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Part 3 of Fanatik's Vidcap Tutorial

Before continuing make sure you've read Part 2

Once you have finished with all the settings, you are now able to make your video captures at the highest quality. It is important to have good "raw" captures so that not a lot of tedious editing is needed, however you will always have to do some editing if you want to enhance the images.

Part 1. System Settings
           Video Setup
Part 2. Capturing Images
           Edit Preparation
Part 3. Brightness, Contrast and Curves
Part 4. Adjusting Levels
Part 5. Color Adjustments
Part 6. Sharpening
Part 7. Montaging the caps
 

Step 5. Editing the images    to top

Here we are ready to edit. First thing I do is adjust the brightness and contrast levels. Not too much, just so that you can distinguish different areas of the image better than before. Use the preview switch to switch back and forth as you change the settings to see what you are doing.

Not too much, but noticeable. This will allow more shades to adjusted in the image. Next you should adjust the curves. Curves lets you adjust the tonal range of an image. However, instead of making the adjustments using just three variables (highlights, shadows, and mid tones), you can adjust any point along the 0–255 scale while keeping up to 15 other values constant. You can also use the Arbitrary Map option in the Curves dialog box to draw a tonal curve by dragging. This feature lets you create a variety of interesting tonal and color effects.

Using curves for tonal adjustments

Curves lets you make precise adjustments to one area of the tonal range while controlling the effect on the others. The first curve shown here is a common curve adjustment used to boost contrast in a CMYK scan: the S-curve. The midpoint of the curve is anchored, then the quartertones are decreased to lighten the highlights, and the three-quartertones are increased to darken the shadows. The inverse of this curve could be used to correct an image with too much contrast. The final two curves demonstrate other typical tonal adjustments in CMYK mode.

You can clearly see how adjusting the curves distinguishes the colors more clearly and gets rid of the "gray foginess" that covered the image. Its easy to over use this so be careful, adjust only in small increments. Actually the image above is a bit over-saturated, but not too bad.

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