing, intended to point out a kind of human behaviour that I do not particularly like. It is something else altogether if I choose to point out certain people and blast their shortcomings - or perceived shortcomings - here. In other words, this is not a critisizm of anyone in particular, rather it is a short treatise on a certain kind of behaviour which I have observed in the past, and which, I personally, have some feelings about.

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stream of thoughts

without a reason, it seems

july 26, 1999
....and i'm bruised and battered from rolling around on the floor with the muse.

It's rather odd to me that, in the midst of current project - which is taking over my entire life and rolling anything that tries to get into the way into a flat pancake like mess - i am suddenly sitting here with the overwhelming desire to jot down whatever it is i'm thinkingfeeling.... the unconscious mind, you know.... it's a lot like some kind of court jester, the unconscious, except this jester is actually pulling the strings, instead of taking orders. i mentioned somewhere on this page that i am going to go see - i should say "experience" alegria again - yes indeed - i will never quite get over loving beauty - after all, what's real when one has feelings-? - something amazing and strange, some kind of unexpected delight.... there are reasons to live, and a lot of them, it's certainly in the finding of the reasons where the challenge lies, or of course one can make them up as one goes and find at the end of the week that they like it better like that anyhow. see, i knew this little section would have no real purpose, but let me tell you, my unconscious mind right now is bouncing like tigger on acid and clapping it's tender hands together. yeah, let you out of yer box, didn't i? ah.
i like living. i like being alive. i don't often like what's inside the living, but the living is addictive. and i am a sucker for an addiction, that's certainly the least that can be said about me. live. yes, lads and laddies, i think that's it. today, tomorrow, next week from now, i'll always have something to say.... and if i alarm, upset, offend or simply make people wonder what planet i'm from.... that's why i'm here- it's in my heart to speak my mind. yawn.
i understand so much that it is overwhelming to sense how little i know. there's just no turning the seeing off. a poet's eyes never blink.

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